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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid "/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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7576 results for: Keyword - Ackman</i> (<i>Public Advertiser</i>). This day only. Paid $<span class=
We found 6110 matches on Event Comments, 1324 matches on Performance Comments, 587 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

2651
30 April 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Wedding Day

2652
16 May 1798 @ Covent Garden

Performances

Mainpiece Title: The Deserted Daughter

Afterpiece Title: Britons Roused

Performance Comment: ; or, Citizen Soldiers. In which Songs-; Duets-; SCENE I. A View of a Camp. Officers-Incledon, Townsend, Betterton; SCENE II. The Advance of the Army, Slow Time. They form a half moon, and go through the Manual Excercise. SCENE III. A Sham Battle. They divide; when the mode of attack and defence in street-firing, so necessary to be practised and known at this critical period, will be exactly represented. To conclude with God save the King-.
Cast
Role: when the mode of attack and defence in street Actor: firing, so necessary to be practised and known at this critical period, will be exactly represented. To conclude with God save the King-.

Afterpiece Title: The Follies of a Day

Dance: End 2nd piece: a Minuet-Mr and Miss Betterton

2653
30 May 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: The Italian Monk

Afterpiece Title: The Follies of a Day

Afterpiece Title: Blue Beard

2654
01 June 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Follies of a Day

2655
12 June 1798 @ Drury Lane Theatre

Event Comment: Benefit for Caulfield, Trueman and Johnston. 1st piece: Never [previously] acted at this Theatre. Receipts: #489 (36.12; 35.0; 1.3; tickets: 416.5) (charge: #232 6s. 6d.)

Performances

Mainpiece Title: Ways And Means

Afterpiece Title: The Wedding Day

Afterpiece Title: Blue Beard

Song: In course: Fal Lal , from The Cherokee,-Mrs Bland

Entertainment: End 2nd piece: a variety of Imitations (for that night only)-Caulfield

2656
12 June 1798 @ Haymarket Theatre

Event Comment: 3rd piece: Taken from the French of Patrat; Performed but once [at cg on 24 Apr. 1798]. [On this night the following performers appeared both at dl and at the hay: Aickin, Caulfield, Wathen, Trueman, Bannister, Miss DeCamp, Miss Heard.] On playbill of 13 June: Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Places for the Boxes to be had of Rice, at the Theatre. Printed by T. Woodfall, No. 104, Drury-Lane

Performances

Mainpiece Title: The Deaf Lover

Afterpiece Title: The Battle of Hexham or Days of Old

Afterpiece Title: Blue Devils

2657
07 September 1798 @ Haymarket Theatre

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: An Olla Podrida

Afterpiece Title: Bannian Day

2658
01 October 1798 @ Covent Garden

Performances

Mainpiece Title: The Orphan Or The Unhappy Marriage

Afterpiece Title: The Follies of a Day

2659
16 November 1798 @ Covent Garden

Performances

Mainpiece Title: Ramah Droog

Afterpiece Title: The Follies of a Day

2660
31 January 1799 @ Drury Lane Theatre

Performances

Mainpiece Title: The Child Of Nature

Performance Comment: Duke Murcia-Suett; Marquis Almanza-Powell (1st appearance in that character); Count Valentia-Russell; Peasant-Aickin; Marchioness Merida-Miss Biggs; Amanthis-Mrs Jordan.
Cast
Role: Amanthis Actor: Mrs Jordan.

Afterpiece Title: The Wedding Day

Afterpiece Title: Feudal Times

2661
08 April 1799 @ Covent Garden

Performances

Mainpiece Title: Fun And Frolic

Afterpiece Title: The Birth Day

Performance Comment: Principal Characters by Munden, Fawcett, H. Johnston, Murray, Waddy, Abbot, Mrs Davenport, Mrs Whitmore, Mrs Pope. [Cast from text (T. N. Longman and O. Rees, 1800): Captain Bertram-Munden; Jack Junk-Fawcett; Harry Bertram-H. Johnston; Mr Bertram-Murray; Lawyer Circuit-Waddy; William-Abbot; Mrs Moral-Mrs Davenport; Ann-Mrs Whitmore; Emma-Mrs Pope; Prologue-H. Johnston; Epilogue-Mrs Pope. [These were spoken, as here assigned, at the 1st 11 performances only (see17990516).]These were spoken, as here assigned, at the 1st 11 performances only (see17990516).]

Afterpiece Title: The Magic Oak

2662
10 April 1799 @ Covent Garden

Performances

Mainpiece Title: A Divertisement

Afterpiece Title: The Birth Day

Afterpiece Title: The Jew and the Doctor

Dance: In 1st piece: As17990316

2663
11 April 1799 @ Covent Garden

Performances

Mainpiece Title: The Birth Day

Afterpiece Title: The Magic Oak

2664
16 April 1799 @ Covent Garden

Performances

Mainpiece Title: Wild Oats

Afterpiece Title: Sunshine after Rain

Afterpiece Title: The Jolly Crew or Tars at Anchor

Performance Comment: Principal Characters-Incledon, Johnstone, Munden, Fawcett, Townsend, Linton, Street; In which: Thursday in the Morn-Incledon; Kicking up a Row-Johnstone; Four and Twenty Fidlers-Munden; The Tight [or, Snug] Little Island (written by T. Dibdin)-Townsend; Boxing the Compass-Fawcett; Catches, Glees-Incledon, Johnstone, Townsend.
Cast
Role: Thursday in the Morn Actor: Incledon

Song: In Course Evening: a new Comic Song (never sung in London), A Bundle of Proverbs; or, Odds and Ends, in the Character of Ephraim Smooth-Munden; A new Comic Song (never performed), A Touch at Old Times; or, No Days better than our Own-Munden; The Barber's Petition, with a song in character, Wigs, including His Own Wig, the Lover's Wig, Doctor's Wig, Coachman's Wig, Councellor's Wig,-Fawcett

Entertainment: Monologue The Barber's Petition-Fawcett

2665
17 April 1799 @ Covent Garden

Performances

Mainpiece Title: A Divertisement

Afterpiece Title: The Birth Day

Afterpiece Title: Raymond and Agnes

2666
18 April 1799 @ Covent Garden

Performances

Mainpiece Title: The Birth Day

Afterpiece Title: A Divertisement

Afterpiece Title: Raymond and Agnes

Dance: 2nd piece: Scotch Reel-Blurton, Mrs Watts

2667
20 April 1799 @ Covent Garden

Performances

Mainpiece Title: The Birth Day

Afterpiece Title: The Jew and the Doctor

Afterpiece Title: Raymond and Agnes

2668
23 April 1799 @ Covent Garden

Event Comment: Benefit for H. Johnston. Mainpiece: 1st time at this Theatre; by Permission of Mr Colman. Morning Chronicle, 9 Apr.: Tickets to be had of H. Johnston, No. 47, Great Queen-street, Lincoln's Inn Fields. Receipts: #334 3s. 6d. (174.7.6; 1.14.0; tickets: 158.2.0)

Performances

Mainpiece Title: The Iron Chest

Afterpiece Title: The Follies of a Day

Dance: End: a new Scotch Ballet, The Highland Lovers (under the direction of Bologna Jun.)-Bologna Jun., Hawtin, King, Mrs Watts, Miss Brugier (1st appearance)

Song: In course Evening: Sally in our Alley-Incledon

2669
24 April 1799 @ Covent Garden

Performances

Mainpiece Title: The Birth Day

Afterpiece Title: The Spoild Child

Afterpiece Title: Raymond and Agnes

2670
24 April 1799 @ Drury Lane Theatre

Performances

Mainpiece Title: Will And No Will Or Wits Last Stake

Afterpiece Title: Trials of the Heart

Afterpiece Title: The Wedding Day

Song: End 2nd piece: The Country Club-Bannister Jun.; In 3rd piece: In the dead of the Night-Mrs Jordan

Entertainment: Monologue End: Foote's Prologue to The Author-King; in which is introduced the well-known Fable of The Man the Boy and the Ass-King

2671
25 April 1799 @ Covent Garden

Performances

Mainpiece Title: The Birth Day

Afterpiece Title: The Jew and the Doctor

Afterpiece Title: Raymond and Agnes

2672
08 May 1799 @ Covent Garden

Performances

Mainpiece Title: The Horse And The Widow

Afterpiece Title: The Birth Day

Afterpiece Title: Albert and Adelaide

Dance: As17990504

2673
16 May 1799 @ Covent Garden

Performances

Mainpiece Title: The Horse And The Widow

Afterpiece Title: The Birth Day

Afterpiece Title: Albert and Adelaide

Dance: As17990504

2674
18 May 1799 @ Covent Garden

Performances

Mainpiece Title: The Iron Chest

Performance Comment: As17990423, but Fitzharding-Johnson (from the Park? Theatre, New York; 1st appearance on this stage); Samson (1st time)-Townsend; Helen (for that night only)-Mrs Johnson; Chorus of Robbers-_; Chorus of Servants-_.

Afterpiece Title: Catherine and Petruchio

Performance Comment: As17990316but Catherine (for that night only)-Mrs Johnson.

Afterpiece Title: Tell Truth and Shame the Devil

Song: End: Mad Tom-Betts (1st appearance on the stage); Young William-Incledon; The Golden Days-Munden; The Tight Little Island-Townsend; The Wind blew fresh and fair-Townsend

Music: End I 1st piece: Concerto Clarionet-Orsato (of the Theatre Royal Venice; 1st appearance in this Metropolis); a duetto solo by means of the Pression and Repercussion of the Air-Orsato This his curious Discovery has received the greatest Applause in most of the Courts

2675
23 May 1799 @ Covent Garden

Performances

Mainpiece Title: The Horse And The Widow

Afterpiece Title: The Birth Day

Afterpiece Title: The Jew and the Doctor

Music: Preceding 1st piece: Grand Sonata on the Piano Forte, as17990515; End I 2nd piece: Lesson of Nicolai, as17990515

Entertainment: Monologues End 1st piece: Alexander's Feast, as17990515; End 2nd piece: Grand Address to the Audience, as17990515