SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only "/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3976 matches on Event Comments, 1323 matches on Performance Comments, 587 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: Never acted before. Characters new dressed &c. [See Theatrical Review; or, Annals of the Drama, 1763, pp. 67-74: Bless us what a sweet consistent piece of business is a modern Tragedy." See Boswell's account of his attendance that night with two friends, With oaken cudgels in our hands and shrill sounding catcalls in our pockets," ready prepared to damn the play (London Journal), p. 154 ff.).] Critical Strictures on the New Tragedy of Elvira, published this month (Gentleman's Magazine). I then undressed for the Play. My father and I went to the Rose, in the Passage of the Playhouse, where we found Mallet, with about thirty friends. We dined together, and went from thence into the Pitt, where we took our places in a body, ready to silence all opposition. However, we had no occasion to exert ourselves. Not withstanding the malice of a party, Mallet's nation, connections and indeed imprudence, we heard nothing but applause. I think it was deserved. The play was borrowed from de la Motte, but the details and language have great merit. A fine Vein of dramatick poetry runs thro' the piece. The Scenes between the father and son awaken almost every sensation of the human breast; and the Council would have equally moved, but for the inconvenience unavoidable upon all Theatres, that of entrusting fine Speeches to indifferent Actors. The perplexity of the Catastrophe is much, and I believe justly, critisized. But another defect made a strong impression upon me. When a Poet ventures upon the dreadful situation of a father who condemns his son to death; there is no medium; the father must either be monster or a Hero. His obligations of justice, of the publick good, must be as binding, as apparent as perhaps those of the first Brutus. The cruel necessity consecrates his actions, and leaves no room for repentance. The thought is shocking, if not carried into action. In the execution of Brutus's sons I am sensible of that fatal necessity. Without such an example, the unsettled liberty of Romev would have perished the instant after its birth. But Alonzo might have pardoned his son for a rash attempt, the cause of which was a private injury, and whose consequences could never have disturbed an established government. He might have pardoned such a crime in any other subject; and the laws could exact only a equal rigor for a son; a Vain appetite for glory, and a mad affectation of Heroism, could only influence him to exert an unequal & superior severity (Gibbon's Journal, ed. D. M. Low [New York, n.d.], pp. 202-4)

Performances

Mainpiece Title: Elvira

Performance Comment: Principal parts by: Garrick, Holland, Love, Packer, Burton, Ackman, Castle, Fox, Mrs Pritchard, Miss Bride, Mrs Cibber, Prologue and Epilogue. Don Alonzo-Garrick; Don Pedro-Holland; Don Alvarez-Love; Don Roderigo-Packer; Elvira-Mrs Cibber; Queen-Mrs Pritchard; Almayda-Miss Bride; Ambassador (?)-Burton; Ramirez-Ackman; Mendozo-Castle; Courtier-Fox; Prologue-Holland; Epilogue (writ by Garrick)-Mrs Cibber (Edition of 1763).
Cast
Role: Ramirez Actor: Ackman

Afterpiece Title: The Male Coquette

Cast
Role: Waiters Actor: Ackman, Vaughan
Event Comment: Mainpiece: By Beaumont and Fletcher, reviv'd. Afterpiece: Not acted these three years. [See 8 Aug. 1761.] Mr Powell made his first appearance this Night in Philaster. His Reception was very great, he play'd the part amazingly well, & Seems to have Requisites to make a very Capital Performer. N.B. Covent Garden Theater begun to play every Night (Hopkins). Philaster by Mr Powell. Prodigious applause (Cross Diary). This play [Philaster] was wrote by Beaumont and Fletcher, and is now altered by Mr Colman. Mr Powell, a young gentleman clerk to Sir Robert Ladbrook, made his first appearance in the character of Philaster.--A greater reception was never shown to anybody,--he was so very much frightened, he could not speak for some time, and, when he did, the tears ran fast down his cheeks,--but he soon recovered himself, and went through the part with a great deal of nature and feeling,--Continued claps and huzza of bravo! &c. &c. Upon the whole I think him possessed of every requisite necessary to make him an ornament to the stage.--N.B. Mr D. Garrick instructed him in this part--when I see him in another shall be able to judge better of his capabilities.--Miss Pope appeared this Night in the character of Maria in the Citizen,--by endeavoring to be very fine she overdid it,--and it was plain to see she wanted her master. N.B.--Covent Garden began to play of our nights--the first time they ever begin first since Mr Garrick was manager (Hopkins Diary--MacMillan). Receipts: #258 11s. 6d. (MacMillan)

Performances

Mainpiece Title: Philaster

Performance Comment: Philaster-a young Gentleman, first appearance on any stage; others-Bransby, Lee, Burton, Ackman, Baddeley, Castle, Parsons, Fox, Marr, Watkins, Strange, Miss Bride, Mrs Lee, Mrs Hippisley, Miss Mills, Mrs Yates; Prologue-. Philaster-Powell, first appearance on any stage; Pharamond-Lee; King-Bransby; Dion-Burton; Old Captain-Baddeley; Countryman-Parsons; Euphrasia-Mrs Yates; Arethusa-Miss Bride; Megra-Mrs Lee; Thrasaline-Ackman; Claremont-Castle; Galatea-Miss Mills; Messengers-Fox, Marr; Woodmen-Watkins, Strange; Lady-Mrs Hippisley; Prologue- (Genest, V, 36; MacMillan). MacMillan).

Afterpiece Title: The Citizen

Event Comment: This Farce is taken From the Midsummer Night's Dream, by Coleman, & is a very pleasing Farce, & well receiv'd by the Audience (Hopkins). Songs of the Entertainment to be given at theatre. Mdsr Night's Dream Cut. Serious parts quite out. Went off well (Cross Diary). This Farce is taken from The Midsummer Night.-Mr Colman thought it was a pity so much pains and expense as was bestowed on the Midsummer Night's Dream should be thrown away,-he luckily thought of turning it into a farce, which alteration he made in one night,-and now I think as pleasing a farce as most that are done.-Miss Wright? is vastly great in her songs (Hopkins Diary-MacMillan). [See "A Midsummer Night's Dream in the hands of Garrick and Colman," PMLA, June 1939.

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: The Fairy Tale

Performance Comment: Characters by Yates, Baddeley, Clough, Love, Parsons, Ackman. Fairies-Miss Ford, Miss Wright, Mas. Raworth, Miss Rogers, Mas. Cape; To conclude with a Fairy Dance-Mas. Clinton, Miss Street, Miss Rogers, Miss Ford; Bottom-Yates; Quince-Love; Flute-Baddeley; Starveling-Parsons; Snug-Clough; Snout-Ackman (deduced from text).
Cast
Role: Snout Actor: Ackman

Dance: TThe Italian Gardiners, as17631119

Event Comment: IImogen for the first time by Mrs Yates. This Farce was the Comedy of Gilblas. Cut into Two Acts (Hopkins). Benefit for Mr Yates. No building on Stage. Receipts: #217 (MacMillan); charges: #64 4s. [Profit: #152 16s.

Performances

Mainpiece Title: Cymbeline

Performance Comment: As17631201, but Imogen-Mrs Yates (first time, and for this night only); Masque-Tassoni, _Grimaldi.

Afterpiece Title: The Counterfeits

Performance Comment: Parts-Yates, Palmer, Packer, Ackman, Baddeley, Miss Plym, Mrs Lee, Mrs Bennet, Mrs Bradshaw. Taken from Gil Blas, not printed, characters were perhaps Gil Blas-Yates; Don Lewis-Palmer; Melchoir-Baddeley; Aurora-Miss Plym; Laura-Mrs Lee; Bernarda-Mrs Bradshaw; Isabella-Mrs Bennet (Genest, V, 46); Parts-Packer, Ackman.

Dance: III: The Provancalle, as17631014; End I Farce: The Irish Lilt, as17630922

Performances

Mainpiece Title: Tamerlane

Performance Comment: Moneses-Powell (first time); Selima-Mrs Palmer (first time); Arpasia-Mrs Yates (first time); Tamerlane-Havard; Omar-Lee; Prince of Tanais-Ackman; Dervise-Bransby; Hali-Strange; Stratocles-Ackman; Bajazet-Holland; In Act IV, the Original Song of O' Gentle Sleep-Miss Young.
Cast
Role: Prince of Tanais Actor: Ackman
Role: Stratocles Actor: Ackman

Afterpiece Title: Daphne and Amintor

Performances

Mainpiece Title: Falstaffs Wedding

Performance Comment: Parts-Love, King, Dodd, Burton, Baddeley, Parsons, Aickin, Ackman, Moody, Strange, Watkins, Marr, Mas. Burton, Mrs Dorman, Mrs Bennet, Mrs Bradshaw, Mrs Pritchard; Prologue-; Epilogue-. Falstaff-Love; Shallow-Parsons; Pistol-King; Slender-Dodd; Bardolph-Moody; Dr Caius-Baddeley; Pleadwell-Aikin; Friar-Burton; Nym-Ackman; Dame Ursula-Mrs Pritchard; Mrs Quickly-Mrs Bradshaw; Dol Tearsheet-Mrs Dorman; Bridget-Mrs Bennet (Genest, V, 95); Peto-Marr; Strange, Watkins, Master Burton (Winston MS 9); By printed 1766 text these last played Officer-Strange; Gadshill-Watkins; Francis-Master Burton repectively. MacMillan suggests Dame Ursula-$Mrs Hopkins; Prologue-Dodd; Epilogue-Packer.

Afterpiece Title: A Fairy Tale

Performance Comment: As17660211, but The Characters-Ackman, _Castle.

Dance: II: A Dance called Hearts of Oak-Aldridge, Miss Baker

Event Comment: The Rose is a New Musical performance of Two Acts by Dr Arne a very dull insipid piece. Mr G. protested against its being perform'd its being perform'd it was hiss'd from the beginning & wd not Suffer it to be given out again, therefore Mr King went on & told them it Should not be perform'd again until it be alter'd (Hopkins Diary). [Macmillan's note from Kemble differs slightly. See critical damnation of The Rose in British Theatre Article in The London Magazine, Dec. 1772.] Book of the Entertainment to be had at the Theatre (playbill). Paid Mr Petit for men's cloaths, #8 8s. CTreasurer's Book). [Reviewer for Town and Country Magazine (Theatre, No. XLI) disappointed with the Rose: "We are told that this precious piece of stuff is the production of an Oxford student; it may be so, of this every auditor is certain, that the collegian who penned it was so entirely lost in the pursuit of some abstruse study, that he has totally forgot grammar, common sense, and even his mother tongue...it was unanimously damn'd."] Receipts: #172 6s. (Treasurer's Book)

Performances

Mainpiece Title: The Gamesters

Cast
Role: Boxkeeper Actor: Ackman

Afterpiece Title: The Rose

Performance Comment: Parts by Vernon, Bannister, Dodd, Dibdin, Kear, Fawcett, Wright, Ackman, Miss Weller, Mrs Davies, Mrs Love, Miss Platt, Miss Hopkins, Miss Collett, Mrs Smith. With a Dance in Act I, incidental to the piece-Atkins, Sga Giorgi; Lord Gainlove-Vernon; Jack Rattle-Dodd; Sir Humphrey Carbuncle-Bannister; Buckskin-Dibdin; Town Crier-Kear; Mr Violet-Wright; Letland-Ackman; Servant(?)-Fawcett; Billy Viodet-Miss Collett; Millclack-Miss Weller; Miss Clara Violet-Mrs Davies; Mrs Violet-Mrs Love; Lady Willmore-Miss Platt; Kitty Willmore-Miss Hopkins; Miss Serina Violet-Mrs Smith (Genest, V, 342, MacMillan, and Edition of 1773.).
Cast
Role: Letland Actor: Ackman

Performances

Mainpiece Title: As You Like It

Performance Comment: Jaques-Love; Rosalind-Mrs Barry; Celia (With Cuckoo song)-Miss Jarratt, first time; Touchstone-King; Adam-Moody; Oliver-Packer; Amiens (with song)-Vernon; Orlando-Brereton; Audrey-Mrs Bradshaw; Phoebe-Mrs Davies; Duke Sen-Hurst; Duke Frederick-Bransby; LeBeau-Ackman; Silvius-Wheeler; Charles-Keen; Jaques de Bois-Fawcett; Corin-Waldron; William-Messink; In V will be introduced a Song-Mrs Hunt.
Cast
Role: LeBeau Actor: Ackman

Afterpiece Title: The Deserter

Performance Comment: Parts by: Vernon, Bannister, Dibdin, Ackman, Kear, Mrs Wrighten, Parsons, Wright, Fawcett, Courtney, Mrs Love, Mrs Smith. Henry-Vernon; Skirmish-Parsons; Russett-Bannister; Simkin-Dibdin; Louisa-Mrs Smith; Jenny-Mrs Wrighten; Margaret-Mrs Love; Flint-Wright; Soldiers-Ackman, Fawcett, Kear, Courtney (Edition of 1773).
Cast
Role: Soldiers Actor: Ackman, Fawcett, Kear, Courtney

Dance: I: The Mountaineers, as17730930

Event Comment: For Mainpiece New Scenes, Dresses, Music, Machinery, and Decorations (playbill). This piece was written by Mr G. which he wrote in a hurry & on purpose to Shew Some fine Scenes which were design'd by Mons DeLoutherberg particularly a Burning Palace &c. which was extremely fine & Novel. Mr Weston Play'd very well, The Music by Mr Dibdin. the worst he ever Compos'd. The Piece was very well receiv'd (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Paid for supernumary soldiers #1 12s. (Treasurer's Book). [The afterpiece reviewed, but not well liked by the Westminster Magazine.] Receipts: #219 11s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: A Christmas Tale

Performance Comment: Parts by: Vernon, Bannister, Parsons, Hurst, W. Palmer, Wright, Griffith, Mas. Blanchard, Kear, Mrs Wrighten, Mrs Hunt, Miss Platt, Weston, Champness, Dimond, Ackman, Burton, Wrighten, Fawcett, Blanchard, Scott, Mrs Johnston, and Mrs Smith. Dances-Como, Grimaldi, Atkins, Giorgi, Sga Crespi, Mrs Sutton, Sga Giorgi; With a Prologue, after which a New Overture=-; Tycho-Weston; Floridor-Vernon; Bonoro-Bannister; Faladel-Parsons; Nigromant-Champness; Radel-Dimond; Camilla-Mrs Smith; Robinette-Mrs Wrighten; Messengers-Griffith, Mas. Blanchard; Good and Evil spirits in various characters-Hurst, Ackman, W. Palmer, Wright, Wrighten, Courtney, Miss Platt, Mrs Johnston, Mrs Bradshaw, Mrs Millidge, Mrs Scott, Fawcett, Mrs Hunt, Mrs Smith, Kear, Burton; Prologue-Palmer in character of Christmas; unassigned-Blanchard, Scott (Edition of 1774).

Afterpiece Title: Miss in Her Teens

Performance Comment: As17731009, but Fribble (with song)-Dodd; Flash-Palmer; Loveit-Davies; Puff-Moody; Jasper-Ackman; Tag-Mrs Love; Miss Biddy-Miss Jarratt.
Cast
Role: Jasper Actor: Ackman
Event Comment: Benefit for Ackman. Rec'd Mr Condell's payment in Full for Fruit Office #20. Receipts: #192 11s. 6d. Charges: #74 14s. Profits to Ackman: #119 17s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: The Genii

Cast
Role: Clown Actor: Ackman

Song: End Act III: Ode to Masonry-Vernon, Dodd, Bannister

Entertainment: Imitations-Bannister (last time this season)

Event Comment: London Gazette, No. 1154, 7-11 Dec. 1676: On Thursday next the 14th instant, at the Academy in Little Lincolns-Inn Fields, will begin the first part of the Parley of Instruments composed by Mr John Banister, and perform'd by eminent Masters, at six a clock, and to continue nightly, as shall by Bill or otherwise be notifi'd. The Tickets are to be delivered out from one of the clock till five every day, and not after. An edition of Musick; or, A Parley of Instruments appeared in 1676, with a licensing date of 30 Oct. 1676. The text consists of lyric dialogues, a chorus, and solos, and is divided into three entertainments. Possibly this work was given earlier in the year, but this announcement is the first public one which has been noted

Performances

Mainpiece Title: Musick Or A Parley Of Instruments

Event Comment: The program was published in 1684: A Musical Entertainment Perform'd on November XXII. 1683, It Being the Festival of St Cecilia, a great Patroness of Music; Whose Memory is Annually Honour'd by a public Feast made on that Day by the Masters and Lovers of Music, as well in England as in Foreign Parts. [Henry Purcell signed the Preface: To the Gentlemen of the Musical Society, and particularly the Stewards.] An advertisement in Vinculum Societatis, 1691, states that Christopher Fishburn composed the verse

Performances

Mainpiece Title: Concert

Event Comment: Benefit the Widow Milward and her 4 children. N.B. Mrs Milward greatly acknowledges the Favour of the Town to her on her former Benefit; and as a considerable number of persons, who had taken tickets for that night, could not find room, she has made application to Mr Rich who has generously given her at his theatre, a Day which he had reserved to himself; where tickets given out for her former benefit will be taken. The consideration of 4 fatherless children is the only apology she can plead for intreating this further indulgence from the public. Note If any persons are dispos'd to send for tickets on this occasion, they maY be had at Mrs Milward's, No. 15 in Craven Buildings, Drury Lane. Tickets to be had and places to be taken at the stage door in Bow st

Performances

Mainpiece Title: Cato

Afterpiece Title: The Dragon of Wantley

Dance: TThe Peasants, as17420210; Chacone, as17411230; Rigadone Provencale, as17420226

Event Comment: Mainpiece: At the Desire of Several Persons of Quality. N.B. Some few days ago Mrs Catherine Penny was Committed, by Col DeVeil, to Bridewell, for selling Counterfeit tickets, for the Theatre Royal in Drury Lane; and as she has deliver'd out others for several Benefits to come (Mrs Clive's in particular) it is thought proper to give this public notice of the fraud, in order to prevent any tickets being bought in the Passages of the Theatre, proper care being taken to prevent all Tickets so bought from coming into the House

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Virgin Unmasked

Event Comment: By Command of the King (Cross). This day a new tragedy, entitiled Constantine the Great was read here to the actors for the first time. This piece is written by the reverend Mr Francis, from whose valuable translation of Horace it may be inferred that he is such a judge of all the graces of Language and every beautiful turn in writing, that it is not to be doubted but he will give the public a production abounding in elegancies. [See 23 Feb.

Performances

Mainpiece Title: Lo Studente A La Moda

Dance: As17540118

Event Comment: The Oratorio is publish'd this evening and will be sold at the theatre. We can assure the Public, that Mrs Cibber is very much recovered from her late indisposition; and will certainly appear tomorrow night in the character of Belvidera in Venice Preserved for the benefit of Mossop. This day publish'd at 4s. Songs in the New English Opera call'd The Fairies. Composed by Mr Smith. Printed for J. Walsh

Performances

Mainpiece Title: Abel

Music: I: Concerto on the Violin-Degiardini; II: An Organ Concerto by Arne-Mr Arne Jun

Event Comment: At the Greyhound Inn, West Smithfield. Mr Yates is very happy to find his Friends and Customers who did him the Honour of their Company Yesterday at the Turtle Feast were so well pleased with their Entertainment; and is determined to make it his Study that Nothing shall be wanting on this and the following Days to render his Dishes acceptable to the Public. And as the Table has hitherto been greatly crowded he hopes those who have not yet tasted the high relish of his Cookery will take care to secure early their Places at his Table

Performances

Mainpiece Title: The Adventures Of Timur Koran

Afterpiece Title: The Heroic Taylors

Event Comment: Benefit for Vernon. House Charges #67 9s. 6d. [Profit to Vernon #52 1s. 6d.] Paid Burney Jr 8 days salary #1 13s. 4d.; Chorus singers #2 10s. 6d. (Treasurer's Book). Receipts: #119 11s. (Treasurer's Book). Fifteen minutes past 4 took my seat in the 4th row of the first Gallery at Drury Lane...Lord Ogleby was excellently played by King. Heidelberg inimitably by Mrs Clive. After the Vintage, King by desire presented the Public again with Linco's Travels, but omitted a few things spoke last night. Cupid in Daphne and Amintor by Miss Rogers...Eleven o'clock when we got out (Neville MS Diary)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Daphne and Amintor

Dance: End: The Vintage, as17661011

Entertainment: LLinco's Travels, as17670406(by Desire)

Cast
Role: that night only, Actor: King
Event Comment: Benefit for Westminster New Lying in Hospital, near Westminster Bridge. N.B. Those Ladies and Gentlemen who have taken tickets, are desired to secure places immediately, of Mr Johnston at the Stage Door. [The Theatrical Monitor, No IX, asked this day for a public declaration of receipts and salary expenditures for the 1766-67 season from Garrick and Lacy. Not receiving it the war breaking out in January came to absorb his interest, and the estimate never appeared.] Receipts: #261 4s. 6d. (Winston MS 10)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Deuce Is in Him

Dance: End: Hearts of Oak, as17671022

Event Comment: Benefit for Weston and Miss Ogilvie. By Authority. Being the Last Night. [Many advance bills noted the continuous deferment of this on account of Weston's bad state of health.] Mr Weston's late and precarious State of Health making it extremely doubtful whether he could go through so long and laborious part as Richard, he humbly recommends to the Public Mr Gentleman's friendly intention of undertaking the Character for that Night, and will for the Capital Entertainment of his Friends, speak a new Occasional Prologue, and appear in the Farce, that the strength he has gained for some Days past may not be impaired by Fatigue

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Apprentice

Entertainment: SScrub's Trip to the Jubilee (a New Occasional Prologue)-Weston

Event Comment: Paid 5 days salary list #441 15s.,; King's extra salary #2 10s.; Mr J. French on acct #5 5s.; Mr J. Palmer on note #21 (Treasurer's Book). [This month was printed An Apology for the Conduct of Charles Macklin, Comedian, which, it is hoped, will have some effect in favour of an aged player, by whom the public at large have been uncommonly gratified." Price 1s. Axtell (Gentleman's Magazine Register). This year was publish'd Miscellaneous Pieces in Verse and Prose, with Cursory Theatrical Remarks, by P. Lewis, Comedian. Contains some apostrophes to Garrick, Holland, etc.] Receipts: #213 4s. (Treasurer's Book)

Performances

Afterpiece Title: Catharine and Petruchio

Event Comment: usual Entertainments at this Place are cut off till further Notice: the Reason of which, together with the true State of the Theatre, will in a few Days be laid before the Public by the Proprietors

Performances

Mainpiece Title:

Event Comment: Mr Gallini Respectfully informs the Nobility, Subscribers, and Gentry that he sent a person to Paris on Monday last to engage the best capital Female Dancer that can be got; and if a good Man Dancer is to be procured, he is very ready to engage him, as he shall be happy to do every thing in his power to please the public and will spare no pains or expense for that purpose [see 7 Feb.] Didelot having had the misfortune to hurt his leg the first dance on Saturday last is unable to appear for some days

Performances

Mainpiece Title: La Cosa Rara

Dance: End I: New Divertissement, as17890110, but _Didelot; End Opera: Les Fetes Provencales, as17890207, but _Didelot, Mlle _Normand

Event Comment: Mainpiece [C 5, by the Hon. Henry Seymour Conway, adapted from Les Dehors Trompeurs; ou, L'Homme du Jour, by Louis de Boissy; incidental music by Michael Kelly. Prologue by the author. Epilogue by John Burgoyne (see text)]: 1st time at a public theatre. With new Scenes and Dresses. [This was 1st acted on 31 May 1788 at the private theatre in the town house of the Duke of Richmond, which was situated on what is now Richmond Terrace, Whitehall. It was demolished in 1819.] Diary, 16 June 1789: This Day is published False Appearances (1s. 6d.). Receipts: #138 3s. (114.15.0; 22.5.6; 1.2.6)

Performances

Mainpiece Title: False Appearances

Afterpiece Title: Miss in her Teens

Song: V: song in character-Mrs Crouch. [This was sung, as here assigned, in all subsequent performances.

Performance Comment: [This was sung, as here assigned, in all subsequent performances.]
Event Comment: This was a semi-private rehearsal, with Davide as Pirro. "Yesterday evening an act of Pyrrhus was rehearsed on the stage of this theatre' (London Chronicle, 24 Feb.). "The Theatre is not yet ready entirely for the Public" (Oracle, 24 Feb.) [see 26 Mar.]. On 22 Feb. the newspapers carried a statement from the theatre that "the rehearsal announced for Wednesday Evening is...deferred for a few days." But this deferment was set aside. The Lord Chamberlain having refused a license for the performance of opera at this theatre, Pirro was not publicly performed

Performances

Mainpiece Title: Pirro