SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only "/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3976 matches on Event Comments, 1323 matches on Performance Comments, 587 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece [1st time; T 5, by Richard Cumberland. Prologue and Epilogue by the author (Collection...of English Prologues and Epilogues, II, 214; IV, 195)]: With new Scenes, Dresses, and Decorations. Public Advertiser, 7 Feb. 1778: This Day is published The Battle of Hastings (1s. 6d.). "This piece was received with uncommon applause...[Palmer's] heroic exclamation-'all private feuds should cease when England's glory is at stake'-was so sensibly felt by the audience that a repetition was called for, but judiciously refused, as out of character in a tragedy" (London Magazine, Jan. 1778, p.37). Receipts: #243 15s. 6d. (235.0.0; 8.13.0; 0.2.6)

Performances

Mainpiece Title: The Battle Of Hastings

Performance Comment: Principal Characters by Henderson, Palmer, Brereton, Aickin, Farren, Hurst, Chambers, Norris, Chaplin, Philimore, Bensley, Miss Younge, Mrs Colles, Mrs Yates. [Cast from text (Edward and Charles Dilly, 1778): Edgar Atheling-Henderson; Earl Edwin-Palmer; Earl Waltheof-Brereton; Earl of Northumberland-Aickin; Siffric-Farren; Raymond-Hurst; Duncan-Chambers; Earl of Mercia-Norris; Reginald-Chaplin; Harold-Bensley; Matilda-Miss Younge; Sabina-Mrs Colles; Edwina-Mrs Yates; Philimore; Prologue-Henderson; Epilogue-Miss Younge. [These were spoken, as here assigned, at the 1st 10 performances only (see17780212).]These were spoken, as here assigned, at the 1st 10 performances only (see17780212).]

Afterpiece Title: Daphne and Amintor

Event Comment: Afterpiece [1st time; burl 2, by Charles Dibdin, based on The Loves of Mars and Venus, by Peter Anthony Motteux]: With New Scenes and Dresses. The Music chiefly composed by Dibdin. [Dr Arne and Dr Arnold each wrote one air.] Books of the Burletta to be had at the Theatre. Public Advertiser, 5 Feb. 1778: This Day at Noon is published Poor Vulcan! (1s.). [The playbill lists Reinhold in place of Mahon, but on the Kemble playbill his name is deleted and a MS annotation substitutes Mahon's.] Receipts: #232 5s. 6d. (230.2.6; 2.3.0)

Performances

Mainpiece Title: Percy

Afterpiece Title: Poor Vulcan

Performance Comment: . Principal Characters by Quick, Mattocks, Mahon, Robson, Battishill, Leoni, Miss Dayes, Miss Brown. Cast from text (G. Kearsley, 1778): Vulcan, Crump-Quick; Jupiter, Stud-Mattocks; Mars, Pike-Mahon [in text: Reinhold (see17780421)]; Apollo, Wiseman-Robson; Bacchus, Guage-Battishill; Adonis, Joe-Leoni; Grace-Miss Dayes; Venus, Maudlin-Miss Brown [all the characters, except Grace, are alternateley Gods and mortals].all the characters, except Grace, are alternateley Gods and mortals].
Cast
Role: Grace Actor: Miss Dayes
Event Comment: Hamlet [announced on playbill of 18 Feb.] is obliged to be deferred on account of the Indisposition of a principal Performer. Afterpiece [1st time; CO 3, by Abraham Portal. Larpent MS 445; not published]: The Overture and Music [by Thomas Linley Jun.] entirely new. With New Scenes, Dresses and Decorations. Words of the Songs, Chorusses, &c. to be had at the Theatre. Public Advertiser, 19 Feb. 1778: This Day at Three will be published the Songs in The Cady of Bagdad (6d.). Receipts: #180 0s. 6d. (130.9.0; 49.7.6; 0.4.0)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Cady of Bagdad

Dance: In II: Masquerade Scene Dancing-Blurton, Henry; End III: The Provincalle, as17780128

Song: Masquerade Scene As17771031

Event Comment: [Bingham is identified by MS annotation on Kemble playbill.] Afterpiece [1st time; CO 2, by Miles Peter Andrews, based on Le Bucheron; ou, Les Trois Souhaits, by Jean Francois Guichard. Music by Francois Hippolyte Barthelemon]: With New Scenes, Dresses and Decorations. Books of the Songs, Chorusses, &c. to be had at the Theatre. Public Advertiser, 17 Mar, 1778: This Day is published the Songs in Belphegor (6d.). [Text 1st published in Dublin: For the Booksellers, 1788.] Receipts: #196 0s. 6d. (156.5.0; 38.13.6; 1.2.0)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Belphegor; or, The Wishes

Event Comment: Afterpiece (1st time; BURL I, by Thomas Willet. For music see 31 July]: Books of the Burletta to be had at the Theatre. Public Advertiser, 1 July 1778: This Day is published Buxom Joan (6d.)

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: Buxom Joan

Event Comment: Afterpiece [1st time in London; F 2, by John O'Keeffe, 1st acted at the Smock Alley Theatre, Dublin, 13 Apr. 1774. Prologue by George Colman elder (Prose on Several Occasions, III, 222)]. Public Advertiser, 16 Aug. 1780: This Day is published Tony Lumpkin in Town (1s.)

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: Tony Lumpkin in Town; or, The Dilettante

Performance Comment: Principal Characters by Parsons, Blissett, Massey, R. Palmer, Lamash, Egan, Davis, Kenny, Bannister, Miss Hale, Mrs Hitchcock. [Cast from text (T. Cadell, 1780): Tony Lumpkin-Parsons; Pulville-Blissett; Diggory-Massey; Doctor Minim-R. Palmer; Mr Jonquil-Lamash; Frank-Egan; Painter-Davis; Shoemaker-Kenny; Tim Tickle-Bannister; Taylor-Peirce; Footman-Painter; Lavender-Miss Hale; Mrs Jonquil-Mrs Hitchcock; Prologue-Palmer. [This was spoken, as here assigned, at all subsequent performances, except on 28 Aug.]This was spoken, as here assigned, at all subsequent performances, except on 28 Aug.]

Dance: As17780623

Event Comment: Afterpiece [1st time; CO 2, by Charles Dibdin, based on La Bohemienne, by Charles Simon Favart. Music by Samuel Arnold]. Books of both Pieces to be had at the Theatre. Public Advertiser, 10 Aug. 1778: This Day is published The Gipsies (price not listed)

Performances

Mainpiece Title: Bonduca

Afterpiece Title: The Gipsies

Event Comment: Afterpiece [1st time; co 2, by Henry Bate (later Sir Henry Bate Dudley). Music by William Shield]. Books for both Pieces to be had at the Theatre. Public Advertiser, 15 June 1779: This Day is published The Flitch of Bacon (1s.)

Performances

Mainpiece Title: Bonduca

Afterpiece Title: The Flitch of Bacon

Event Comment: Mainpiece [1st time; CO 3, by William Kenrick, based on The Country Lasses, by Charles Johnson]: With new Scenery, Dresses and Decorations. The Overture and the rest of the Music composed by Hook. Books of the Songs to be had at the Theatre. Public Advertiser, 2 Dec. 1778: This Day at Noon is published The Lady of the Manor (1s. 6d.)

Performances

Mainpiece Title: The Lady Of The Manor

Afterpiece Title: The Apprentice

Dance: End II: As17780925; I: a Rural Dance[, incident to the Piece,-Dagueville [This was danced, as here assigned, in all subsequent performances.]

Event Comment: Mainpiece [1st time; C 5]: By the celebrated Henry Fielding; and never yet performed or published. With new Scenes, Dresses, &c. [and incidental music by Michael Arne. Prologue by David Garrick. Epilogue by the same (see text)]. Public Advertiser, 12 Dec. 1778: This Day is published The Fathers (1s. 6d.). "This play was written by Mr Henry Fielding, some years before his death. Mr Garrick saw it at that time. Mr Fielding gave the only fair copy he had of it to his friend Sir Charles Williams, of whose judgment he entertained a high opinion. Sir Charles soon after went abroad, and the comedy was mislaid. Mr. Fielding communicated this circumstance to his family on his death-bed; and enquiry was made for it, but without effect. At length Mr Thomas? Johnes, Member for Cardigan, looking over Sir Charles's books, found a comedy in manuscript, which he read, and, approving, had it transcribed and sent to Mr Garrick for his opinion, who, like Archimedes, cried out, 'This is the lost sheep! This is Mr Henry Fielding's play!' Mr Garrick communicating it to Mr Johnes, Mr Johnes immediately sent the original manuscript, which was in Mr Fielding's hand-writing, to the family, with his best wishes for its success, promising to assist it to the utmost of his power" (Gentleman's Magazine, Dec. 1778, p.586). See also, for corroboration of the above and for other details, Wilbur L. Cross, The History of Henry Fielding, 1918, III, 99-104. Receipts: #210 11s. 6d. (186.6.0; 23.19.6; 0.6.0)

Performances

Mainpiece Title: The Fathers; Or, The Good Natur'd Man

Afterpiece Title: The Irish Widow

Dance: As17780919

Event Comment: Mainpiece [1st time; T 5, ascribed to-Johnstone. Authors of Prologue and Epilogue unknown]: With New Scenes and Dresses. Public Advertiser, 1 Jan. 1779: This Day is published Buthred (1s. 6d.)

Performances

Mainpiece Title: Buthred

Performance Comment: Principal Characters by Wroughton, Clarke, Farren, Peile, L'Estrange, Thompson, Aickin, Miss Platt, Mrs Hartley (1st appearance this season). [Cast from text (F. Newbery, 1779): Buthred-Wroughton; Morcar-Clarke; Elwin-Farren; Elbert-Peile; Ivar-L'Estrange; Randolph-Thompson (in text unassigned); Osbrighte-Aickin; Ela-Miss Platt; Rena-Mrs Hartley; Prologue-Hull; Epilogue-Mrs Bulkley. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: Cross Purposes

Event Comment: Afterpiece [1st time; P 2, attributed to Richard Brinsley Sheridan (see G. W. Williams in Studies in Philology, XLVII, 1950, 619-28). Synopsis of action (W. Randall, 1779) lists no parts]: The Overture and Music entirely new. With new Scenes, Machines, Dresses and Decorations. All the Scenery, Machinery, &c. designed by DeLoutherbourg and executed under his direction. Nothing under Full Price will be taken. [For a discussion of this pantomime see Theatre Survey, II, 54-66.] Public Advertiser, 24 Feb. 1779: This Day is published an Account of The Wonders of Derbyshire and the Songs (6d.). Receipts: #225 19s. (223.18.0; 2.1.0)

Performances

Mainpiece Title: Merope

Afterpiece Title: The Wonders of Derbyshire; or, Harlequin in the Peak

Event Comment: Mainpiece: Written by the Author of Braganza [1st time; T 5, by Robert Jephson. Prologue and Epilogue by the author (see text)]. With new Scenes and Dresses. Public Advertiser, 15 Feb. 1779: This Day is published The Law of Lombardy (1s. 6d.). Receipts: #221 (196.19.0; 23.13.6; 0.7.6)

Performances

Mainpiece Title: The Law Of Lombardy

Afterpiece Title: High Life below Stairs

Event Comment: Afterpiece [1st time; F 2, by Frederick Pilon]. Public Advertiser, 6 Mar. 1779: This Day is published The Liverpool Prize (1s.)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Liverpool Prize

Dance: End I afterpiece: The Burgomaster, as17790216

Event Comment: Mainpiece: With alterations by the author [William Mason]. The Overture and all the new Music composed by Giardini.[On playbill of 27 Feb.: With a New Scene painted by Richards.] Public Advertiser, 23 Feb. 1779: This Day at Noon is published Elfrida (price not listed). [Afterpiece: Prologue by the author (New Spouter's Companion, c. 1798, p. 59).

Performances

Mainpiece Title: Elfrida

Afterpiece Title: The Liverpool Prize

Performance Comment: As17790222, but Prologue-Lee Lewes. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]
Event Comment: Prelude [1st time;PREL I, probably by Richard Cumberland. Larpent MS 472; not published]. Mainpiece [1st time; M 3, by Richard Cumberland, based on Calypso and Telemachus, by John Hughes]: The Overture and all the Music entirely new, and composed by Butler. With new Scenery painted by Richards and Carver, and new Dresses. Books of the Masque to be had at the Theatre. Public Advertiser, 27 Mar. 1779: This Day is published Calypso (1s. 6d.)

Performances

Mainpiece Title: A New Prelude And Prologue

Afterpiece Title: Calypso

Afterpiece Title: Cross Purposes

Dance: In: Incidental Dances-Dagueville, Miss Besford, Miss Valois

Event Comment: Benefit for Mrs Mattocks. Mainpiece: Not acted these 3 years [acted 16 Feb. 1778]. Mrs Mattocks' Benefit has been unavoidably obliged to be deferred till this Day. Tickets delivered for Tuesday the 23d of March will be admitted. Public Advertiser, 27 Mar.: Tickets to be had of Mrs Mattocks at her house in Covent Garden

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: True-Blue

Afterpiece Title: Midas

Dance: As17790405

Event Comment: Mainpiece: Not acted these 3 years [acted 17 Apr. 1777]. Afterpiece [1st time; F 2, by Hannah Cowley, based partly on The Stolen Heiress, by Susannah Centlivre]. Public Advertiser, 30 Apr. 1779: This Day at Noon is published Who's the Dupe? (price not listed). Receipts: #193 3s. 6d. (151.2.0; 39.12.6; 2.9.0)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: A Monody

Afterpiece Title: Who's the Dupe

Event Comment: Benefit for Lee Lewes. 1st piece [1st time; PREL I, by Frederick Pilon. Author of Epilogue unknown. This Prelude had reference to the illuminations held on 11 Feb. 1779 in honor of the acquittal, on a charge of misconduct in the naval operations off Brest, of Admiral Augustus Keppel. In 1780 it was acted at this theatre, with alterations, as A Gazette Extraordinary]. Tickets delivered for The Distress'd Mother will be received. Public Advertiser, 30 Mar.: Tickets to be had of Lee Lewes at his house in Bow-street, Covent Garden. Ibid, 4 May 1779: This Day is published Illumination (1s.)

Performances

Mainpiece Title: Illumination; Or, The Glaziers Conspiracy

Performance Comment: Skylight-Lee Lewes; Dip-Wilson; Quillet-Brunsdon; Parchment-Thompson; Dick-Fearon; Mob-Bates, Mahon, Wewitzer; Miss Skylight-Miss Green; Mrs Skylight-Mrs Pitt; Epilogue-Wilson, Lee Lewes. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: Elfrida

Afterpiece Title: The Touchstone

Event Comment: Benefit for Wilson. Mainpiece: Not acted these 3 years. 3rd piece: Written by D. Garrick, Esq., with Additions. 4th piece [1st time; MF 2, by Charles Stuart]: The Overture and Music chiefly new, by Gehot, and Shield, who composed the music to The Flitch of Bacon. Public Advertiser, 3 Apr.: Tickets to be had of Wilson, No. 2, Henrietta-street, Covent Garden. Ibid, 29 Apr. 1779: This Day is published The Cobler of Castlebury (1s.)

Performances

Mainpiece Title: Illumination

Afterpiece Title: The Funeral; or, Grief a-la-Mode

Afterpiece Title: The Farmer's Return from London

Afterpiece Title: The Cobler of Castlebury

Event Comment: Mainpiece [1st time; T 5, by Hannah Cowley. Prologue by the author (Morning Chronicle, 9 Aug.)]: New Scenes painted by Rooker. Public Advertiser, 30 Aug. 1779: This Day is published Albina, Countess Raimond (price not listed)

Performances

Mainpiece Title: Albina, Countess Raimond

Performance Comment: Principal Characters by Digges, Dimond, Usher, Gardner, Egan, R. Palmer, Kenny, Painter, Aickin, Palmer, Mrs Montague, Mrs Poussin, Mrs Lefevre, Mrs Massey. [Cast from text (T. Spilsbury, 1779) and London Chronicle, 2 Aug.: Westmoreland-Digges; Edward-Dimond; King Henry-Usher; Steward-Gardner; Officer-Egan; Oswald-R. Palmer; Egbert-Aickin; Gondibert-Palmer; Editha-Mrs Montague [in text: Miss Sherry (see17790809)]; Adela-Mrs Poussin; Ina-Mrs Lefevre; Albina-Mrs Massey; Kenny, Painter; Prologue-Mrs Massey. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: Piety in Pattens

Event Comment: Afterpiece [1st time; PAST 2, by Richard Josceline Goodenough, altered from his unacted play The Cottagers]: The Overture and Music composed by Baumgarten. [Baumgarten used this overture again in Robin Hood (see cg, 17 Apr. 1784).] Books of the Pastoral to be had at the Theatre. [Wordsworth is identified in the playbill of 22 Dec. Mrs Webb was from the Hay.] Public Advertiser, 24 Nov. 1779: This Day is published William And Nanny (1s.). Receipts: #122 15s. (116.15.6; 5.19.6)

Performances

Mainpiece Title: The Duke Of Milan

Afterpiece Title: William And Nanny

Performance Comment: [Principal Characters by A Young Gentleman (1st appearance on any stage Wordsworth]), Wilson, Moody, Mrs Webb (1st appearance at this theatre), Mrs Pitt, Miss Brown. [Cast from text (J. Kearby, 1779) William-A Young Gentleman; Hearty-Wilson; Murtagh Mulrooney-Moody; Dame Hearty-Mrs Webb; Old Woman-Mrs Pitt; Nanny-Miss Brown.
Event Comment: Afterpiece [1st time; CO 2, by William Augustus Miles]: The music entirely new, composed by Michael Arne. With new Scenes, Dresses, and Decorations. Books of the Opera to be had at the Theatre. Public Advertiser, 15 Apr. 1780: This Day is published The Artifice (1s.). Receipts: #119 8s. 6d. (71.12.0; 47.1.6; 0.15.0)

Performances

Mainpiece Title: The Runaway

Afterpiece Title: The Artifice

Event Comment: [As 2nd piece Public Advertiser for this day and the playbill of 29 July announce Othello, but "Mrs Crawford not being well enough to act the part of Desdemona...The Suicide...will be performed this Evening." 3rd piece in place of The Irish Widow, announced on playbill of 29 July.
Event Comment: Mainpiece [1st time; C 5, by Sophia Lee, based partly on Le Pere De Famille, by Denis Diderot. Prologue by George Colman elder (see text)]. Public Advertiser, 14 Sept. 1780: This Day is published The Chapter of Accidents (1s. 6d.)

Performances

Mainpiece Title: The Chapter Of Accidents

Performance Comment: Principal Characters by Palmer, Bensley, Wilson, Bannister Jun., Lamash, Aickin, Edwin, Mrs Wilson, Mrs Cuyler, Mrs Love, Miss Farren. [Cast from text (T. Cadell, 1780: Woodville-Palmer; Lord Glenmore-Bensley; Governor Harcourt-Wilson; Captain Harcourt-Bannister Jun.; Vane-Lamash; Grey-Aickin; Jacob-Edwin; Bridget-Mrs Wilson; Miss Mortimer-Mrs Cuyler; Warner-Mrs Love; Cecilia-Miss Farren; Prologue-Palmer. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: Miss in her Teens