SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid "/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6110 matches on Event Comments, 1324 matches on Performance Comments, 587 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: By Beaumont and Fletcher, reviv'd. Afterpiece: Not acted these three years. [See 8 Aug. 1761.] Mr Powell made his first appearance this Night in Philaster. His Reception was very great, he play'd the part amazingly well, & Seems to have Requisites to make a very Capital Performer. N.B. Covent Garden Theater begun to play every Night (Hopkins). Philaster by Mr Powell. Prodigious applause (Cross Diary). This play [Philaster] was wrote by Beaumont and Fletcher, and is now altered by Mr Colman. Mr Powell, a young gentleman clerk to Sir Robert Ladbrook, made his first appearance in the character of Philaster.--A greater reception was never shown to anybody,--he was so very much frightened, he could not speak for some time, and, when he did, the tears ran fast down his cheeks,--but he soon recovered himself, and went through the part with a great deal of nature and feeling,--Continued claps and huzza of bravo! &c. &c. Upon the whole I think him possessed of every requisite necessary to make him an ornament to the stage.--N.B. Mr D. Garrick instructed him in this part--when I see him in another shall be able to judge better of his capabilities.--Miss Pope appeared this Night in the character of Maria in the Citizen,--by endeavoring to be very fine she overdid it,--and it was plain to see she wanted her master. N.B.--Covent Garden began to play of our nights--the first time they ever begin first since Mr Garrick was manager (Hopkins Diary--MacMillan). Receipts: #258 11s. 6d. (MacMillan)

Performances

Mainpiece Title: Philaster

Performance Comment: Philaster-a young Gentleman, first appearance on any stage; others-Bransby, Lee, Burton, Ackman, Baddeley, Castle, Parsons, Fox, Marr, Watkins, Strange, Miss Bride, Mrs Lee, Mrs Hippisley, Miss Mills, Mrs Yates; Prologue-. Philaster-Powell, first appearance on any stage; Pharamond-Lee; King-Bransby; Dion-Burton; Old Captain-Baddeley; Countryman-Parsons; Euphrasia-Mrs Yates; Arethusa-Miss Bride; Megra-Mrs Lee; Thrasaline-Ackman; Claremont-Castle; Galatea-Miss Mills; Messengers-Fox, Marr; Woodmen-Watkins, Strange; Lady-Mrs Hippisley; Prologue- (Genest, V, 36; MacMillan). MacMillan).

Afterpiece Title: The Citizen

Event Comment: This Farce is taken From the Midsummer Night's Dream, by Coleman, & is a very pleasing Farce, & well receiv'd by the Audience (Hopkins). Songs of the Entertainment to be given at theatre. Mdsr Night's Dream Cut. Serious parts quite out. Went off well (Cross Diary). This Farce is taken from The Midsummer Night.-Mr Colman thought it was a pity so much pains and expense as was bestowed on the Midsummer Night's Dream should be thrown away,-he luckily thought of turning it into a farce, which alteration he made in one night,-and now I think as pleasing a farce as most that are done.-Miss Wright? is vastly great in her songs (Hopkins Diary-MacMillan). [See "A Midsummer Night's Dream in the hands of Garrick and Colman," PMLA, June 1939.

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: The Fairy Tale

Performance Comment: Characters by Yates, Baddeley, Clough, Love, Parsons, Ackman. Fairies-Miss Ford, Miss Wright, Mas. Raworth, Miss Rogers, Mas. Cape; To conclude with a Fairy Dance-Mas. Clinton, Miss Street, Miss Rogers, Miss Ford; Bottom-Yates; Quince-Love; Flute-Baddeley; Starveling-Parsons; Snug-Clough; Snout-Ackman (deduced from text).
Cast
Role: Snout Actor: Ackman

Dance: TThe Italian Gardiners, as17631119

Event Comment: IImogen for the first time by Mrs Yates. This Farce was the Comedy of Gilblas. Cut into Two Acts (Hopkins). Benefit for Mr Yates. No building on Stage. Receipts: #217 (MacMillan); charges: #64 4s. [Profit: #152 16s.

Performances

Mainpiece Title: Cymbeline

Performance Comment: As17631201, but Imogen-Mrs Yates (first time, and for this night only); Masque-Tassoni, _Grimaldi.

Afterpiece Title: The Counterfeits

Performance Comment: Parts-Yates, Palmer, Packer, Ackman, Baddeley, Miss Plym, Mrs Lee, Mrs Bennet, Mrs Bradshaw. Taken from Gil Blas, not printed, characters were perhaps Gil Blas-Yates; Don Lewis-Palmer; Melchoir-Baddeley; Aurora-Miss Plym; Laura-Mrs Lee; Bernarda-Mrs Bradshaw; Isabella-Mrs Bennet (Genest, V, 46); Parts-Packer, Ackman.

Dance: III: The Provancalle, as17631014; End I Farce: The Irish Lilt, as17630922

Performances

Mainpiece Title: Tamerlane

Performance Comment: Moneses-Powell (first time); Selima-Mrs Palmer (first time); Arpasia-Mrs Yates (first time); Tamerlane-Havard; Omar-Lee; Prince of Tanais-Ackman; Dervise-Bransby; Hali-Strange; Stratocles-Ackman; Bajazet-Holland; In Act IV, the Original Song of O' Gentle Sleep-Miss Young.
Cast
Role: Prince of Tanais Actor: Ackman
Role: Stratocles Actor: Ackman

Afterpiece Title: Daphne and Amintor

Performances

Mainpiece Title: Falstaffs Wedding

Performance Comment: Parts-Love, King, Dodd, Burton, Baddeley, Parsons, Aickin, Ackman, Moody, Strange, Watkins, Marr, Mas. Burton, Mrs Dorman, Mrs Bennet, Mrs Bradshaw, Mrs Pritchard; Prologue-; Epilogue-. Falstaff-Love; Shallow-Parsons; Pistol-King; Slender-Dodd; Bardolph-Moody; Dr Caius-Baddeley; Pleadwell-Aikin; Friar-Burton; Nym-Ackman; Dame Ursula-Mrs Pritchard; Mrs Quickly-Mrs Bradshaw; Dol Tearsheet-Mrs Dorman; Bridget-Mrs Bennet (Genest, V, 95); Peto-Marr; Strange, Watkins, Master Burton (Winston MS 9); By printed 1766 text these last played Officer-Strange; Gadshill-Watkins; Francis-Master Burton repectively. MacMillan suggests Dame Ursula-$Mrs Hopkins; Prologue-Dodd; Epilogue-Packer.

Afterpiece Title: A Fairy Tale

Performance Comment: As17660211, but The Characters-Ackman, _Castle.

Dance: II: A Dance called Hearts of Oak-Aldridge, Miss Baker

Performances

Mainpiece Title: As You Like It

Performance Comment: Jaques-Love; Rosalind-Mrs Barry; Celia (With Cuckoo song)-Miss Jarratt, first time; Touchstone-King; Adam-Moody; Oliver-Packer; Amiens (with song)-Vernon; Orlando-Brereton; Audrey-Mrs Bradshaw; Phoebe-Mrs Davies; Duke Sen-Hurst; Duke Frederick-Bransby; LeBeau-Ackman; Silvius-Wheeler; Charles-Keen; Jaques de Bois-Fawcett; Corin-Waldron; William-Messink; In V will be introduced a Song-Mrs Hunt.
Cast
Role: LeBeau Actor: Ackman

Afterpiece Title: The Deserter

Performance Comment: Parts by: Vernon, Bannister, Dibdin, Ackman, Kear, Mrs Wrighten, Parsons, Wright, Fawcett, Courtney, Mrs Love, Mrs Smith. Henry-Vernon; Skirmish-Parsons; Russett-Bannister; Simkin-Dibdin; Louisa-Mrs Smith; Jenny-Mrs Wrighten; Margaret-Mrs Love; Flint-Wright; Soldiers-Ackman, Fawcett, Kear, Courtney (Edition of 1773).
Cast
Role: Soldiers Actor: Ackman, Fawcett, Kear, Courtney

Dance: I: The Mountaineers, as17730930

Event Comment: Benefit for Ackman. Rec'd Mr Condell's payment in Full for Fruit Office #20. Receipts: #192 11s. 6d. Charges: #74 14s. Profits to Ackman: #119 17s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: The Genii

Cast
Role: Clown Actor: Ackman

Song: End Act III: Ode to Masonry-Vernon, Dodd, Bannister

Entertainment: Imitations-Bannister (last time this season)

Event Comment: Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. No persons to be admitted behind the scenes, nor any money to be returned after the curtain is drawn up. Places for boxes to be had of Mr Page at the Stage door. To begin at 6 o'clock. [Usual notice not to be repeated.] Rec'd from Mr Delamain for balance of his acct: #30; Commenced with a deficit brought over from Day Book I: #212 13s. 6d. Paid Nightly charges; #54 11s. 2d. Bridgewater in part of his bond: #50. Rich on Acct. #5 5s. (Account Book). [The income reduced the initial deficit to #124 10s. 2d. Day Book No. I, referr'd to seems not now to be extant. See note of solvency 9 Feb. 1750]. Receipts: #167 19s. 6d. (Source for all cg receipts is Account Book. Covent Garden, British Museum Egerton 2269.

Performances

Mainpiece Title: The Provokd Wife

Afterpiece Title: Damon and Phillida

Event Comment: Receipts: #57 2s. 6d. [As against the estimated charges for a night (#35 19s. 8d.), the first night's bill for fixed charges came to #36 7s. 1d., but included two days' bills, two days' billstickers, and six advertisements. In addition, paid Lambert (scene painter) three months' salary due 16 Aug. last, #25 (Account Book).

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Lottery

Event Comment: Tickets deliver'd out for the 2nd of January will be taken. [Full value from these tickets amounted to #33 7s. (Box 74; Pit 99). House receiv'd half value paid 14 Jan. by Mrs Young "for the benefit of a Gentleman under Misfortune." Sg Maranesi and his wife (as a team) receiv'd a pay increase of 6s. 8d. per day from 29 Dec. 1760, and Mrs Burden received an advance in her salary of 1s. 8d. per day from the same date (Account Book).] Receipts: #114 1s. 6d. (Account Book)

Performances

Mainpiece Title: King John

Afterpiece Title: Thomasand Sally

Event Comment: [T+The Way of the World had been advertised for both this day and the day before at foot of playbills.] Paid Isaac Wheatland for the side drum in The Female Archer 9s. (Account Book). Receipts: #194 1s. 6d. (Account Book)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Harlequin Dr Faustus

Event Comment: For the author. No Prologue or Epilogue. Paid Reynolds (oyl) bill #48 11s.; Powney (stationers) #8 17s. 5d.; Inns of Court their Christmas box #3 1s. 6d.; Mr Bibb (sword cutler) 3 bills #13 1s.; Vaughan (Haberdasher) #21 7s.; Mrs Amy Vaughan #1 11s. 6d. (Treasurer's Book). [This day at Noon will be publish'd. Price 2s. The Kellyad, or a critical examen into the merits of Thespis. By Louis Stamma. Who steals my purse..." Also publish'd this day The Anti-Thespis; or, a vindication of the principal performers belonging to Drury Lane Theater, from the false criticisms, illiberal abuse, and gross misrepresentations of the Author of Thespis. Players are the abstracts and brief chronicles of the times..."] Receipts: #73 10s. (Treasurer's Book)

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: The Musical Lady

Event Comment: On 21 Feb. Brereton broke his collar bone in fall from a horse at Bath (Winston MS 10). Paid five day's salary, #417 8s. 9d.; Mrs Abington's cloaths acct, #2; Mr S. French 12 days, #3 (Treasurer's Book). Receipts: #182 16s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: The Institution of the Garter

Event Comment: [This New Comedy (by Mrs Elizabeth Griffith) seems not to have been performed this night, according to the author's Preface to her Edition of 1772. Shuter had been unattentive and absent from many rehearsals]: At length though late [in the season] a day was appointed for the representation, and on that morning Mr Shuter appeared at rehearsal, pretty much in the same state as before, and confessed himself incapable of performing his part, that night. Upon which the play was oblig'd to be further postponed, and handbills were sent about at noon, to advertise town of the disappointment....A further final day was afterwards determined on, but the audience being out of humour at their former disappointment, called Mr Shuter to account for it, on his first appearance; which threw him into such confusion, that he was not able to get the better of it, throughtout the whole performance...in the hurry of his spirits the actor not only forgot his part, the deficiency of which he endeavoured to supply with his own dialect, but also seemed to lose all idea of the character he was to perform; and made the Governor appear in a light which the author never intended: that of a mean, ridiculous buffoon. [Mrs Griffith concluded her preface by relating how her friends stood by the piece, but two or three in the gallery, when it was given out again objected and threw an apple at the chandeliers, which so perturbed the management that the play was withdrawn. She therefore published it by subscription, prefixing the names of about 440 subscribers, persons of the first quality, including James Boswell, Edmund Burke, Col. Burgoyne, the Duke of Devonshire, David Garrick, Mrs Montague, William Richardson, and a host of writers, players, and people of fashion. This list provides a pretty good roster of those who filled the boxes and part of the pit of both theatres at the time.] Paid Younger #2 2s. for the license for A Wife in the Right (Account Book). Receipts: #218 12s. (Account Book)

Performances

Mainpiece Title: A Wife In The Right

Afterpiece Title: The Intriguing Chambermaid

Event Comment: Benefit for Dibdin. Paid Duke of Bedford half year's rent to Lady Day last (#182 10s. Taxes allowed #25 7s.) #157 3s.; Subscription to St George's Hospital 1 year to Lady Day, #10 10s.; Mr Calthorpe's 2nd and last payment #157 10s. (Treasurer's Book). Receipts: #134 2s. Charges: #68 15s. Profits to Dibdin: #65 12s. (Treasurer's Book)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Padlock

Song: End: Several Catches and Glees, part of which will be entirely New, Composed-Dibdin, for that evening, and Part selected from the most admired Composers

Dance: The Sailors Revels, as17711008

Event Comment: Rec'd Stopages #1 3s. Paid 4 days salary list #289 5s. 8d. at #72 6s. 5d. per diem; Mrs Abington in full of #60, for cloaths #1; Mr S. French #1 10s.; Mr S. Barry and Wife 1 days salary in full #8 6s. 8d.; Sieur Daigville and Wife ditto #1 (Treasurer's Book)

Performances

Mainpiece Title: None

Event Comment: Miss Mansell made her first appearance upon this Stage in Louisa Dudley She has a good face her figure rather Clumsey a hoarse Voice & not much Simplicity (Hopkins Diary). [Reviewer for Town and Country Magazine agrees Miss Mansell not too good as Louisa. Macmillan note from Kemble differs slightly: "Miss Mansell's first appearance,--she played Louisa Dudley,--a slattern figure, rather clumsy,--a coarse voice,--and no simplicity,--very unfit for the character Hopkins Diary No 7."] Paid three day's salary list at #80 7s. 5d. per diem,-#241 2s. 3d.; Mr S. French, 6 days, #1 10s.; Lampmen #2 12s.; Bill stickers #3 12s. Handbills 5s.; Candlemen #1 8s.; Mantua Maker #6 1s. 2d.; J. Stevens (Porter) 18s. (Treasurer's Book). Receipts: #205 16s. 6d. [The constant payments are tabulated for the season as follows and will not be further itemized]: @Item Weekly Average Season Total Lampmen #3 #111@Bill Stickers #2 14s. #99 15s.@Handbills 12s. #21 12s.@Candlemen & extras #8 #296@Mantua Maker #4 5s. #150@J. Stevens 18s. #33 6s.

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Padlock

Event Comment: Mainpiece: By Particular Desire. Paid salary 1st 5 days at #84 6s. 11d. per diem, #421 14s. 7d.; Mr S. French, six days #1 10s.; Mr Roye on acct 1st. #4 4s.; Mr Clinch, per order #5 5s. (Treasurer's Book). [This is the last payment to Mr S. French. Mr Roye hereafter seems to take his place at #4 10s. per week during the rest of the season. Query. Pierre Royer, painter? His name spelled Royer in the Treasurer's Book, 3 Jan. 1773. His total season's payment #153. Not further itemized.] Receipts: #171 8s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Old Maid

Event Comment: Rec'd Stopages #18 3s.; Paid salary list #567 6s.; Mr Vascour and Wife, 3 days not on list #1 5s.; Mrs Hartle, 12 days not on list #2; J. French on account #5 5s. Receipts: #104 1s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Election

Afterpiece Title: The Elopement

Cast
Role: Parts Actor:
Role: Prompter Actor: Ackman
Event Comment: For House. By Their Majesties's Command, 8th night (Treasurer's Book). Paid Cleansing & Lighting rate 1 year to Lady Day last, for St Martin's #20 2s.; half yrs. Land and Window Tax to Lady Day last for ditto #40 10s. 1d.; Easter Offering 10s. 6d.; Tallow chandler's 9th Bill #31 1s. 3d.; Mr Baddeley in part of #60 in liew of Benefit (remitting #30 to his credit) #30. Receipts: #211 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Stratagem

Performance Comment: As17741103, but Archer-King; Scrub-Yates, first appearance this season.

Afterpiece Title: Bon Ton

Dance: V: The Grand Provencalle Dance, as17750202

Event Comment: Benefit for Hurst and Webb. Afterpiece: By Desire. Rec'd from Sinking Fund #504; from Stopages #11 9s. 6d. Paid Tallow Chandler's 9th bill #30 9s.; 1!2 year's land and window tax to Lady Day last #41 2s. 7.; Mr Wegg 1!2 year's rent to Lady Day last #57. Receipts: #32 16s. 6d. Charges: #66 11s. 6d. Deficit to Hurst and Webb: #33 15s. (Treasurer's Book)

Performances

Mainpiece Title: The School For Rakes

Afterpiece Title: The Waterman

Dance: End: The Savage Hunters, as17751118

Event Comment: Last time but one of the Company's performing this season. House. Mr Garrick as before Mr Vernon being hoarse Mr Davies play'd Sr. John Loverule some body in the Pit call'd for Vernon as his Name was in the Bills Mr Davies told them that Mr Vernon had been ill these two day [sic] and it was thought unnecessary to trouble them with an apology they afterwards call'd for the Early Horn Mr Davies told them he did not know of doing the part till after two therefore he was not prepar'd. they call'd out & bid him go on his own way (Hopkins Diary). [MacMillan's note from Kemble omits the comment on the afterpiece. Song The Early Horn had been traditional for the part of Sir John for over 30 years. See 10 Sept. 1741.] Paid Mr Short, Chorus, 5s.; Blurton 4 days salary in full #1 6s. 8d.; French on acct #100. Receipts: #305 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Devil to Pay

Event Comment: "It was with extreme regret that we perceived the ravages of time in the person of [Mrs Crawford, who had not acted in London since 12 Apr. 1785], tho' we were much consoled in observing that his influence is not equally apparent in her abilities...The blaze is gone, but there is a richness in the setting lustre...Kemble is evidently [Johnston's] model, and he followed him so closely, as even to the crossing of the legs in dying; so that where he was best, his efforts seemed to be the effect of imitation" (True Briton, 24 Oct.). "Mrs Crawford has had her day; but the sun of her genius has long sunk beneath the horizon...Many parts of her performance, we were sorry to observe, evinced the most evident decline of powers, and her tremulous accents, the debility of which was rendered the more striking from the want of several teeth, proclaimed that her days of play and action were nearly brought to a close...She was received with reiterated plaudits throughout...Nature has been very bountiful in supplying [Johnston] with a voice of much compass and melody, but he does not appear to have paid much attention to the cultivation of her favours. His transitions are often abrupt, and sometimes discordant; and the management of his tones is of so strange a nature that it appears more like two distinct voices than a judicious modulation of his natural accents" (Morning Herald, 24 Oct.). Receipts: #260 9s. (253.4.6; 7.4.6)

Performances

Mainpiece Title: Douglas

Performance Comment: Douglas-Johnston (from the Theatre Royal Edinburgh; 1st appearance on this stage); Lord Randolph-Clarke; Glenalvon-Whitfield; Officer-Thompson; Old Norval-Murray; Anna-Miss Mansel; Lady Randolph-Mrs Crawford.

Afterpiece Title: The Maid of the Mill

Afterpiece Title: Englands Glory

Dance: As17971018

Event Comment: Not acted in 30 years. Principal Characters new Dress'd. Written by Otway (General Advertiser). Mr Woodward did ye part of Malagene in which he took off Mr Foote & would have many of ye Actors but the Audience grew so outragious, that he was forc'd to desist ye 4th & 5th Acts were much hooted, Mr Havard in a part where he says Whir was severely treated, nor could he ever appear after in ye play, but the whole Audience echoed that Word--it was given out again, wch so enrag'd the Audience yt they call'd loudly for Garrick, but as he was not this Night at the House, they pull'd up the Benches, tore down ye King's Arms, & wou'd have done much more mischief had not Mr Lacy qone into the Pit, & talk'd to 'em, what they resented was giving out a piece again after they had damn'd it--the Gallery resented ye Guards being sent in--Mr Lacy was oblig'd to go upon the Stage after & tell 'em I had given out the play again, as ne'er a Manager was present to give other Directions--In his Argument Mr Lacy call'd a Witness in ye pit, saying that Gent: next to ye painter knows I was in ye pit when ye Guards went into the Gallery, so I cou'd not send 'em this painter after ye rout came behind the scenes & was angry for being call'd painter (his name was Hudson) but at length he as well as ye rest was pacified--and we gave out Provok'd Husband (Cross). [See Foote's retaliation in Daily Advertiser, 26 Jan.] Paid Capt. Turber 1!2 year's rent #11 3s. 4d. (Treasurer's Book). Receipts: #140 (Cross); #137 12s. (Treasurer's Book)

Performances

Mainpiece Title: Friendship In Fashion revivd

Event Comment: [For Cross' comment, see dl.] Receipts: #203 8s. 6d. Paid Barry one third of the surplus of this night's receipt over and above #80 allow'd for the charges:-#41 2s. 10s. Paid Lambert (Scene Painter) 3 month's salary to 16 Nov. last:-#25 (Account Book). [Lee, who seems to have entered earlier on a percentage-of-Box-Receipts: basis for his salary, received only one-third of receipts above a house charge of #100.] The Tragedy of King Lear was presented on this stage; King Lear by Mr Barry, and Cordelia by Mrs Bellamy; The latter was received with universal satisfaction; but on the former's appearance, after a thundering Peal of Applause, a few misguided persons made it necessary for Mr Barry to inform the audience that it ever had been his study to contribute his utmost to the entertainment of the town, and that all reports of his having been exorbitant in his demands were injurious and totally groundless. Upon this he was desired with one general acclamation to proceed in the play. The disturbers of the public were ordered to be silent or to be turned out of the house; and this great actor proved, by the improvement he has made in this character, that excellent as he is, he is still capable of reaching new strokes of perfection; and in the conclusion of the play the applause he met with was the tribute of hearts gratefully agitated through the whole performance with a variety of passions thrown into a ferment by powers most wonderfully suited to tenderness and compassion (London Chronicle, 3-6 Dec.)

Performances

Mainpiece Title: King Lear And His Three Daughters

Afterpiece Title: The Virgin Unmaskd

Dance: JJovial Coopers, as17571107