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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only "/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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5578 results for: Keyword - Ackman</i> (<i>Public Advertiser</i>). This day only. <span class=
We found 3976 matches on Event Comments, 1323 matches on Performance Comments, 587 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

4851
02 March 1799 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; C 5, by Edward Morris. Prologue by Charles Morris; Epilogue by George Colman, ynger (see text)]: With new Dresses and Decorations. Morning Chronicle, 14 Mar. 1799: This Day is published The Secret (2s.). Receipts: #371 18s. 6d. (319.17.0; 49.14.6; 2.7.0)

Performances

Mainpiece Title: The Secret

Performance Comment: Characters-R. Palmer, Barrymore, Dowton, C. Kemble, Suett, Bannister Jun., Wathen, Archer, Maddocks, Fisher, Evans, Ryder, Webb, Hollingsworth, Mrs Powell, Mrs Jordan, Miss Pope. [Cast from text (T. Cadell Jun. and W. Davies [1799]), and playbill of 16 Nov. 1799: Sir Harry Fleetly-R. Palmer; Mr Dorville-Barrymore; Mr Torrid-Dowton; Henry Torrid-C. Kemble; Lizard-Suett; Jack Lizard-Bannister Jun.; Ralph-Wathen; Frank-Archer; Steward-Maddocks; Servants-Fisher, Evans, Ryder, Webb; Bailiff-Hollingsworth; Lady Esther Dorville-Mrs Powell; Rosa-Mrs Jordan; Susannah Lizard-Miss Pope; Prologue-C. Kemble; Epilogue-Mrs Jordan. [These were spoken, as here assigned, at the 1st 9 performerces only (see17990327] .These were spoken, as here assigned, at the 1st 9 performerces only (see17990327] .

Afterpiece Title: Feudal Times

4852
16 March 1799 @ Covent Garden

Event Comment: Benefit for Lewis. 1st piece [1st time; C 3, by Thomas John Dibdin. Prologue and Epilogue by the author (London Chronicle, 18 Mar.)]. Morning Chronicle, 12 Apr. 1799: This Day is published Five Thousand a Year (price not listed). Ibid, 8 Mar.: Tickets to be had of Lewis, Bow-street. Receipts: #542 0s. 6d. (383.9.0; 2.19.0; tickets: 155.12.6)

Performances

Mainpiece Title: Five Thousand A Year

Performance Comment: [Principal Characters by Lewis, Pope, Munden, H. Johnston, Murray, Farley, Waddy, Simmons, Rees, Abbot, Miss Betterton, Mrs Pope, Miss Murray (1st appearance this season]), Mrs Mattocks. [Cast from text (G. G. and J. Robinson [1799]: George Fervid-Lewis; Frederick Fervid-Pope; Sir Matthew Maxim-Munden; Henry Hastings-H. Johnston; Mr Goulding-Murray; Paragraph-Farley; Truepenny-Waddy; Dick-Simmons; Officer-Rees; Servants to Sir Matthew-Abbot, Wilde; Servant to Frederick-Curties; Boy-Master Webb; Maria-Miss Betterton; Lady Julia-Mrs Pope; Aurelia-Miss Murray [in text: Mrs H. Johnston (see17990325; Lady Maxim-Mrs Mattocks; Prologue (partly Musical)-Munden; Epilogue-Mrs Mattocks.

Afterpiece Title: A Divertisement

Afterpiece Title: Catherine and Petruchio

Dance: In 2nd piece: Ballet-Blurton, Mrs Watts

Song: End 1st piece: Black Ey'd Susan-Incledon

4853
27 April 1799 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Charlotte Smith. Prologue by the author (Knapp, 202). Author of Epilogue unknown]: With new Scenery, Dresses, &c. Morning Chronicle, 26 July 1799: This Day published What is She? (2s.). Receipts: #161 11s. (158.2.6; 3.8.6). pking's Ines de Castro. As 16 Feb

Performances

Mainpiece Title: What Is She

Afterpiece Title: The Flitch of Bacon

Dance: As17990418

4854
24 May 1799 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; T 5, by Richard Brinsley Sheridan, adapted from Die Spanier in Peru, by August Friedrich Ferdinand von Kotzebue. Prologue by Richard Brinsley Sheridan (consisting of the 1st 30 lines and the concluding couplet of his Prologue to The Miniature Picture); Epilogue by the Hon. William Lamb (see text). For publication see 1 July]: The Scenery, Dresses, and Decorations entirely new. The Musick, Airs and Chorusses incidental to the Piece composed and selected [from Gluck, Sacchini, &c. (Morning Chronicle, 25 May)] by Kelly. The Symphony preceding the Play, and those between the Acts, composed for the occasion by Dussek. The Scenery designed and executed by Marinari, Greenwood? Jun, Demaria, Banks, Blackmore, &c. [See Theatre Notebook, XX, 30-32, for suggestion that one scene was designed by DeLoutherbourg.] The Machinery, Decorations, and Dresses under the direction of Johnston, and executed by him, Underwood, and Gay. The Female Dresses designed and executed by Miss Rein. Account-Book, 14 May: Paid Miss Anne? Plumtree [i.e. Plumptree] for Spaniards in Peru #25. [It was this translation of Kotzebue's play that Sheridan adapted for the stage as Pizarro. For an account of the relationship between the translation and its adaptation see Marcella Gosch, "'Translators' of Kotzebue in England," Monatshefte fur deutschen Unterricht, XXXI, 178-83.] Paid Johnston [on this and other days] for sundries for Pizarro #135 14s. "It requires certainly more than English patience and spirits to sustain any Play of five hours in length. It is not one of the worst features of Pizarro that it contains a great deal which may be spared, without injury to the piece [see 25, 27 May]" (Morning Chronicle, 25 May). Receipts: #540 3s. 6d. (406.0.6; 17.5.0; 0.4.0; tickets sold by Fosbrook's Office: 116.14.0)

Performances

Mainpiece Title: Pizarro

Afterpiece Title: My Grandmother

Song: Vocal Parts-Kelly, Sedgwick, Dignum, Trueman, Danby, Brown, Cook, Tett, Caulfield Jun., Sawyer, Danby Jun., Aylmer, Willoughby, Bardoleau, Clark, Mead, Elliot, Ms Crouch, Ms DeCamp, Ms Stephens, Ms Leak, Ms Dufour, Ms Arne, Ms Menage, Ms Roffey, Ms Menage Jun., Ms Jackson, Ms Wentworth, Ms Chippendale, Ms Jacobs, Ms Butler, Ms Bowyer, Ms Williams, Ms Saunders, Ms Gaudry, Ms Benson, Mrs Illingworth, Mrs Coates

4855
25 May 1799 @ Covent Garden

Event Comment: Benefit for Whitfield. Afterpiece [1st time; F 2, by John Till Allingham]. Morning Chronicle, 14 May: Tickets to be had of Whitfield, No. 10, Clifford's-inn. Ibid, 26 July 1799: This Day is published Fortune's Frolic (price not listed). Receipts: #394 13s. 6d. (79.15.0; 5.0.0; tickets: 309.18.6)

Performances

Mainpiece Title: Secrets Worth Knowing

Afterpiece Title: Fortune's Frolic

Dance: The Highland Lovers [see17990423]-; with Un Pas de Trois-Bologna, Miss E. Cabanel, Miss H. Cabanel; Un Pas Seul Serieux-Miss H. Cabanel; Un Pas Seul de Demie Caractere-Miss E. Cabanel, Platt

Song: End II: The Death of Admiral Benbow-Incledon; End IV: Black Ey'd Susan-Incledon; The Tight Little Island-Townsend

4856
13 July 1799 @ Haymarket Theatre

Event Comment: 3rd piece [1st time; CO 2, by Henry Heartwell and George Colman, ynger, based on Le Prisonner; or, La Ressemblance, by Alexandre Vincent Pineu Duval]: With new Scenes, Dresses and Decorations. The Musick composed and selected by Attwood. Books of the Songs, &c. to be had at the Theatre. Morning Chronicle, 9 Aug. 1799: This day is published The Castle of Sorrento (1s.)

Performances

Mainpiece Title: Blue Devils

Afterpiece Title: Ways and Means

Afterpiece Title: The Castle of Sorrento

4857
30 July 1799 @ Haymarket Theatre

Event Comment: 2nd piece [1st time; C 5, by Prince Hoare, adapted from Armuth und Edelsinn, by August Friedrich Ferdinand von Kotzebue. Prologue by John Taylor (see text). Epilogue by the author (London Chronicle, 21 Aug. 1799)]. Morning Chronicle, 14 Aug. 1799: This Day is published Sighs (2s.)

Performances

Mainpiece Title: Seeing Is Believing

Afterpiece Title: Sighs; or, The Daughter

Afterpiece Title: The Purse

Song: not listed in playbill; see17990824: In II 2nd piece: 'Twas in the solemn mid@night hour-Mrs Bland

4858
21 August 1799 @ Haymarket Theatre

Event Comment: 2nd piece [1st time; MD 5, by George Holman, based on Die Rauber, by Johann Christoph Friedrich von Schiller. Prologue by John Taylor (Poems, I, 65)]: With new Scenery, Dresses and Decorations. The Musick composed by Attwood, and selected from Dr Arnold, Callcott, and Mozart. Books of the Songs to be had at the Theatre. Morning Chronicle, 4 Sept. 1799;: This day is published The Red Cross Knights (2s.). Ibid, 22 Aug.: It was remarked from its extreme length and the frequent fall of the drop scene that it was a play in ten acts instead of five--indeed this method of preparing for a new scene disjoints the business, and of course tends greatly to injure the effect

Performances

Mainpiece Title: Seeing Is Believing

Afterpiece Title: The Red-Cross Knights

Performance Comment: Characters by Aickin, C. Kemble, Barrymore, Clarke, Palmer, Wathen, Davies, Caulfield, Trueman, Davenport, Abbot, Chippendale, Lyons, Suett, Miss DeCamp, Mrs Bland, Miss Palmer. [Cast from test (Geo. Cawthorn, 1799), and European Magazine, Sept. 1799, p. 187: Count de Ladesma-Aickin; Ferdinand-C. Kemble; Roderic de Froila-Barrymore; Guzman-Clarke; Garcias-Palmer; Lerida-Wathen; Lanusa-Davies; Bertran-Caulfield; Antonio-Trueman; Percy-Davenport; Ripperda-Abbot; Leonardo-Chippendale; Servant-Lyons; Popoli-Suett; Eugenia-Miss DeCamp; Rosa-Mrs Bland; 1st Woman of the Harem-Miss Palmer; Vocal Parts-Trueman, Story, Linton, Brown, Caulfield Jun., Aylmer, Dibble, Willoughby, Little, Kenrick, Ms Bland, Ms Griffiths, Ms Edward, Ms Hale, Ms Menage, Ms Gawdry, Ms Benson, Ms Butler, Ms Leserve, Ms Norton, Ms Masters; Prologue-Trueman. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: The Purse

4859
07 October 1799 @ Drury Lane Theatre

Event Comment: "...Richard III, which I saw performed at Drury-lane theatre at the beginning of the present season...The dresses of the characters which here make their appearance are in the usual half-and-half mode, made up from portraits of Charles I's reign, and from unrestrained fancy. Richard's habit, indeed, shews a faint hint, at the costume of his day; but how modernized! A fancy cap and feather,with a milliner's white-ribband rose, sewed thereon. A deep ruff, of that make not known until the reign of James I From the neck depends a ribband With the George: this decoration never seen in paintings till about the fashions of the abovementioned monarch's court. On his legs and feet, white silk stockings, white shoes, and red roses. These latter ornaments unknown before Elizabeth or James I's modes of dress prevailed; at any rate, they should have been white ones to have accorded with the party-badge in his cap." Writer signing himself "An Artist and an Antiquary" in Gentleman's Magazine, Apr. 1800, p. 319. Receipts: #225 16s. 6d. (178.3.6; 47.12.0; 0.1.0)

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Embarkation

4860
31 October 1799 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by John Taylor; Epilogue by George Colman, ynger (see text)]: With new Scenes and Dresses. Morning Chronicle, 7 Dec. 1799: This day is published Management (2s.). Afterpiece: In 3 acts. Receipts: #259 18s. (254.3.6; 5.14.6)

Performances

Mainpiece Title: Management

Performance Comment: Principal Characters by Lewis, Pope, Munden, Fawcett, Farley, Davenport, Simmons, Thompson, Wilde, Atkins, Blurton, Klanert, Lee, Curties, Mrs Davenport, Miss Leserve, Mrs Pope. [Cast from text (T. N. Longman and O. Rees, 1799): Captain Lavish-Lewis; Sir Hervey Sutherland-Pope; Worry-Munden; Mist-Fawcett; Alltrade-Farley; Geoffrey-Davenport; Stopgap-Simmons; Frank-Klanert; Mrs Dazzle-Mrs Davenport; Betty-Miss Leserve; Juliana-Mrs Pope; unassigned-Thompson, Wilde, Atkins, Blurton, Lee, Curties; Prologue-Betterton; Epilogue-Fawcett. [These were spoken, as here assigned, at the 1st 19 performances only (see17991128).]These were spoken, as here assigned, at the 1st 19 performances only (see17991128).]

Afterpiece Title: The Miser

4861
14 November 1799 @ Covent Garden

Event Comment: Afterpiece [1st time; CO 2, by Thomas Knight]: With new Music, new Scenes and Dresses. The Music composed by Mazzinghi and Reeve. The Scenes painted by Richards and Phillips. Books of the Songs to be had in the Theatre. Account-Book, 5 Feb. 1800: Paid Knight for Turnpike Gate #125; Reeve and Mazzinghi for music in same #50. Morning Chronicle, 29 Nov. 1799: This day is published The Turnpike Gate (1s. 6d.). Receipts: #288 17s. (281.2.6; 7.14.6)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Turnpike Gate

4862
30 November 1799 @ Covent Garden

Event Comment: Mainpiece [1st time; D 5, by Elizabeth Inchbald, based on Das Schreibepult; oder, Die Gefahren der Jugend, by August Friedrich Ferdinand von Kotzebue. Prologue by Charles Moore (MS annotation by J. P. Kemble in Kemble-Devonshire copy in Huntington Library); Epilogue by John Taylor (see text)]: With New Dresses and Scenes. Morning Chronicle, 17 Dec. 1799: This day is published The Wise Man of the East (price not listed). Receipts: #323 14s. 6d. (321.12.6; 2.2.0)

Performances

Mainpiece Title: The Wise Man Of The East

Performance Comment: Principal Characters by Lewis, Munden, Knight, H. Johnston, Murray, Davenport, Waddy, Thompson, Claremont, Simmons, Atkins, Abbot, Klanert, Curties, Mrs H. Johnston, Miss Murray, Mrs Davenport, Mrs Johnston, Mrs Whitmore, Mrs Mattocks, [Cast from text (G. G. and J. Robinson, 1799): Claransforth-Lewis; Ava Thoanoa-Munden; Timothy Starch-Knight; Ensign Metland-Murray; Bankwell-Davenport; Lawley-Waddy; Sir Richard Chances-Claremont; Quaker Servant-Simmons; Servant to Ava-Abbot; Waitby-Klanert; Servant to Lady Mary-Curties; Ruth Starch-Mrs H. Johnston; Ellen Metland-Miss Murray; Lady Mary Diamond-Mrs Davenport; Mrs Metland-Mrs Johnson; Rachel Starch-Mrs Mattocks; unassigned-Thompson, Atkins, Mrs Whitmore; Prologue-H. Johnston; Epilogue-Mrs H. Johnston. [These were spoken, as here assigned, at the 1st 11 performances only (see17991228).]These were spoken, as here assigned, at the 1st 11 performances only (see17991228).]

Afterpiece Title: The Spoil'd Child

4863
08 February 1800 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Thomas Morton; with incidental music by John Moorehead. Prologue by William Thomas Fitzgerald; Epilogue by Miles Peter Andrews (see text)]: With New Scenes [by Richards (Universal Magazine, Feb. 1800, p. 157)] and new Dresses. Morning Chronicle, 8 July 1800: This day is published Speed the Plough (2s.). Receipts: #256 7s. (253.4.6; 3.2.6)

Performances

Mainpiece Title: Speed The Plough

Performance Comment: Principal Characters by Pope, Munden, Fawcett, Knight, H. Johnston, Murray, Davenport, Waddy, Atkins, Street, Abbot, Curties, Klanert, Miss Murray, Mrs Davenport, Mrs Dibdin, Mrs H. Johnston. [Cast from text (T. N. Longman and O. Rees, 1800): Sir Philip Blandford-Pope; Sir Abel Handy-Munden; Bob Handy-Fawcett; Farmer Ashfield-Knight; Henry-H. Johnston; Morrington-Murray; Evergreen-Davenport; Gerald-Waddy; Peter-Atkins; Postillion-Abbot; Young Handy's Servant-Klanert; Susan Ashfield-Miss Murray; Dame Ashfield-Mrs Davenport; Lady Handy-Mrs Dibdin; Miss Blandford-Mrs H. Johnston; unassigned-Street, Curties; Prologue-Betterton; [This was spoken, as here assigned, at the 1st 9 performances only (see18000219).] Epilogue-Fawcett. [This was spoken, as here assigned, at the 1st 19 performances only (see18000306] .This was spoken, as here assigned, at the 1st 19 performances only (see18000306] .

Afterpiece Title: Rosina

4864
28 February 1800 @ Covent Garden

Performances

Mainpiece Title: Grand Selection 0 Of Sacred Music, From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Overture and Dead March-; In sweetest harmony-Mrs Second; O fatal day-Chorus (Saul); Disdainful of danger-Incledon, Dignum, Denman, Chorus (Judas Maccabaeus); Sweet bird-Mrs Second; accompanied on the violin-G. Ashley (L'Allegro); Where'er you walk-Mrs Dussek (Semele); The trumpet's loud-Incledon, Chorus (Dryden's Ode).
Cast
Role: O fatal day Actor: Chorus

Afterpiece Title: Grand Selection 3

Music: End II: concerto on the grand piano@forte-Master Neate

4865
25 March 1800 @ Covent Garden

Performances

Mainpiece Title: Speed The Plough

Afterpiece Title: St

Performance Comment: David's Day. Principal Characters by Incledon, Munden, Fawcett, Townsend, Simmons, Miss Sims, Mrs Whitmore, Miss Leserve, Mrs Atkins. Cast from text (T. N. Longman and O. Rees, 1801): William Townly-Incledon; Old Townly-Munden; Peter Plimlimmon-Fawcett; Owen-Townsend; Dick-Simmons; Taffline-Miss Sims; Gwinneth-Mrs Whitmore; Welsh Girl-Miss Leserve; Ellen-Mrs Atkins; Welsh Men & Women-Gardner, Linton, Street, Denman, Abbot, Lee, Curties, Ms Trevor, Ms Castelle, Ms Iliff, Ms Norton, Ms Gilbert, Ms Sydney, Ms Burnett, Ms Masters, Ms Blurton, Ms Lloyd.

Dance: In I afterpiece: A Dance-King; In II: Dance-Blurton, Platt, L. Bologna, Wilde, Klanert, Whitmore, Lewiss, Mrs Follett, Mrs Bologna, Miss Cox, Miss Bologna, Mrs Dibdin, Mrs Watts. [These were danced, as here assigned, in all subsequent performances. For Harp see18000331

4866
29 March 1800 @ Covent Garden

Performances

Mainpiece Title: Speed The Plough

Afterpiece Title: St

Performance Comment: David's Day. As18000325 .

4867
31 March 1800 @ Covent Garden

Performances

Mainpiece Title: Management

Afterpiece Title: St

Performance Comment: David's Day. As18000325 .

Music: Afterpiece: The Harp-Weippert. [This was included in all subsequent performances.

Performance Comment: [This was included in all subsequent performances.]

4868
01 April 1800 @ Covent Garden

Performances

Mainpiece Title: A Cure For The Heart Ache

Afterpiece Title: St

Performance Comment: David's Day. As18000325 .

4869
03 April 1800 @ Covent Garden

Performances

Mainpiece Title: Speed The Plough

Afterpiece Title: St

Performance Comment: David's Day. As18000325 .

4870
04 April 1800 @ Covent Garden

Event Comment: Account-Book, 5 Apr.: Received from John Ashley charge for oratorios #380; Paid One Years Insurance on #10,000 of the Theatre at the Phoenix Fire Office to Lady Day next #115

Performances

Mainpiece Title: The Creation; Grand Selection 0

Music: End I: concerto on the Grand Piano Forte-Master Neate; End II: cobcerto on the violin-G. Ashley

4871
14 April 1800 @ Covent Garden

Performances

Mainpiece Title: Speed The Plough

Afterpiece Title: St

Performance Comment: David's Day. As18000325but Welsh Men & Women-_.

Afterpiece Title: The Hermione

4872
16 April 1800 @ Covent Garden

Performances

Mainpiece Title: Speed The Plough

Afterpiece Title: St

Performance Comment: David's Day. As18000325 .

4873
18 April 1800 @ Covent Garden

Performances

Mainpiece Title: Speed The Plough

Afterpiece Title: St

Performance Comment: David's Day. As18000325 .

4874
21 April 1800 @ Covent Garden

Performances

Mainpiece Title: Speed The Plough

Afterpiece Title: St

Performance Comment: David's Day. As18000325 .

4875
17 May 1800 @ Covent Garden

Performances

Mainpiece Title: Speculation

Afterpiece Title: Marian

Afterpiece Title: The Soldier's Festival

Cast
Role: Justice Day Actor: Davenport
Role: Mrs Day Actor: Mrs Davenport.

Song: End II 1st piece: a Musical Address Mark when beneath the western main (Dramatic Censor, II, 197), Written expressly for the occasion by T. Dutton, A. M., and composed by Mazzinghi-Miss Waters; End III: O Strike the Harp-Incledon, Linton, Miss Waters; accompanied on the Harp-Weippert; End IV: Happy were the Days-Miss Waters; End 1st piece: Sigh no more Ladies-Incledon, Townsend, Linton, Master Slape, Miss Waters

Performance Comment: Dutton=, A. M., and composed by Mazzinghi-Miss Waters; End III: O Strike the Harp-Incledon, Linton, Miss Waters; accompanied on the Harp-Weippert; End IV: Happy were the Days-Miss Waters; End 1st piece: Sigh no more Ladies-Incledon, Townsend, Linton, Master Slape, Miss Waters.
Cast
Role: Happy were the Days Actor: Miss Waters