SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only "/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3976 matches on Event Comments, 1323 matches on Performance Comments, 587 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Mrs Baker, Mrs Lampe, Mrs Jones. Mainpiece: By Partiuclar Desire. Afterpiece: For the last time this season. None admitted behind scenes. [Public Advertiser assigns two parts (Bridget and Dame Kitely) to Mrs Baker. Questionable.

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Thomasand Sally

Dance: End: Rural Love, as17641212

Event Comment: Benefit for Smith, Watson, Cridland, Berrisford. Tickets deliver'd for This Night will be taken

Performances

Mainpiece Title: The Way Of The World

Performance Comment: As17641218, but Millamant-Mrs Palmer; Lady Wishfort-Mrs Cross (playbill). [But Public Advertiser lists Millamant-$Mrs Pritchard.]

Afterpiece Title: The Country Wife

Dance: End: The Irish Lilt, as17641011

Event Comment: Last till after the holidays. Led by Mr Holland's excellence I went to see him in Romeo, and assure you I never saw Garrick himself in that part with more pleasure. He was admirable through-out the whole play, but moreso in the last Act, where he receives the news of Juliet's death. The sudden surprise and strong passions of grief were worked up with the utmost propriety in his face--Mr Palmer and Mrs Palmer too did justice to their characters (G. F. Theatricus to the Public Advertiser, 6 Jan. 1766)

Performances

Mainpiece Title: Romeo And Juliet

Cast
Role: Benvolio Actor: Ackman

Afterpiece Title: Harlequins Invasion

Event Comment: [T+The Cobler prints a Card in the Public Advertiser commending G. F. Theatricus for his bold statement (6 Jan.) about the excellencies of seven dl actors. He takes issue with G. F. that Bensley will surpass Powell, but adds a "puff" for another new actress, Mrs Abington.

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Hermit

Cast
Role: Clown Actor: Ackman
Event Comment: By Command of their Majesties. [Sga Spagnolla had been ill and missed a number of performances. For singers and dancers see following letter.] Sir: I am one of those to whom an Oratorio or an Opera (whether Italian or English) gives exquisite delight; and am therefore glad that, as the town is now full, those entertainments will, very probably, be crowded; and thus amply repay the several managers, for the great risk they run, as to their property, as well as for the vast pains they take to amuse us; for the labour employed, on those occasions, is infinitely greater than is usually imagined. The Italian opera has suffered considerably, this season, by the inability of Sga Spagnoli to exert her musical talents, owing to a most severe cold; but as she has now recovered her voice, 'tis presumed that she will be a source of as great pleasure, among us, to persons of a musical ear, and who have a true taste for that species of dramas, as she was in her native country, where she was always heard with great applause. I myself find great charms in the entertainments, as now exhibiting at the King's Theatre: for, besides Sga Spagnoli's taste I do not perceive the least diminution in Sg Elisi's voice or action, both of which pleased us so much two or three years ago. Ciprandi appears to me a fine player as well as singer; and with regard to Sg Savoi, he is generally thought to have a pleasing voice. [Comments on competence of the Orchestra.] The principal dancers are likewise acknowledged to have considerable merit. The gracefulness and the ease of Sg Adriani are very pleasing, as is the elegant agility of Sga Fabris Monari....Sg Sodi has so often diverted us by his compositions as Ballet master that it were superfluous to bestow any encomiums on him in this place. [Long comment on agreeable performance of Sofonisba, Scenery, etc. A puff by Musidorus in Public Advertiser.

Performances

Mainpiece Title: Sofonisba

Dance: Adriani, Sga Fabris Monari

Event Comment: Mainpiece: Acted but twice these 8 years. The assertions in a pretended [Letter from] Quin that he was a bastard and--we are assured are both false; the actor having been born in Lawful matrimony and having drawn his first breath in the Parish of Covent Garden (Public Advertiser)

Performances

Mainpiece Title: Julius Caesar

Afterpiece Title: Catherine and Petruchio

Dance: End: The Village Romps, as17651019

Event Comment: Mainpiece: Acted but once these 14 years. Miss Pitt's second appearance as an actress. [N.B. The celebrated Mr Foote is in a Fair way of Recovery (Public Advertiser).

Performances

Mainpiece Title: The Mistake

Afterpiece Title: Midas

Event Comment: letter in Public Advertiser suggests that The Managers are losing money this season, and are changing permanently to Thursday nights from Tuesday.

Performances

Mainpiece Title: Artaserse

Music: Hasse

Performances

Mainpiece Title: The Clandestine Marriage

Performance Comment: As17660220, but Watkins; Strange_ (playbill). [As a servant but no such change in Public Advertiser.]
Event Comment: dialogue in The Public Advertiser, 3 March, comments on arrangement of the stage for an Assembly; dimensions are 60 feet wide, 110 feet long, and 35-40 feet high. It has been altered and enlarged recently, for the columns are new and the upper end grew narrow, says the other speaker.

Performances

Mainpiece Title: Artaserse

Event Comment: Letter in the Public Advertiser from one ag who signed herself a 'Constant Reader': "Sir: As your correspondents sometimes favour us with Theatrical Observations, permit me, though a woman, to throw in my mite, not that I aspire to the character of a Critic...the reason I take up my pen is merely for the sake of information. A few evenings ago I was at the New Comedy of the Clandestine Marriage, where, I assure you I was greatly entertained; but at the conclusion of the last act, must own was not a little surprised to find Miss Sterling so much neglected, as I was at that instant wondering what kind of Apology Sir John would make her, when behold he stands close by her without saying a word; which in my opinion concludes the play too abruptly. The author indeed has not placed her in the most excellent light; yet as a Lady, and of Character, shall I say of Fortune too, some Apology on the Gentleman's side seems naturally to arise from the incidents of the piece. But perhaps I am mistaken, which I am the more willing to imagine from the known abilities of the ingenious authors. If any of your critical correspondents should think it worth their while to set me right in that Particular, it will be esteemed a favour." (Frances Street, March 5.

Performances

Mainpiece Title: The Clandestine Marriage

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Englishman Returned from Paris

Performance Comment: Buck-Dyer; McRuthen-Shuter; Crab-Walker; Latitat-Dunstall; Lucinda-Mrs Green (playbill). Lucinda-$Mrs Burden (Public Advertiser).

Dance: II: The Village Romps, as17651019

Entertainment: End: The Cries of London-Shuter

Event Comment: Benefit for Miss Wright. Part of Pit laid into the boxes. [Prologue and Epilogue to Falstaff's Wedding as spoken by Dodd and Mrs Pritchard printed in the Public Advertiser.

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Daphne and Amintor

Dance: End: A Comic Dance -Sg Giorgi, Sga Giorgi, as17660207

Event Comment: Benefit for Perry and Stoppelaer (playbill). Benefit for Moody, Hurst and Mrs Dorman (Public Advertiser)

Performances

Mainpiece Title: Virtue Betrayed

Afterpiece Title: The Citizen

Dance: II: A Hornpipe-Miss Daw; End: The Village Romps, as17651019

Event Comment: [D$DuBellamy, as would appear from a letter to the Printer of the Public Advertiser, 20 Sept. "Being at the Opera House last week to see the Conscious Lovers and As You Like It, not to mention the various and allowed excellencies of each performer, I was most agreeably surprized at the songs, in the bills said to be sung by a Gentleman, which indeed his genteel figure and polite address, at first sight well authenticated; but for the songs, viz. If Love's a Sweet Passion,--Blow, Blow Thou Winter's Wind,--with some others I must confess I never heard the like; his voice was finely masculine, strong, sweet, clear and articulate; his manner not servilely confined to the pedantic stiffness of some, or the affectation of others; in a word he sung like a Gentleman; and the sound, as Milton elegantly expresses it, 'Floated the Wings of silence.' This is not intended (by doing justice to Mr D. B@@y) to depreciate any....I am told he has applied to Mr Beard, with what success I know not, [hopes he will be one of the new singers at Covent Garden] signed T. S."]

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Lethe

Event Comment: By desire. [The Public Advertiser lists Hallam as doubling in Nym and English Herald. Hogan lists English Herald (that night only) as Weller.] Receipts: #169 8s. 6d. (Account Book)

Performances

Mainpiece Title: King Henry V

Afterpiece Title: Coronation

Event Comment: VViscomica to the Printer of the Public Advertiser: As burlettas have been laid aside some years, and they are a species of entertainment I am particularly fond of, as there is vivacity in the music, and great humour and satire in the performance, I was much pleased with the thoughts of being as well entertained as I had heretofore been; and more so when I found I could gain admittance to so good a place for hearing, for the trifling sum of three shillings; a place in which I never dared to shew my face before, not being on a footing with the riotous company that used to be admitted there, to attend their several masters' call; a nuisance, from which I rejoice the managers have at length, after so many hints and solcitations, found out a method to deliver their audience. I remember to have seen a darkish way down a flight of steps to a dismal winding staircase, which I was told led to the footman's gallery, and, supposing that the road I was to take on this occasion, was very agreeably undeceived by being shewn up about halfway to the five shilling gallery, and by a turn through an arch introduced to a new and convenient staircase leading to this region of the gods, where I was surprised to find myself arrived before I thought I was half-way up. The managers have indeed made this place very neat and commodious, by rendering the descent much less steep, lowering and matting the benches, painting and lighting the whole place; so that I found myself as much at my ease there, as in any other part of the house, and much better situated than I had expected; likewise, by their following Mr Garrick's example, in removing the pendant lustres, and lighting after the foreign manner, you have a full view of the whole stage; by which the magnificance appears greatly increased. The performance was beyond my expectations, as I think the performers excel any in their way which have appeared in this country; but I need not expatiates upon a subject the town in general have been, or I dare say will be, as good judges of as yours, &c

Performances

Performances

Mainpiece Title: King Lear And His Three Daughters

Performance Comment: Lear-Ross; Edgar-Smith; Bastard-Clarke; Gloster-Gibson; Kent-Walker; Gentleman Usher-Cushing; Albany-Davis; Cornwall-Anderson; Goneril-Mrs Stephens; Regan-Mrs Vincent; Cordelia-Miss Wilford, 1st time (playbill). [Public Advertiser assigns Kent-Morris.]

Afterpiece Title: Harlequin Dr Faustus

Performances

Mainpiece Title: She Woud And She Woud Not

Performance Comment: As17661016, but Diego-Cushing (playbill); Public Advertiser assigns Diego-$Lewis.

Afterpiece Title: Harlequin Dr Faustus

Event Comment: [Prologue to the Perplexities and Epilogue publish'd in the Public Advertiser.] Saw the Comedy of the Perplexities. Beard spoke the Prologue....Mrs Mattocks spoke the Epilogue. We had a Dance and the new Masque of the Fairy Favour, which is perform'd by children only. The boy who does Puck played on the violin and danced a hornpipe, with great spirit. The scene which represents Kensington Gardens, the canal, &c. by moonlight is very pretty, the moon and stars are very natural (Neville MS Diary). Receipts: #192 5s. 6d. (Account Book)

Performances

Mainpiece Title: The Perplexities

Afterpiece Title: The Fairy Favour

Dance: End of Play: The Gallant Peasants, as17670113

Event Comment: Mainpiece: By Particular Desire. [Forty more verses to Miss Wilford appeared in the Public Advertiser, suggesting her ravishing beauty.] Receipts: #220 1s. (Account Book)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Upholsterer

Dance: II: The Female Archer, as17661215

Event Comment: Paid James Amson for a set of China for Love in the City, #11 2s. 11d. (Account Book). Receipts: #115 13s. 6d. (Account Book). [On 5 March appeared in the Public Advertiser the following squib]: To the Author of Love in the City. @If e'er again thy Muse engage@To laugh at Folly on the Stage,@Let Cockneys 'scape the stroke@Since 'tis with Men of Sense a Rule@That of all Fools, the Bo-Bell Fool@Can least endure a Joke. A.

Performances

Mainpiece Title: Love In The City

Event Comment: Benefit for Mrs Palmer. Part of Pit laid into boxes. House charges #64 4s. [Profit to Mrs Palmer #167 17s.] Receipts: #232 1s. (Treasurer's Book). Fifteen minutes past 4 went into the Pit at Drury Lane...even the lowest characters in this play well performed here. Holland being suddenly taken ill, Bensley played Sir John Melville. I like his figure better than Holland's, tho he's well suited to the characters he usually plays. At the end of the play we had a minuet by Mr Georgi and Mrs Palmer, the dancing very graceful. Then Vernon presented the Cries of London (an imitation of Shuter) in which he introduced of his own a description of the Tombs in Westminster Abbey. The thought of the statues of those, who never prayed while living, praying most devoutly, is good. In the character of Friendly, Vernon introduced a sketch of Ancient and Modern Hospitality. I suppose this is Vernon's first attempt at an imitation of Shuter. He did tolerably but Shuter's figure is of great advantage to him. After dinner bought the Public Advertiser of the 18th for the Playbills and the Atheist a pretty good fable in verse by J. Oakman (Neville MS Diary)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Flora

Dance: End: By Particular Desire, a Minuet-Giorgi, Mrs Palmer; After which Cries of London, in which will be introduc'd a Description of the Tombs in Westminster Abbey-Vernon

Event Comment: [G$Genest, V, 140, notes that Bannister's name does not appear in the playbill; the Public Advertiser bill, which does not specify any parts, includes Bannister as well as Strange, Loveman, Keen, and Smith, for which there is no support in the 1767 edition.] Before six went into the Pit to see the new tragedy of The Countess of Salisbury performed for the first time. One cannot judge perfectly of a Play without reading it, but it was received with vast applause. The author being an Irishman, Weston spoke a Prologue in the character of an Hibernian (Neville MS Diary)

Performances

Mainpiece Title: The Countess Of Salisbury

Performance Comment: Parts by Barry, ThomasBarry, Palmer, Gardner, Keen, Bannister, Smith, Sowdon, Strange, Loveman, Mrs Burden, Miss Palmer, Mrs Dancer. Alwin-Barry; Raymond-ThomasBarry; Grey-Sowdon; Morton-J. Palmer; Leroches-Gardner; Lord William-Miss Palmer (first appearance in this kingdom); Countess-Mrs Dancer; Eleanor-Mrs Burden; Sir Ardolf-Bannister; Epilogue-Mrs Dancer (Edition of 1767); Prologue-Weston in the character of an Hibernian (Neville); Parts-Keen, Smith, Strange, Loveman.

Afterpiece Title: Lethe

Dance: End: Dance-Miss Froment

Event Comment: The Author's Night. N.B. As the time limited by Mr Foote's Patent is now expiring the Company will perform every night of the week, (Saturday excepted). Mondays, Wednesdays and Fridays Barry and Mrs Dancer. Tuesdays and Thursdays Mr Foote (Public Advertiser). Set down as much as I can remember of the additions to the Orators. In the evening finished a copy for the Printer of the General Evening Post of an answer to a flattering letter which appeared in that paper some time ago. It is in praise of the Duke of York and other wretches, who not knowing how to spend enough of the Nation's money have fitted up a Theatre in St James Street on which to exhibit their own folly and profusion (Neville MS Diary). [Neville's piece appeared in the Post 8 Sept.

Performances

Mainpiece Title: Countess Of Salisbury

Afterpiece Title: Miss in Her Teens

Dance: Miss Froment