SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This "/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2255 matches on Event Comments, 1015 matches on Performance Comments, 88 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece [1st time; CO 3, by George Colman ynger]: With new Scenes, Dresses, and Decorations. The Overture, new Airs, and Accompaniments by Dr Arnold [partly adapted from Paisiello]. The Scenes painted by Rooker. Books of the Songs to be had at the Theatre. Public Advertiser, 5 Sept. 1787: This Day is published Inkle and Yarico (1s. 6d.)

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Guardian

Event Comment: Benefit for Jewell, treasurer. 2nd piece: Taken from The Devil upon Two Sticks. 3rd piece: Never performed here. Public Advertiser, 8 Aug.: Tickets to be had of Jewell, No. 26, Great Suffolk-street, Hay-market

Performances

Mainpiece Title: Tit For Tat

Afterpiece Title: Dr Lasts Examination

Afterpiece Title: The Intriguing Chambermaid

Afterpiece Title: The Day

Event Comment: Benefit for Mrs Bannister. 2nd piece: Never acted here. Public Advertiser, 17 Aug.: Tickets to be had of Mrs Bannister, Frith-street, Soho

Performances

Mainpiece Title: Dr Lasts Examination

Afterpiece Title: The Follies of a Day

Afterpiece Title: The Day

Entertainment: Imitations End 2nd piece: As17870807

Event Comment: [Seymour is identified in European Magazine, Oct. 1787, p. 315. Address by Edward Hickey Seymour (London Chronicle, 4 Oct.).] "The clock striking two -instead of the usual folly of a small table bell, when Macbeth's drink was ready -forms an alteration of much good sense and propriety" (World, 2 Oct.). "Of the Lady Macbeths [since the time of Garrick] Mrs Siddons has exhibited the most happy effect of her skill -has shown a portrait of Lady Macbeth which before existed but in imagination. Mrs Yates claims the second place of eminence; her deportment and manner were equal to Mrs Siddons, but very inferior to her in pathos and energy. Mrs Pope's performance lays claim to praise, particularly in the sleeping scene, but there is a certain delicacy and tenderness associated with the powers of that lady which prevents her giving a glowing picture of that female fiend. Mrs Bates's performance was sufficiently marking and bold in some passages, but the whole wanted uniformity and finishing" (Public Advertiser, 4 Oct.). Receipts: #225 (224.5; 0.15)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Love and War

Song: Vocal Parts-Johnstone, Bonville, Cubitt, Darley, Doyle, Rock, Mrs Martyr, Mrs Mountain, Mrs Morton, Miss Stuart, Mrs Davenett, Mrs Watts, Mrs Kennedy

Entertainment: Monologue Before: Occasional Address-Pope

Event Comment: [Cambray was the stage name of James Fennell; he was from the Edinburgh theatre (and see 16 Oct. 1789). Ryder's 1st appearance as Iago was at the Smock Alley Theatre, Dublin, 14 Jan. 1767.] "Ryder wore his villainy on his sleeve, and evinced nothing of the insidiousness ordinarily expressed by other representatives of the part" (Public Advertiser, 13 Oct.). Receipts: #196 7s. (195.16; 0.11)

Performances

Mainpiece Title: Othello

Afterpiece Title: The Romp

Event Comment: [As mainpiece the playbill announces She Wou'd and She Wou'd Not, but "The Beggar's Opera being performed in lieu of She Wou'd and She Wou'd Not (because of Mrs Jordan's illness) was very well received." Reference is made to Dignum as Macheath and Mrs Crouch as Polly (Public Advertiser, 23 Oct.).] Receipts: #110 10s. 6d. [83.11.0; 26.3.0; 0.16.6)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Harlequins Invasion

Event Comment: Mainpiece [1st time; C 5]: Altered from Beaumont and Fletcher, by Dryden [by Thomas King. The original alteration, 1700, was by Sir John Vanbrugh, not by Dryden. The present alteration has been attributed to John Philip Kemble, but in his copy of the play, now in the Huntington Library (K-D 95), he has written "by Thomas King"]. Public Advertiser, 22 Nov. 1787: This Day is published, as now revived with material Additions, The Pilgrim (1s.). Receipts: #85 9s. 6d. (72.5.0; 13.4.6; 0.0.0)

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: All the Worlds a Stage

Dance: End I: a New Dance-Hamoir, Ferrere, the Miss Stageldoirs; End III: The Capricious Lovers, as17870920; End IV: another New Dance-Hamoir, Ferrere, the Miss Stageldoirs

Event Comment: "In his first scenes [Kemble] was judicious, but too studiously so; and though most critically correct in his address to the Senate, evidenced he was more anxious to do justice to the text of his author than the feelings of Othello. But in the subsequent scenes he made ample recompense, and most successfully combined accuracy of expression with spirit of character...We much approve his dressing Othello in the Moorish habit...[but] is it necessary the Moor should be as black as a native of Guiney?" (Public Advertiser, 29 Oct.). Receipts: #117 16s. (102.6; 15.5; 0.5)

Performances

Mainpiece Title: Othello

Afterpiece Title: The Irish Widow

Dance: End I afterpiece: The Irish Fair, as17870929

Event Comment: Mainpiece [1st time; C 5, by Harriet Lee. Prologue by Richard Cumberland (see text). Epilogue by the author (World, 28 Nov.)]: With new Dresses, Decorations, &c. Public Advertiser, 26 Nov. 1787: This Day is published The New Peerage (1s. 6d.). Receipts: #209 4s. (188.1.0; 19.14.6; 1.8.6)

Performances

Mainpiece Title: The New Peerage Or Our Eyes May Deceive Us

Afterpiece Title: High Life below Stairs

Event Comment: Benefit for Cambray (the last Time of his performing here this Season). Public Advertiser, 8 Nov.: Tickets to be had of Cambray, No. 18, Norfolk-street. Receipts: #185 1s. 6d. (184.6.0; 4.15.6; tickets: none listed)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Lyar

Song: Vocal Parts, as17871001, but Janson

Event Comment: [The playbill announces The Tender Husband, and Three Weeks after Marriage, but the former "was last night obliged to be deferred on account of the real or feigned Indisposition of Mrs Abington, of which was sent to the Theatre at Two o'clock. The Merry Wives of Windsor was substituted...Mrs Wells, to whom the part of Mrs Page belongs, could not or would not play...Mrs Bernard read the part. Bernard also supplied the place of Cubitt in Slender. The Farmer was substituted for Three Weeks after Marriage" (Public Advertiser, 27 Nov.).] Receipts: #158 18s. (151.8.6; 7.9.6)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Farmer

Event Comment: Mainpiece [1st time; C 5, by Elizabeth Inchbald. Larpent MS 789; not published. Prologue by Henry Sampson Woodfall Jun. (London Chronicle, 17 Dec.); Epilogue by Frederick Pilon (Public Advertiser, 19 Dec.)]. [Miss Blower had 1st appeared at dl, 27 Apr. 1782, and thereafter in Dublin.] Receipts: #180 7s. 6d. (169.19.0; 10.8.6)

Performances

Mainpiece Title: All On A Summers Day

Afterpiece Title: Miss in her Teens

Performance Comment: Fribble-Bernard; Puff-Fearon; Captain Loveit-Macready; Jasper-Thompson; Captain Flash-Ryder; Tag-Mrs Webb; Miss Biddy-Miss Blower (1st appearance on this stage [i.e. in a speaking part; see17871022]).i.e. in a speaking part; see17871022]).
Event Comment: "The orchestra, during the whole time of representations [of the opera] has by no means been conducted with that exactness that should be expected from that band...It must be supposed that neither the master of music at the harpsichord, nor Mr Cramer, the leader, have influence or power enough to prevail on the band to play, or rather, to accompany, more correctly...The arias of the tenor and base [sic] have been played, or rather accompanied, too fast, and without harmony with the voices of Morelli and Fineschi, which being good, and they seeming to wish to sing with all possible expression, the orchestra should have accompanied accordingly. Mme Storace, howefer, has baffled the efforts of the musicians to make her sing out of tune, quick or slow. As they fiddled, she modulated" (Public Advertiser, 17 Jan.). Receipts: #147 12s. 6d. [non-subscription]

Performances

Mainpiece Title: Il Re Teodoro In Venezia

Dance: End I: a new ballet, The Military Dance (composed by Chevalier)-Didelot, Chevalier, Coulon, Vestris, Mlle Coulon, the two Miss Simonets, Sga Bedini, Mlle Hilligsberg; End Opera: Les Offrandes a l'Amour, as17871208

Event Comment: Mainpiece: Never acted at this Theatre. By Beaumont and Fletcher, with Alterations [by Thomas Harris (Boaden, Kemble, I, 378)]. Public Advertiser, 15 Jan.: The alterations consisted of many curtailments, the last scene of Act IV being entirely omitted. [Prologue by Henry Sampson Woodfall Jun. (European Magazine, Dec. 1787, p. 503; Feb. 1788, p. 105).] Receipts: #150 2s. (146.18; 3.4)

Performances

Mainpiece Title: King And No King

Afterpiece Title: The Dumb Cake

Song: II: a Grand Chorus-Johnstone, Davies, Darley, Cubitt, Blurton, Janson, Bonville, Mrs Martyr, Mrs Mountain, Mrs Morton, Miss Stuart, Mrs Watts, Mrs Byrne, Miss Rowson, Miss Francis, Miss Paye, Miss Blower, Mrs Kennedy

Event Comment: Benefit for Mrs Siddons. Mainpiece: Not acted these 9 years. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their servants by Half past Four o'Clock. Public Advertiser, 10 Jan.: Tickets to be had of Mrs Siddons, Gower-street, Bedford-square. Receipts: #343 12s. 6d. (189.9.0; 6.12.0; 0.11.6; tickets: 147.0.0) [charge: free)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Deserter

Performances

Mainpiece Title: The Maid Of The Mill

Performance Comment: Lord Aimworth-Kelly (1st appearance in that character); songs-Kelly; Sir Harry Sycamore-Waldron; Fairfield-Aickin; Mervin-Williames; Ralph-Suett; Giles-Dignum (1st appearance in that character); Fanny-Miss Romanzini; Lady Sycamore-Mrs Hopkins; Theodosia-Mrs Forster [Public Advertiser: Miss Stageldoir]; Patty-Mrs Crouch.

Afterpiece Title: Harlequin Junior

Dance: End I: The Capricious Lovers, as17870920

Event Comment: Benefit for Mrs Billington. Mainpiece: Not acted these 10 years [acted 5 Nov. 1779]. The Music chiefly composed by Hook, the rest compiled from the most eminent Masters. With new Songs and other Alterations [and restorations; the names of almost all the characters have been changed (see 23 Nov. 1778)]. Public Advertiser, 12 Jan.: Tickets to be had of Mrs Billington, No. 53, Poland-street. Receipts: #365 3s. 6d. (244.0.6; 2.12.0; tickets: 118.11.0) [charge: free)

Performances

Mainpiece Title: The Lady Of The Manor

Afterpiece Title: Rosina

Dance: End II: Leap Year-Byrne, Mrs Goodwin

Song: In afterpiece: (for that Night only) Sweet Bird-, from L'Allegro il Penseroso by Handel Mrs Billington; accompanied on the flute-W. Parke

Event Comment: Mainpiece [1st time; T 5, by Hannah Cowley. Prologue and Epilogue by the author (see text)]. @When first thy Tragedy I view'd@Where Sparta mourns her Lot severe;@I caught the Spartan Fortitude@And watch'd her Woes without a Tear.@ (William Parsons [not the actor], in Thraliana, II, 713.) Public Advertiser, 27 Feb. 1788: This Day is published The Fate of Sparta (1s. 6d.). Receipts: #203 15s. 6d. (171.13.0; 30.15.0; 1.7.6)

Performances

Mainpiece Title: The Fate Of Sparta Or The Rival Kings

Afterpiece Title: The Humourist

Event Comment: Benefit for Bowden. Public Advertiser, 22 Jan.: Tickets to be had of Bowden, No. 5, John-street, Great Portland-street. Receipts: #288 9s. (182.4.6; 1.18.6; tickets: 104.6.0)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Comus

Dance: As17880129

Song: In afterpiece: Sweet Echo-Mrs Ambrose (1st time); accompanied on the hautboy-W. Parke; II: the celebrated Laughing Song from L'Allegro il Penseroso-Bowden

Event Comment: "Miss Hilligsberg cannot be praised enough for her exertions and sucess in the execution of [the second] ballet, which has given her an opportunity of making herself perfect in her profession [this being her 1st season on the stage]...The scenery has no doubt by Noverre, and if it is not more magnificent it is not for want of genius on his part, but to spare the purse of the Managers...The Palace of Cupidv for the reception of Psiche in the first, and that of Venus in the last act, with the appearance of Jupiter, &c. in the skies, were very well executed, and beautifully arranged by the actors" (Public Advertiser, 7 Feb.). Receipts: #202 11s. (non-subscription]

Performances

Mainpiece Title: La Locandiera

Dance: End I: The Military Dance, as17880115

Ballet: End Opera: L'Amour et Psiche. As17880129

Event Comment: "In no part of Bensley's voice is there an atom of the tender of mournful. [King Henry] is a part totally unsuited to his powers" (Public Advertiser, 19 Feb.). Receipts: #158 15s. (119.2; 37.15; 1.18)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Harlequin Junior

Event Comment: Mainpiece: Altered from Beaumont and Fletcher. Not acted these 3 years. [The playbill assigns Abigail to Mrs Webb, but "an apology being made for Mrs Webb, who was indisposed, Mrs Platt undertook to read the part" (Public Advertiser, 26 Feb.). Afterpiece in place of The Farmer, advertised on playbill of 23 Feb.] Receipts: #162 15s. (155.17; 6.18)

Performances

Mainpiece Title: The Capricious Lady

Afterpiece Title: The Dumb Cake

Event Comment: [As afterpiece Public Advertiser erroneously announces The Citizen.] Receipts: #189 6s. 6d. (184.7.6; 4.19.0)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Farmer

Dance: As17871129

Event Comment: A new Comic Opera [1st time; COM 2, librettist unknown]; the Music composed by Storace. "Signor Storace does not appear to have studied that art [of music] much in Italy; for he has entirely deviated from the usual plan of Italian authors...The overture anneunces entirely a French author, and the finales are in the German style of Gluck, loaded with harsh, terrifying music of trumpeting and drumming" (Public Advertiser, 6 Mar.). Receipts: !162 [non-subscription]

Performances

Mainpiece Title: La Cameriera Astuta

Dance: End Opera: Les Fetes de Tempe, as17880301End I: New Dance, as17880226; Pas de Bernois, as17880226; Pas de Trois, as17880226; Pas Seul, as17880226; Pas de Russe, as17880226; Pas de Cinq, as17880226; Pas de Sept, as17880226; General Dance, as17880226

Event Comment: "Mrs Abington's Phillis partook of [fresh] novelty-it even descended to her adjusting the chairs of the drawing-room-to the humility of her whispers" (Public Advertiser, 7 Mar.). Receipts: #201 1s. (193.18; 7.3)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Farmer

Song: As17880204