Event Comment: The King's Company. The date of the first performance is not known. Wilson (Six Restoration Play-Dates, pp. 222-23) argues from a number of references (principally in the Epilogue) to events of early 1681 which point to a premiere near May 1681: to the dissolution of Parliament, 28 March 1681; to the comet which appeared in November 1680 and disappeared in January 1680@1; to the Hatfield Maid; to William Lilly, the astrologer, who is referred to as though alive, thus suggesting a premiere before his death, 9 June 1681. It is possible that the premiere may have been earlier than this. In 1681 was published Poeta de Tristibus; or, The Poet's Complaint, whose author had obviously read the Prologue and Epilogue to The Unhappy Favourite. He represents himself as a disappointed dramatist whose tragedy has been rejected by both houses because "their Summer-store@Will all this Winter last." With the work entered in the Term Catalogues in 1682 and a copy purchased by Narcissus Luttrell with his note "4d 1681 12 Nov" (see A Bibliography of John Dryden, ed. Macdonald, pp. 235-36), his quotations from the Epilogue to The Unhappy Favourite and references to the Prologue would offer no difficulties if it were not that the "Author's Epistle" in which the references are made is dated "at Dover the Tenth day of January 1680@1," thus suggesting that he had seen the Prologue and Epilogue before that date. Nevertheless, some of the references in the Epilogue (to Heraclitus Ridens, beginning on 1 Feb. 1680@1, and Democritus Ridens, beginning on 14 March 1680@1) preclude a January premiere for the Prologue and Epilogue. Possibly the dating of the "Author's Epistle" is in error

Event Comment: This day is one of several on which, according to William Morley, treasurer of the King's Company, the receipts fell below #10, to #3 14s. 6d. See Hotson, Commonwealth and Restoration Stage, p. 267

Event Comment: On this day the receipts at the King's House fell to #3 2s. See Hotson, Commonwealth and Restoration Stage, p. 267

Event Comment: The receipts of the King's Company on this day were only #3 13s. See Hotson, Commonwealth and Restoration Stage, p. 267

Event Comment: The Duke's Company. The date of the first performance is not known, but as the play was entered in the Term Catalogues, November 1681, it was probably first given in September, certainly not later than October. Downes (Roscius Anglicanus, pp. 38-39): Being a kind of Opera, having several Machines of Flyings for the Witches, and other Diverting Contrivances in't: All being well perform'd, it prov'd beyond Expectation; very Beneficial to the Poet and Actors. Edition of 1682, To the Reader: I heard that great opposition was design'd against the Play (a month before it was acted)...The Master of the Revels (who I must confess used me civilly enough) Licenc'd it at first with little alteration: But there came such an Alarm to him...that upon a Review, he expunged all that you see differently Printed, except about a dozen lines which he struck out at the first reading....I had so numerous an assembly of the best sort of men, who stood so generously in my defence, for the first three days, that they quash'd all the vain attempts of my Enemies, the Inconsiderable Party of Hissers yielded, and the Play lived in spight of them

Event Comment: The King's Company. The exact date of this performance is not known, but the Prologue refers to "After a four Months Fast," suggesting that the theatre did not reopen until the end of the Long Vacation (24 Oct. 1681 is the beginning of Michaelmas Term). The Epilogue also seems to refer to events at Bartholomew Fair, and the Prologue to the King's visit to Newmarket, from which the King did not return until 12 Oct. 1681. Furthermore, The Impartial Protestant Mercury, No. 54, 28 Oct. 1681, reports: A Revised Play was some days since Acted on an Eminent Publick Theatre, and the Prologue is extreamly talked of. [The periodical reprints some of the lines (which are essentially those in the printed version).] The Loyal Protestant, No. 70, 29 Oct. 1681, refers to the same performance and reprints part of the Epilogue (which also is essentially that of the separately printed Epilogue). All of these elements point to a performance in mid-October. Both the Prologue and the Epilogue were printed separately, and have been reprinted by Wiley, Rare Prologues and Epilogues, pp. 43-45. Broadside copies of the Prologue and Epilogue in the Huntington Library bear Luttrell's manuscript notations that both were written by Dryden. Luttrell's date of acquisition is 13 Feb. 1681@2, an instance in which Luttrell's date of purchase does not apparently correspond closely to a date of performance

Event Comment: For reports on the Lord Mayor's Day, see Luttrell, A Brief Relation, I, 139-40, and The Impartial Protestant Mercury, No 55, 28 Oct.-1 Nov. 1681

Event Comment: The King's Company. Newdigate newsletters (Folger Shakespeare Library), 15 Nov. 1681: This being ye Q.s birthday ye K.s players acted Alexdr ye great after wch was a ball & entertainment given to ye Ct. (Wilson, Theatre Notes from the Newdigate Newsletters, p. 80). Luttrell, 15 Nov. 1681: The 15th, being the birth day of her majestie, was kept with ringing of bells, bonefires, &c.; and at night there was a play acted at Whitehall before the king and queen, where the court appeared in great splendor (A Brief Relation, I, 144). The Earl of Arran to Ormond, 15 Nov. 1681: I am going to a play at court (HMC, Ormonde MSS., New Series, VI, 230). L. C. 5@144, p. 246, 22 Nov. 1681: Whereas Jeoffrey Ayleworth, Thomas ffarmer, Thomas ffinall & Richard Tomlinson foure of his Mates Musitians have neglected their dury in attending at ye play acted before his Mate at Whitehall on Tuesday night last for which I have suspended them (L. C. to the Treasurer of the Chamber, in Boswell, Restoration Court Stage, p. 100)

Event Comment: The Duke's Company. Two sources naming the play attended by the Morocco ambassador differ as to what play was presented. CSPD, Charles II, 1682, p. 35: 19 Jan. 1681@2: To-day the Morocco Ambassador goes to a play named Circe at the Duke's House. Impartial Protestant Mercury, 20-24 Jan. 1681@2: The Morocco Ambassador, On Thursday last, went to the Duke's Theatre, where was Acted Psyche, a Play of extraordinary splendor, with which his Excellency was extreamly pleas'd

Event Comment: The Duke's Company. Lady Anne Howe to the Countess of Rutland, 26 Jan. 1681@2: The King went by water to the new play yesterday, it being the poet's day, and is call'd the Loyallest (HMC, Rutland MSS., 12th Report, Appendix, Part V, p. 64). Newsletter, 26 Jan. 1681@2: Yesterday was a new play called the Royalist, where the Salamanca Doctor is exposed (HMC, 10th Report, Appendix, Part IV, p. 175)

Event Comment: The Duke's Company. Loyal Protestant, 2 Feb. 1681@2: This day his Excellency the Embassedor of Morocco was present at the Dukes Theatre, where the Tempest was acted with which his Excellency seem'd extreamly pleased. [Essentially the same report is in Monthly Recorder, 1 Feb.-1 March 1681@2.

Event Comment: The Duke's Company. The play was apparently never published, but the Prologue and Epilogue were printed and have been reprinted in Wiley, Rare Prologues and Epilogues, pp. 43-45. The Epilogue also appeared in Miscellany, Being a Collection of Poems by several Hands, 1685, and has been reprinted in A Little Ark, ed. G. Thorn-Drury, p. 46. The latest date at which the play, with the Prologue and Epilogue, first appeared is 5 April 1682, the date Luttrell placed on his copies (Huntington Library), presumably representing the day on which he acquired them. G. Thorn-Drury, commenting upon the Epilogue, points out that it refers to the trial of Pilkington, one of the Sheriffs of London, ca. 25 March 1681@2. It seems likely, then, that this lost play was presented in March

Event Comment: The Duke's Company. The date of the first performance is uncertain, but the fact that Luttrell dated his separately printed copies of the Prologue and Epilogue 5 April 1682 (Huntington Library) sets a probability that the play first appeared within a week to ten days preceding that date. The Prologue and Epilogue, separately printed, have been reprinted in Wiley, Rare Prologues and Epilogues, pp. 89-91. A Prologue Intended for Vertue Bertray'd, by Thomas Shadwell, is reprinted in Welbeck Niscellany 3, A Collection of Poems by Several Hands, ed. Francis Needham, 1934. Some details in it suggest the "Dead Time" preceding Easter, when the Court was gone, the Russian ambassador departed, the Moroccan Ambassador shortly to go. The Russian ambassador left on 15 Feb. 1681@2 OS (see Evelyn, Diary), and the Prologue refers to the execution of Colonel Vratz and his accomplices on 10 March 1681@2 (Evelyn, Diary)

Event Comment: On this day, L. C. 5@16, p. 83 (Nicoll, Restoration Drama, p. 10n) John Crowne's The City Politiques was banned

Event Comment: The Duke's Company. Newdigate newsletters, 5 Aug. 1682: [Yesterday the] Dutchess goes to ye Dukes Theatre--that and ye Kings house haveing Joyned interests the latter being Discontinued where will be purposely Acted for her Anna Bullen being a deepe Tragedy of the beheading of the said Lady by Henry the 8th (Wilson, Theatres Notes from the Newdigate Newsletters, p. 81). See also London Mercury, 8 Aug. 1682. Juliana Brabazon to the Countess of Rutland, Aug. 1682: The Dutches of Yorke kept her bed the day after seeing Anna Bulloigne acted (HMC, 12th Report, Rutland MSS., Part V, 1889, p. 77)

Event Comment: Domestick Intelligence, 11-14 Sept. 1682: Southwark 12--This day the Scaffold of a Booth fell down, with several Actors, Men and Women on it, and falling upon a Child that stood underneath, crushed it to death

Event Comment: Langhans, New Restoration Theatre Accounts, pp. 123-24, believes that acting resumed on 9 Oct. 1682 and continued to 14 July 1683, followed by 14 acting days between 16 July and 6 Oct. 1683.. Betterton and Smith managed the company for the proprietor

Event Comment: The Duke of York: I have been at a play this day (CSPD, Charles II, 1682, p. 497)

Event Comment: The Duke's Company. This play was also reprintdd in 1683. This performance is on the L. C. list, 5@145, p. 120: Wth ye Q: & a box for ye Maides of honor. See also Nicoll, Restoration Drama, p. 349. On this day Drury Lane was leased for nineteen years to Charles Davenant and his associates in furthering the union of the two companies. See Hotson, Commonwealth and Restoration Stage, p. 277

Event Comment: The United Company. There is uncertainty concerning this date; it appears on Luttrell's copy (Huntington Library) of the separately printed Prologue and Epilogue, and the date may represent the time of his purchase rather than a date of performance. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 141-45. Downes (Roscius Anglicanus, pp. 39-40): All the preceding Plays, being the chief that were Acted in Dorset-Garden, from November 1671, to the Year 1682; at which time the Patentees of each Company United Patents; and by so Incorporating the Duke's Company were made the King's Company, and immediately remov'd to the Theatre Royal in Drury-Lane. Upon this Union, Mr Hart being the Heart of the Company under Mr Killigrew's Patent never Acted more, by reason of his Malady; being Afflicted with the Stone and Gravel, of which he Dy'd some time after: Having a Sallary of 40 Shillings a Week to the Day of his Death. But the Remnant of that Company; as, Major Mohun, Mr Cartwright, Mr Kynaston, Mr Griffin, Mr Goodman, Mr Duke Watson, Mr Powel, Sr, Mr Wiltshire, Mrs Corey, Mrs Bowtell, Mrs Cook, Mrs Montfort. [Joined the new company]. Note, now Mr Monfort and Mr Carlile, were grown to the Maturity of good Actors. The mixt Company then Reviv'd the several old and Modern Plays, that were the Propriety of Mr Killigrew, as Rule a Wife, and have a Wife: Mr Betterton Acting Michael Perez; Don Leon, Mr Smith, Cacofogo, Mr Cartwright: Margaretta, Mrs Barry: Estiphania, Mrs Cook. Next, @The Scornful Lady.@The Plain Dealer.@The Mock Astrologer.@The Jovial Crew.@The Beggars Bush.@Bartholomew-Fair.@The Moor of Venice.@Rollo.@The Humorous Lieutenant.@The Double Marriage.@ With divers others. George Powell, Preface to The Treacherous Brothers (1690): The Time was, upon the uniting of the Two Theatres, that the Reviveing of the old stock of Plays, so ingrost the study of the House, that the Poets lay dorment; and a new Play cou'd hardly get admittance, amongst the more precious pieces of Antiquity, that then waited to walk the Stage. Cibber, Apology, ed. Lowe, I, 95-96): I shall content myself with telling you that Mohun and Hart now growing old [for, above thirty Years before this Time, they had severally born the King's Commission of Major and Captain in the Civil Wars), and the younger Actors, as Goodman, Clark, and others, being impatient to get into their Parts, and growing intractable, the Audiences too of both Houses then falling off, the Patentees of each, by the King's Advice, which perhaps amounted to a Command, united their Interests and both Companies into one, exclusive of all others in the Year 1682. This Union was, however, so much in favour of the Duke's Company, that Hart left the Stage upon it, and Mohun survived not long after

Event Comment: The United Company. Newdigate newsletters, 28 Nov. 1682: This day was Acted a new play called the Duke of Guise by Mr Dryden it was formerly forbidd as reflecting upon the D of Monmouth but by ye supplication of ye Author its now allowed to be acted (Wilson, Theatre Notes from the Newdigate Newsletters, p. 81). The Prologue and Epilogue, separately printed, bear Luttrell's date of acquisition (Huntington Library) as 4 Dec. 1682, but above this date Luttrell has written: "30 Nov." The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 149-52. Dedication, Edition of 1683: In the Representation itself, it was persecuted with so notorious Malice by one side, that it secur'd us the Partiality of the other. In a report from the Abbe Rouchi, in London, 14 Dec. 1682, it is stated that the Duke of Guise was acted three times (Campana de Cavelli, Les Derniers Stuarts [Paris and London, 1871], I, 398). One song, Tell me Thyrsis all your anguish, with music by Captain Pack, is in the edition of 1683 and also in Choice Ayres and Songs, The Fourth Book, 1683

Event Comment: The United Company. As the play was certainly acted on 1 Dec. 1682, it was probably given also on 29 Nov., in spite of the death of Prince Rupert on that day

Event Comment: The United Company. Possibly the play was repeated on this day, unless the report of the Abbe Rouchi--see 28 Nov. 1682--means that the play was given only three times

Event Comment: The United Company. Newdigate newsletters, 2 June 1683: The same day [31 May] their Royall highnesses... in ye afternoone Countenanced a new play with their presences (Wilson, More Theatre Notes from the Newdigate Newsletters, p. 59). Wilson proposes that this play is Dame Dobson, as the separately Printed Prologue bears Luttrell's acquisition date of 1 June 1683 (Bindley Collection, William Andrews Clark@Jr@Library). The separately printed Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 176-78

Event Comment: The United Company. The date of this revival is not precisely known but that it occurred in mid-March is indicated by Luttrell's date of 21 March 1683@4 on his copy of the separately-printed Prologue and Epilogue (Bindley Collection, William Andrews Clark@Jr@Library). It should be noted, however, that Friday 21 March is a Friday in Lent, a day on which the companies sometimes did not act. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 202-6. When this play was advertised to be acted on 8 Nov. 1704, the bill bore the heading: "Not Acted these 20 Years." Langbaine (English Dramatic Poets, p. 37): This Play was reviv'd by the Players, since the Union of the Two Houses, and reprinted in quarto Lond. 1684 with a new Prologue and Epilogue, the former written by Jo. Haynes the Comedian