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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only "/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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5578 results for: Keyword - Ackman</i> (<i>Public Advertiser</i>). This day only. <span class=
We found 3976 matches on Event Comments, 1323 matches on Performance Comments, 587 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

4951
22 April 1734 @ James Street

Event Comment: At the particular Desire of several Persons of Distinction. By the Lilliputian Company of Comedians. At the Tennis-Court, in James-street, in the Hay-Market. 7 P.M. Boxes 3s. Pit 2s. Gallery 1s. N.B. The Company will continue to Play every Monday, Wednesday, and Friday, during the Summer Season. Daily Advertiser, 29 April: I went to see them; upon my entrance I was surpris'd at the Spaciousness and Decencies of the Place; when the Curtain was drawn up, I found the Scenes not inferior to any I had seen, the Stage copious, the Decorations regular, the Actors perfect both in Words and Performance

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: The Devil to Pay

4952
10 May 1734 @ Covent Garden

Performances

Mainpiece Title: Pilgrim

Performance Comment: As17331219, but Juletta-Mrs Younger (Daily Advertiser) or Mrs Stevens (Daily Journal); Mad Priest-Houghton .

Afterpiece Title: The Mock Lawyer

Dance: Swedish Dal Karl by Delagarde and Mrs Ogden. Les Amants Comentants, as17340508. Tambourine, as17340504

4953
17 May 1734 @ Lincoln's Inn Fields

Event Comment: Daily Advertiser, 24 May: Last Friday Night, at the intended Benefit of Mr Hewson and Mr Warwell, a Disturbance . . . entirely hinder'd the Performance of the Play

Performances

Mainpiece Title: The Stratagem

4954
20 May 1734 @ Haymarket Theatre

Event Comment: Daily Advertiser, 20 May: A mad Company of Comedians having lately taken the Hay-market Theatre, propose to convert it into a Mad-house, and humbly hope the Town will be as mad as themselves, and come frequently to see their mad Performances. which will be madly exhibited, two or three Times a Week, during the Summer Season

Performances

Mainpiece Title:

4955
31 May 1734 @ James Street

Performances

Mainpiece Title: The Miser

Performance Comment: Lovegold-Norris, the first time of his appearing on any stage since the Union of the Companies (Daily Advertiser, 30 May); Frederick-Wignel; Clerimont-Richardson; James-Topham; Ramilie-Miss Beckington; Mariana-Miss Mann; Harriet-Mrs Achurch; Mrs Wisely-Mrs Herle; Wheedle-Miss Hughes; Lappet-Miss H. Hughes. A new Prologue and Epilogue, both by Norris .

Dance: I: Scotch Dance by Mr and Mrs Davenport. III: Minuet by Mrs Grognet and Mrs Sanderson. V: Dutch Skipper by Mr and Mrs Davenport. Black Joak by Smith and Miss Mann

Song: II: Italian Song by Miss Young. IV: Italian Song by Mrs Mason

4956
29 June 1734 @ Richmond

Event Comment: Announced in Daily Advertiser, 26 June

Performances

Mainpiece Title: The Miser

4957
21 October 1734 @ Drury Lane Theatre

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Harlot's Progress; or, The Ridotto al' Fresco

Performance Comment: Kitty-Mrs Clive; Harlequin-Le Brun; Mordecai-Sal way; Debauchee-Berry; Poudre-Este; Mittimus-Winstone; Decoy-Turbutt; Constable-Jones; Bridewell Keeper-P. Turbutt; Porter-Hallam; Jenny-Mrs Davenport; Bess-Leigh; Pompey-Young Carney; Justices-Cross, Dancey, Davenport [but Cross, Raftor, Este in Daily Advertiser]; Ladies of Pleasure-Mrs Pritchard, Mrs Dancy, Mrs Davenport; Beadles-Wright, Peploe, Grey; Les Capricieux-Essex, Mrs Walter; Hussars-Thurmond, Miss Mann; Fingalians-Davenport, Mrs Pelling; Pierot-Pelling; Punch-Janno; Mezzetin-Villeneuve .

4958
29 October 1734 @ Covent Garden

Event Comment: Daily Advertiser, 30 Oct.: Yesterday Morning died of a Consumption. . . Mr Hall the Comedian

Performances

Mainpiece Title: The London Cuckolds

Performance Comment: Ramble-Ryan; Townly-Walker; Wiseacre-Hippisley; Dashwell-Neale; Doodle-Mullart; Loveday-Hale; Roger-James; Eugenia-Mrs Templer; Lady No-Mrs Bullock; Peggy-Miss Norsa; Engin-Mrs Stevens; Jane-MrsKilby; Aunt-MrsCook .
Cast
Role: Loveday Actor: Hale

Afterpiece Title: The Necromancer

Cast
Role: Fury Actor: Lally, the first time of his appearance on this stage

4959
29 October 1734 @ King's Theatre

Event Comment: A New Opera. [Text by Metastasio. Music by J. A. Hasse and R. Broschi.] Pit and Boxes by Tickets at a half guinea. Gallery 5s. 6 P.M. Daily Advertiser, 30 Oct.: All the Royal Family were at the Opera, when Signior Farinelli perform'd . . . with prodigious Applause. The Theatre was exceedingly crowded

Performances

Mainpiece Title: Artaxerxes

4960
04 November 1734 @ Covent Garden

Event Comment: London Daily Post and General Advertiser, 4 Nov.: We are informed, that when Mr Handel waited on their Majesties with his New Opera of Ariodante, his Majesty . . . was graciously pleased to subscribe 1000/. towards carrying on the Opera [at CG. No confirmation of this point is known]

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Necromancer

Cast
Role: Fury Actor: Lally, the first time of his appearance on this stage

4961
05 November 1734 @ King's Theatre

Event Comment: Daily Advertiser, 6 Nov.: The King, the Prince of Wales and Princess Amelia, were again to . . . Artaxerxes, in which Signor Farnelli continues to sing to a crowded Audience, with all imaginable Applause. Egmont, Diary, II, 132: Went to the opera, where I heard the finest voice that Europe affords, Faranelli, lately come over. Norwich Gazette, 9 Nov.: We hear that both Operas (occasion'd by their dividing) are at a vast expence to entertain the Nobility and Gentry for the ensuing Season; the Opera House in the Haymarket are reckon'd to stand near 12000l. and Mr Handell at near 9000l. for the Season

Performances

Mainpiece Title: Artaxerxes

4962
18 November 1734 @ Haymarket Theatre

Event Comment: By His Royal Highness's Command. [In Daily Advertiser and Daily Journal, 16 Nov., Tartuffe and Arlequin Poly par l'Amour had been advertised for this night.]

Performances

Mainpiece Title: La Fausse Coquette; Ou, Arlequin Magicien

Afterpiece Title: Arlequin Hulla

Dance:

4963
29 November 1734 @ York Buildings

Event Comment: London Daily Post and General Advertiser, 30 Nov.: Last Night there was a Rehearsal of a new Opera before his Royal Highness the Prince of Wales at his House in Pall-Mall, in which Farinelli and Senesino each of them perform'd a Part

Performances

Mainpiece Title: Othello, Moor Of Venice

4964
27 December 1734 @ Haymarket Theatre

Performances

Mainpiece Title: Arlequin Balourd; Or, Harlequin Blunderer

Afterpiece Title: Le Portrait

Dance: A new Chacone in several Characters: Harlequin Man-Cochoy Jr; Harlequin Woman-Miss Chateauneuf; Pierot Man-Roland; Pieraite-Mrs Mimie; Punch-Villeneuve; Dame Jigogne-Malter; Scaramouch Man-De Lisle; Scaramouch Woman-Mrs Le Sage Jr. The Frolick, as17341226 (latter in Daily Advertiser only)

Performance Comment: The Frolick, as17341226 (latter in Daily Advertiser only) .

4965
30 December 1734 @ Haymarket Theatre

Performances

Mainpiece Title: Ines De Castro; Or, Royal Justice

Afterpiece Title: La F1lle Cap1ta1n et Arlequin Son Sergeant: With the Scene of Le Professeur d'Amour

Dance: Tambourine by Miss Chateauneuf. La Frolick (Daily Advertiser only)

Performance Comment: La Frolick (Daily Advertiser only) .

4966
02 January 1735 @ Haymarket Theatre

Event Comment: By Command of their Highnesses the Princess Amelia and Princess Caroline. [Daily Advertiser lists Granier instead of the Gentleman in The Frolick.]

Performances

Mainpiece Title: Arlequin Balourd

Afterpiece Title: La Serenade

Dance: The Frolick, as17341226. L'Allemande by Miss Chateauneuf

4967
04 January 1735 @ Drury Lane Theatre

Event Comment: By particular Desire. London Daily Post and General Advertiser, 4 Jan.: The kind Reception which Mr Poitier met with in his Performance on Wednesday last . . . lays him under the greatest Obligation to the Publick; and if he has lost the good Opinion of anyone, by the late unhappy Disturbance [see 7 Dec. 1734], he hopes his future constant Endeavours to oblige, will both be accepted, and regain their Favour

Performances

Mainpiece Title: The Mother-in-law

Cast
Role: Agnes Actor: Miss Cole, the first time of appearing at this theatre

Afterpiece Title: Colombine Courtezan

4968
23 January 1735 @ Goodman's Fields

Event Comment: GF had advertised The Mistake and Jupiter and Io, but advertises in London Daily Post and General Advertiser, 23 Jan.: Upon the Practice of the Entertainment last Night, by Accident the principal Machine was considerably Damag'd

Performances

Mainpiece Title:

4969
01 February 1735 @ King's Theatre

Event Comment: [Text by Paul Rollo. Music by Nicholas Porpora.] A New Opera. London Daily Post and General Advertiser, 3 Feb.: On Saturday Their Majesties ...the Prince of Wales, and the Princesses Amelia and Carolina . . . saw the Opera of Polifemo, which was perform'd to one of the greatest Audiences that hath King's been known this Season

Performances

Mainpiece Title: Polifemo

4970
08 February 1735 @ King's Theatre

Event Comment: Their Majesties present. London Daily Post and General Advertiser, 11 Feb.: On Saturday Night a Disturbance happen'd at the Opera House . . . occasion'd by the Footmen's coming into the Passages with their lighted Flambeaux, which gave Offence to the Ladies, &c. in the House; whereupon the Footmen were order'd out, but they refus'd to go, and attack'd the Centinels, but a stronger Guard coming to their Assistance, with their Bayonets fix'd, drove them out; in the Fray one of the Footmen was stabb'd in the Groin, and in the Body, and its thought will die of the Wounds

Performances

Mainpiece Title: Polifemo

4971
26 February 1735 @ Drury Lane Theatre

Event Comment: Benefit Swiny. For the better Accommodation of the Ladies, Part of the Stage will be formed into Boxes; the Pit and Front Boxes to be put together (at the Desire of several Ladies of Quality). [For further discussion of the case of Poitier, see London Daily Post and General Advertiser, 26 Feb.]

Performances

Mainpiece Title: The Old Batchelor

Cast
Role: Belinda Actor: Miss Holliday

4972
06 March 1735 @ Drury Lane Theatre

Event Comment: Mainpiece: Never Acted before. [By James Miller.] Daily Advertiser, 6 March: We hear that Sir John Barnard has offerM a Proposal limiting the Number of Playhouses, and for putting them under the Regulation of Parliament

Performances

Mainpiece Title: The Man Of Taste; Or, The Guardian

Performance Comment: Parts by Mills, Cibber, Griffin, Harper, Miller, Milward, W. Mills, Este, Cross, Turbutt, Mrs Thurmond, Mrs Clive, Miss Holliday, Mrs Pritchard, Mrs Cross, Miss Mann; but edition of 1735 lists: Sir Positive Bubble-Griffin; Freelove-Mills; Valentine-Milward; Sir Humphrey Henpeck-Harper; Harcourt-Mills Jr; Horatio-Este; Martin-Cibber; Reynard-Miller; Lewis-Cross; Almanzor-Master Arne; Justice Diligence-Turbut; Lady Henpeck-Mrs Cross; Maria-Mrs Clive; Dorothea-Mrs Pritchard; Dorinda-Mrs Thurmond; Angelica-Mrs Holiday; Lisetta-Mrs Mann. Prologue spoken by Cibber. Epilogue spoken by Mrs Clive .
Cast
Role: Angelica Actor: Mrs Holiday

Afterpiece Title: Harlequin Orpheus

4973
08 March 1735 @ Drury Lane Theatre

Event Comment: For a letter on The Man of Taste, see Daily Advertiser, 8 March

Performances

Mainpiece Title: The Man Of Taste

Afterpiece Title: Harlequin Orpheus

4974
12 March 1735 @ Covent Garden

Event Comment: As 5 March. London Daily Post and General Advertiser, 13 March: Last Night their Majesties and the Princess Caroline . . . heard Esther, an Oratorio; and Mr Handel's two new inimitable Concertos on the Organ. [Egmont also present.]

Performances

Mainpiece Title: Cast Not Listed, But See 5 March

4975
15 March 1735 @ King's Theatre

Event Comment: Benefit Carlo Broschi Farinello. With several Alterations and Additions. Pit and Boxes, Places on the Stage, at Half a Guinea. N.B. Signor Farinello humbly hopes, that the Subscribers will not make use of their Tickets on this Occasion. The Stage will be in the same Manner as in the Assembly with a great Number of Benches. Mrs Pendarves to Mrs Granville, 15 March: Tonight is Farinelli's benefit; all the polite world will flock there, and go at four o'clock, for fear they should not be time enough. I don't love mobbing, and so I shall leave them to themselves. Daily Advertiser, 13 March: 'Tis expected that Signor Farinelli will have the greatest Appearance on Saturday that has been known. We hear that a Contrivance will be made to accommodate 2000 People. His Royal Highness the Prince of Wales has been pleas'd to give him 200 Guineas, the Spanish Ambassador 100, the Emperor's Ambassador 50, his Grace the Duke of Leeds 50, the Countess of Portmore 50, Lord Burlington 50, his Grace the Duke of Richmond 50, the Hon. Col. Paget 30, Lady Rich 20, and most of the other Nobility 50, 30 or 20 Guineas each; so that 'tis believ'd his Benefit will be worth to him upwards of 2000l

Performances

Mainpiece Title: Artaxerxes