SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only "/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 3976 matches on Event Comments, 1323 matches on Performance Comments, 587 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: CCymon by Particular Desire. 28th and last time this season. Paid land tax to Lady Day last for St Martin's #34 6s. Easter offering 10s. 6d.; Printer's bill #9 6s. (Treasurer's Book). Receipts: #153 2s. (Treasurer's Book)

Performances

Mainpiece Title: Cymon

Event Comment: Benefit for Weller, Murden, Lewes. Afterpiece for 52nd and last time this season. Tickets deliver'd for Friday the 15th will taken. Tickets sold at the Door will not be admitted. Charges #65 10s. [Deficit to each beneficiary #1 14s. 4d., covered by income from tickets. Weller #41 14s. (Box 7; Pit 145; Gallery 182); Murden #41 12s. (Box 31; Pit 111; Gallery 172); Lewes #61 10s. (Box 45; Pit 239; Gallery 144).] Paid the Duke of Bedford half year's ground rent due Lady Day last for the theatre #41 13s. 4d. (#50 minus half year's Land Tax #8 6s. 8d.). Paid Duke of Bedford half year's ground rent for the New Building adjoining the theatre #12 10s. (#15 minus half year's Land Tax #2 10s.). (Account Book). Receipts: #60 1s. (Account Book). At 5 went to Covent Garden to see Conscious Lovers &c....Got a bad place hn the First Gallery...Lewis did Harlequin, but not so well as Woodward; and Miss D. Twist did ye Miller's Bride, Miss Wilford's Character. Mrs Mahon does the jealous fellow's wife (Neville MS Diary)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Harlequin Dr Faustus

Dance: IV: Double Hornpipe, as17670427

Ballet: IV: The Wapping Landlady. As17670427

Event Comment: Doors to open at half past Four. Play to begin at half past Six. Send servants to hold places by Four o'clock. [Mrs Vincent's deficit of 1st instant received #20 3s. 6d.] Paid scavenger's rate for St Martin's due Lady Day #5 1s. Paid printer's bill #9 6s. (Treasurer's Book). Receipts: #262 7s. 6d. (Treasurer's Book). Went to Drury Lane, but could not get in. Stayed from half past 4, sometime at one Pit door, sometime at the other, till past 6, and got in at the right hand side just as the play began, and was dreadfully squeezed, but rewarded by seeing Garrick play Hamlet. The expression in his features, his eyes particularly, surpasses anything I ever saw. He is a little man, but handsome and full of that fire which marks the stronger, and of the softness natural to the tender passions. It is impossible to see his greatest excellencies from ye Gallery. Baddeley and Dodd are pretty well in Polonius and Ostrick. Mrs Baddeley and Yates do Ophelia and ye Grave Digger very well. Mrs Pritchard is great, as usual in ye Queen. Gravedigger's man-Castle. Horatio-$Mr Packer. Several parts of ye play, as it is in $Shakespeare, are omitted rather improperly...The Prince Brunswick, his wife and Louisa were present (Neville MS Diary)

Performances

Mainpiece Title: Hamlet

Cast
Role: Marcellus Actor: Ackman

Afterpiece Title: The Musical Lady

Event Comment: Mainpiece: By Particular Desire. Benefit for Bowers (box-keeper) and Veal (1st gallery door-keeper). Play begins exactly at six o'clock. House charges #84. [Deficit to beneficiaries #61 5s. 6d.] Tickets deliver'd for The Busy Body will be taken. Paid Rector's rate and Watch 4 quarters #1 13s. Rec'd from Messrs Powell & Co for cloaths #11 11s.; Eight days from the Certainties #82 13s. 4d.; Stopages #1 18s. (Treasurer's Book). Receipts: #22 14s. 6d. (Treasurer's Book). Took a place in ye front Boxes at Drury Lane for Wednesday next, when ye Suspicious Husband is to be performed for ye Decayed Actors' Fund, scarcely a place remaining untaken. I wanted one in ye Pit (Neville MS Diary)

Performances

Mainpiece Title: Jane Shore

Cast
Role: Ratcliff Actor: Ackman

Afterpiece Title: The Register Office

Cast
Role: Williams Actor: Ackman
Event Comment: Benefit for Shuter. Mainpiece: By Particular Desire. Afterpiece: By Particular Desire of several persons of Distinction, to be added for that night only. Neville MS Diary: Covent Garden Theatre after being shut up for the season was open'd tonight as a high favour to Shuter...Before [the farce] the Gods having call'd for the Music to play Roast Beef, would not suffer the play to begin till their request was complied with. They pelted Davies and Hull, who appeared first, with orange skins, crying Off, Off'...Glad Shuter had a good house. He is an excellent comedian and is said to have a good heart. [The income for this night not listed in the Account Books. On 10 June however, the treasurer received from Shuter #10 'for the renters for the night of his benefit," and #1 13s. 9d. for oyl that night. On 20 July the treasurer received from Shuter #43 15s. for tickets for his first benefit, and #1 4s. 1 1!2d. in money, along with #20 for his second benefit." On July 22, the treasurer paid "to sundry Creditors of Mr Shuter as per Receipt Books #245 4s. 1 1!2d., and to Mr Wilford by order of Shuter #60, and to Beard #26 16s." N.B. On Wednesday 1 July The sum of #60,000 was this day paid down for the purchase of the Theatre Royal in Covent Garden, pursuant to agreement. The patentees are Messieurs Colman, Harris, Rutherford and Powell"--Gentleman's Magazine, p. 379.

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Love a-la-Mode

Event Comment: The Third Day

Performances

Mainpiece Title: The Taylors

Afterpiece Title: The Lyar

Entertainment: BBuilders Prologue-as17670529

Dance: Miss Froment

Event Comment: The Fourth Day

Performances

Mainpiece Title: The Taylors

Afterpiece Title: The Lyar

Entertainment: BBuilder's Prologue-as17670529

Dance: Miss Froment

Event Comment: The Fifth Day

Performances

Mainpiece Title: The Taylors

Afterpiece Title: The Lyar

Entertainment: BBuilder's Prologue-, by Desire, as17670529

Dance: Miss Froment

Event Comment: The Sixth Day

Performances

Mainpiece Title: The Taylors

Afterpiece Title: The Lyar

Entertainment: The Builder's Prologue-by Desire, as17670529

Dance: II: A New Spanish Dance-; End: New Tambourine-Froment

Event Comment: The Seventh Day

Performances

Mainpiece Title: The Taylors

Afterpiece Title: The Lyar

Entertainment: The Builder's Prologue, as17670529

Dance: II: The Fingalian-; End: The Italian Peasant-Froment

Event Comment: The Second Day

Performances

Mainpiece Title: The Countess Of Salisbury

Afterpiece Title: The School Boy

Event Comment: The Fifth Day. Neville MS Diary: Going into the first Gallery to hear the Prologue...was obliged to stay and see the Play. When the Epilogue was called for, Barry appeared and said, Mrs Dancer is so ill, she hopes you will excuse her." The gods were so brutish as to continue hissing and crying Off Off" All the while little Froment danced, who stood it very well. At last Mrs Dancer came on the stage and said I have been very ill all night. Otherwise I would not have requested this indulgence. The "Nos" and Clappers prevailing, at last she got off without speaking the Epilogue. The Farce was...purged of a little of its obscenity

Performances

Mainpiece Title: The Countess Of Salisbury

Afterpiece Title: The School Boy

Dance: End: Miss Froment

Event Comment: The Corpse of His Royal Highness the Duke of York arrived at Greenwich, and was buried the next day

Performances

Mainpiece Title: None

Event Comment: [G+George Barnwell and Harlequin Dr Faustus had been advertised for this day at foot of playbill for 31 Oct.

Performances

Mainpiece Title: None

Event Comment: [T+Theatrical Monitor, No VI appeared this day with a blast, in the form of an occasional Epilogue, at the morals, language and plan of the Oxonian in Town. This was the first performance of Macklin's afterpiece in London. It had been played in Dublin. "Its curious idiom, half-brogue, and half Cockney, puzzled the audience, as did its highly topical Irish allusions. With his usual candor, Macklin observed: 'I believe the audience are right. (The play was withdrawn after this single performance.) There's a geography in humor as well as in morals, which I had not previously considered--'" Cooke, Macklin, p. 270. According to Kirkman, in his curtain speech Macklin "courageously admitted: 'Ladies and Gentlemen, I am very sensible tha there are several passages in this play which deserve to be probated and I assure you that they shall never offend your ears again!' As soon as Mr Macklin had finished this address, the audience testified their approbation of his determination, by loud and reiterated plaudits" (Kirkman, Memoirs of the Life of Macklin, II, 3). See Also Charles Macklin: An Actor's Life by William W. Appleton (Cambridge, Mass., 1960), p. 141.

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Irish Fine Lady

Dance: End: The Dutch Milkmaid, as17671114

Event Comment: [T+Theatrical Monitor, Nov. VII, appeared this day, again critical of The Oxonian in Town, of the dances, and of Mrs Mattocks's performance, "She raises herself by strut, rage, and storm."] At 5 went into the Pit. Powell does Othello very well, better than he did last season. Iago by Macklin (first time there in 12 years) who is reckon'd capital in that character....Clarke is a good Cassio. Mattocks appeared in his usual character Apollo. I like him better than DuBellamy who did it during his illness (Neville MS Diary). Receipts: #205 1s. (Account Book)

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: Midas

Dance: End: The Dutch Milkmaid, as17671114

Event Comment: The sixth Day. For the Author. Charges #64 5s. Balance to Goldsmith #96 15s. (Account Book). Receipts: #161 (Account Book)

Performances

Mainpiece Title: The Good Natured Man

Afterpiece Title: Miss in Her Teens

Event Comment: Ninth Day. For the Author. Charges #67 15s. Balance to Goldsmith #98. Paid Dr Goldsmith the balances of his 1st and 2nd nights for The Good Natured Man #145 12s. 6d. #96 15s. (Account Book). Receipts: #165 15s. (Account Book)

Performances

Mainpiece Title: The Good Natured Man

Afterpiece Title: Midas

Event Comment: By command of their Majesties. Pit and Boxes to be put together. Tickets will be deliver'd this day at the Office in the Theatre at Half a Guinea each. First Gallery 5s. Second Gallery 3s. 6d. Galleries will be opened at Half an Hour after Four. Pit and Boxes at Five. To Begin at Half after Six. House Charges to Stanley and Smith #35 (Account Book)

Performances

Mainpiece Title: Samson

Music: CConcerto on Organ-Stanley

Event Comment: Third Day. For the Author. House charges and Candles #64 5s. Balance to Bickerstaffe #155 11s. 6d. (Account Book). This month were published Harris and Rutherford's Narrative of the Rise and Progress of the Disputes subsisting between the Patentees of Covent Garden Theatre, and Colman's True State of The Differences subsisting....Both were reviewed in the Gentleman's Magazine. Receipts: #219 16s. 6d. (Account Book)

Performances

Mainpiece Title: Lionel And Clarissa

Afterpiece Title: The Upholsterer

Dance: End of Opera: A New Comic Dance, call'd the Provenzales-Mas. Blurton, Miss Besford, Miss Ford 1st time

Event Comment: Sixth Day. For the Author. Books of the Opera to be had at the Theatre. House charges and candles #64 5s. Balances for Bickerstaffe #120 18s. (Account Book). Receipts: #185 3s. (Account Book)

Performances

Mainpiece Title: Lionel And Clarissa

Afterpiece Title: The Englishman in Paris

Dance: End of Opera: The Irish Lilt, as17670921, but Miss Valois, Sga _Manesiere

Event Comment: Last time of performing both pieces this season. Zenobia deferr'd. Hopkins MS Memorandum Book: waited on Mrs Dancer & told her the Managers gave their compliments to Mr Barry and her & as their going to Ireland would be of such advantage to 'em, they would not hinder 'em, & they had their permission to go the 15th. The only reason they wish'd they would have stay'd a few days longer, was to have kept up the reputation of Zenobia, as the play had got a reputation. They were sorry it had not been played oftener. Mrs Dancer's answer was: Their compliments to the Managers, that it was now too late, & that Mr Barry has wrote word they should not go to Ireland as the Managers seem'd against it & that Mr Barry & She was ready to do anything the Managers desir'd, as long as the House was open. I ask'd, if they stay'd, if she thought Mr Barry would be able to play in Zenobia the Thursday following, & if it would be agreeable to her do play Mrs Sullen [Stratagem] the next week. Her answer was she would play that or anything else the Managers pleas'd & that she was going to Mr Barry the next morning & that she would send word if he thought he should be able to play in Zenobia on Thursday next. When I left her the Maid follow'd me into the street & told me Mrs Dancer meant by saying as long as the House was open was--as long as the usual time of keeping the House open

Performances

Mainpiece Title: False Delicacy

Afterpiece Title: The Elopement

Event Comment: The Last time of the company's performing this season. [Following deficiencies for this season paid up: Richard Smith, Lewes, Dumay, Condell, Potter, Thomas Smith, Quick, Furkins, Wilkinson, Abbott, Simmonds, Pullen, Stephenson, Asbury, Wilde, Francis, Mrs Griffiths, Claridge, and Sharratt (Account Book). This includes payment of half value of tickets for those who were granted partial benefits on that basis.] Music forfeits at end of season #17 6s. 11d. Neville MS Diary: Went...to see Cymbeline...chiefly to hear Powell speak an occasional prologue. Would not have gone had I known it was only a stale piece of flattery to George. [See The Gentleman's Magazine, 9 July p. 346: "On shutting up the playhouse in Covent Garden at the end of the season, admission into the theatre having been denied to Mr H and R through any other passage but Mr Powell's House, those gentlemen at the head of a large posse on the 17th of last month, [June] made a forcible entry by breaking open a window near the playhouse door in Hart street; after which they expelled by violence Mr Sargeant the Housekeeper, all his family and others; but the acting managers not being inclined to submit to the arbitrary proceedings of their colleagues, immediately applied for redress, where redress was effectually to be had, and this day they were formally expelled by virtue of a warrant from under the hand and seal of the high sherrifs of London and Middlesex, and the old housekeeper, Mr Sargeant, restored to his office of trust, to the great mortification of one of the champions who had been heard to say: That he had now got possession and d--n him if he would not keep it while he had a drop of blood in his body, and while there was one brick upon another belonging to the house."

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Midas

Dance: III: The Highland Reel, as17680307

Event Comment: The Fourth Day

Performances

Mainpiece Title: The Devil Upon Two Sticks

Afterpiece Title: Thomasand Sally

Dance: As17680530

Event Comment: The Seventh Day

Performances

Mainpiece Title: The Devil Upon Two Sticks

Afterpiece Title: Miss in Her Teens

Dance: As17680530