SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This "/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2255 matches on Event Comments, 1015 matches on Performance Comments, 88 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: "A new Tragedy, called Eloisa [and Richard Coeur de Lion, both announced on playbill of 16 Dec. were] to have been represented last night; but on account of the illness of Farren [were] obliged to be deferred, and Fontainbleau, with Hob in the Well were announced [in playbill of this present night], but on account of the sudden indisposition of Edwin...both pieces were obliged to be changed to Henry IV, with Barataria" (Public Advertiser, 19 Dec.). Receipts: #117 0s. 6d. (115.0.0; 2.0.6)

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: Barataria

Event Comment: Afterpiece [1st time; F 2, by James Cobb. Prologue by the author (see text)]. Public Advertiser, 22 Jan. 1787: This Evening be published The First Floor (1s.). Receipts: #227 (187.0; 39.4; 0.16)

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: The First Floor

Performance Comment: Principal Characters by Baddeley, Suett, R. Palmer, Chaplin, Jones, Alfred, Spencer, Whitfield, Burton, Bannister Jun., Mrs Wilson, Miss Collins, Mrs Hopkins. [Cast from text (C. Dilly, 1787): Whimsey-Baddeley; Furnish-Suett; Young Whimsey-R. Palmer; Landlord-Chaplin; Snap-Jones; Postboy-Alfred; Frank-Spencer; Monford-Whitfield; Simon-Burton; Tim Tartlett-Bannister Jun.; Nancy-Mrs Wilson; Charlotte-Miss Collins; Mrs Pattypan-Mrs Hopkins; Prologue-Bannister Jun. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]

Dance: End III: a new Dance, La Soiree Provencalle-the two young D'Egvilles, Miss DeCamp

Event Comment: "Mrs Abington's reconciliation scene was particularly fine-no declamation-no attempt at tragedizing-it...carried the full proof of conviction and repentance" (Public Advertiser, 27 Jan.). Receipts: #238 5s. 6d. (235.4.0; 3.1.6)

Performances

Mainpiece Title: The Provokd Husband

Performance Comment: Lord Townly-Pope; Manly-Farren; Sir Francis Wronghead-Fearon; Squire Richard-Quick; John Moody-Edwin; Count Basset-Macready; Lady Grace-Mrs Mattocks; Lady Wronghead-Mrs Webb; Miss Jenny-Mrs Brown; Myrtilla-Mrs Lewis; Mrs Motherly-Miss Platt; Trusty-Miss Stuart; Lady Townly-Mrs Abington (1st appearance this season).

Afterpiece Title: Hob in the Well

Event Comment: Afterpiece [1st time; F 2, By John O'Keeffe. Prologue by George Colman elder (Colman, Prose, III, 276)]. The curtain was obliged to be dropt before the piece was finished, amidst the disapprobation of a very splendid and numerous audience" (Public Advertiser, 29 Jan.). Receipts: #219 6s. 6d. (216.5.0; 3.1.6)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Man Milliner

Event Comment: Benefit for Mrs Siddons [whose 1st appearance as Imogen was at Bath, 15 Apr. 1779]. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their Servants at half past Four o'Clock. Public Advertiser, 13 Jan.: Tickets to be had of Mrs Siddons, Gower-street, Bedford-square. "The exact receipts of Mrs Siddons's house on Monday were #332 [actually #335 5s., excluding the 2nd account and after-money], which, with bank notes for side-boxes, and gold tickets through all the boxes, raise the total to about #650 or #700. This benefit is clear of the nightly charges of the house" (Morning Chronicle, 1 Feb.). Receipts. #344 17s. 6d. (161.10.0; 9.11.6; 0.1.0; tickets: 173.15.0) (charge: free)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Romp

Dance: II: a Masquerade Scene-; with Dancing-Ferrere, Menage, Miss Stageldoir; End III: La Soiree Provencalle, as17870113

Song: II: Singing-Miss Romanzini [The Dancing was included, as here assigned, in all subsequent performances]

Event Comment: "Friday night, about 20 minutes before eight o'clock, on the conclusion of the third act, a very serious alarm took place at Drury Lane Theatre. A fire broke out at an oil-shop, the corner of Little Brydges-street. The flames appearing through the windows at the back of the upper gallery, the alarm of fire spread through many parts of the house. [The audience was dismissed, those in the boxes] passing over the stage into Russel-street...Some of the box and pit company continued for a time on the stage with the performers, some of whom were dressed in character, others half dressed, and the appearance [was] truly motley" (Public Advertiser, 5 Feb.). Receipts: #133 12s. (129.10; "An Alarm of Fire prevented the 2nd Acct."; 3.12; tickets not come in: 0.10)

Performances

Mainpiece Title: Rule A Wife And Have A Wife 1st 3 Acts Only

Event Comment: "It is apprehended that...on Account of the Fire...in Bridge's-street [see 2 Feb.], the Avenues to the Theatre will be...impassable, for which Reason there will not be any Performance" (Public Advertiser, 3 Feb.). [Cymbeline and The First Floor were announced on playbill of 2 Jan.

Performances

Mainpiece Title: None

Performances

Mainpiece Title: Acis And Galatea Redemption 0

Performance Comment: Vocal Parts, Violin As17870223, but Public Advertiser, 9 Mar., notes Hush ye pretty warbling choir, Love in her eyes sits playing, Must I my Acis still Bemoan?-Mme Mara; Love sound's th' alarm-Dignum; O ruddier than the cherry-Reinhold; As when the dove-Mrs Crouch; Consider fond shepherd-Miss George; Happy happy we-Dignum, Miss George; The flocks shall leave the mountains-Dignum, Reinhold, Mrs Crouch.

Afterpiece Title: A New Symphony

Event Comment: Benefit for Mrs Billington. Public Advertiser, 9 Mar.: Tickets to be had of Mrs Billington, No. 11, Great Newport-street, Long Acre. Receipts: #277 9s. (176.4; 0.12; tickets [378 in boxes; 41 in pit]: 100.13)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Enchanted Castle

Event Comment: Benefit for Mrs Pope. Mainpiece: In Act I Banquetv. [In Act IV] the Procession from the Abbeyv, at the Coronation of Anne Bullen . To conclude with the Ceremonial of a Royal Christeningv. Public Advertiser, 9 Mar.: Tickets to be had of Mrs Pope at her house in Half-moon-street, Piccadilly. Receipts: #289 8s. (202.6; 2.1; tickets: 85.1)

Performances

Mainpiece Title: King Henry The Eighth

Afterpiece Title: Rosina

Song: III: song-Mrs Kennedy

Event Comment: Benefit for Ryder. Public Advertiser, 7 Mar.: Tickets to be had of Ryder, No. 68, Dean-street, Soho. 2nd piece: Written by Foote. 3rd piece: Not acted these 10 years [not acted since 29 Oct. 1773]. Receipts: #274 16s. (176.3.6; 5.3.6; tickets: 93.9.0)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Lady Pentweazle in Town

Afterpiece Title: The Intriguing Chambermaid

Song: II: a song-King

Event Comment: Benefit for Palmer. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their Servants at half past Four o'Clock. Public Advertiser, 10 Mar.: Tickets to be had of Palmer, Kentish Town. Receipts #322 8s. 6d. (151.11.0; 8.2.0; 0.3.6; tickets: 162.12.0) (charge: #66 4s. 8d.)

Performances

Mainpiece Title: Isabella

Afterpiece Title: The Sultan

Performance Comment: As17870215, but Solyman (for this night only)-Palmer.
Event Comment: The oratorio conductors do not receive the applause Stanley used to receive "owing to their being concealed by the boys, who are placed on high benches between the audience and the conductor, whose respects, though duly paid, have been scarely visible to the greater part of the house" (Public Advertiser, 28 Mar.)

Performances

Mainpiece Title: Judas Maccabaeus Redemption 0

Song: End II: an Italian Air-Mme Mara

Event Comment: Benefit for Kemble. Tickets delivered for The Careless Husband will be taken. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their Servants at half past Four o'Clock. [Mrs Siddons's 1st appearance as Lady Restless was at Manchester, 17 Feb. 1777.] Public Advertiser, 12 Mar.: Tickets to be had of Kemble, No. 16, Charles-street, Covent Garden. Receipts: #293 12s. 6d. (148.16.0; 15.3.0; 0.7.6; tickets: 129.10.0) (charge: #105 11s. 6d.)

Performances

Mainpiece Title: All In The Wrong

Performance Comment: Sir John Restless-King; Belmont-Barrymore; Blandford-Packer; Sir William Belmont-Staunton; Robert-Waldron; Brush-Burton; Footman-Spencer; Servant-Alfred; Beverley (for this night)-Kemble; Lady Restless-Mrs Siddons (1st appearance in that character [in London]); Clarissa-Miss Collins; Tattle-Mrs Wilson; Tippet-Miss Barnes; Marmalet-Miss Tidswell; Belinda-Miss Farren.

Afterpiece Title: The Romp

Event Comment: "Mrs Crouch being suddenly indisposed, an apology was made for her absence" (Public Advertiser, 31 Mar.). Received Oratorio Rent at #28 a night, #308

Performances

Mainpiece Title: Redemption 0

Song: In Part III: I know that my Redeemer liveth-Mme Mara

Event Comment: Benefit for Edwin. Public Advertiser, 28 Mar.: Tickets to be had of Edwin, No. 19, Piazza, Covent Garden. Receipts: #323 19s. (232.13.6; 2.11.6; tickets: 88.14.0)

Performances

Mainpiece Title: He Woud Be A Soldier

Afterpiece Title: The Deserter

Song: In: the new Four@and@Twenty Fidlers all on a Row-Edwin

Entertainment: Monologues. End: Lingo's Opinions on Men and Manners-(A Comical, Whimsical, Operatical, Farcical Rhapsody [with incidental music by William Shield]) Edwin; End I afterpiece: A Description of the Curiosities of the Tower of London-Edwin

Event Comment: Benefit for Miss Brunton. Afterpiece: Written by Garrick; Not acted these 12 years [acted 2 Mar. 1776]. Public Advertiser, 26 Mar.: Tickets to be had of Miss Brunton, No. 5, George-street, York-buildings. Receipts: #197 17s. 6d. (123.18.6; 5.16.0; tickets: 68.3.0)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Guardian

Dance: II: a Masquerade Dance-incident to the Play; End: The Indian's Ransom, as17870217

Event Comment: Mainpiece [1st time; T 5, by Robert Jephson. Prologue by Edmond Malone. Epilogue by John Courtenay (see text)]: With new Dresses, Decorations, &c. Public Advertiser, 18 Dec. 1787: This Day is published Julia (1s. 6d.). Receipts: #217 2s. 6d. (201.5.0; 15.11.0; 0.6.6)

Performances

Mainpiece Title: Julia Or The Italian Lover

Afterpiece Title: The First Floor

Event Comment: Benefit for Holman. Public Advertiser, 28 Mar.: Tickets to be had of Holman, No. 24, Bedford-street, Covent Garden. Receipts: #241 8s. (126.17; 7.9; tickets: 107.2)

Performances

Mainpiece Title: The Distressd Mother

Afterpiece Title: Comus

Song: As17870331

Event Comment: Benefit for Quick. 3rd piece [1st time; F 1, author unknown. Not in Larpent MS; not published]: Altered from [the same by] Farquhar. Public Advertiser, 6 Apr.: Tickets to be had of Quick, No. 99, High Holbourn. Receipts: #324 1s. (156.4; 2.17; tickets: 165.0)

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: Annette and Lubin

Afterpiece Title: The Stage Coach or Inn in an Uproar

Entertainment: Monologue Before: Mother Shipton's Review of the Audience (Written By D. Garrick, Esq., with Alterations and Additions) (for that night only)-Quick

Event Comment: Benefit for Mrs Mattocks. Public Advertiser, 4 Apr.: Tickets to be had of Mrs Mattocks, No. 29, Bow-street, Covent Garden. Receipts: #228 1s. (137.0.6; 5.2.6; tickets: 85.18.0)

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: Three Weeks after Marriage

Dance: After Monologue: The Wapping Landlady, as17870131

Entertainment: Monologue End: Lingo's Opinions on Men and Manners, as17870410

Event Comment: Benefit for Bensley. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their Servants at half past Four o'Clock. The Romp [announced on playbill of 16 Apr.] cannot be performed on Account of the Indisposition of Mrs Jordan. Public Advertiser, 31 Mar.: Tickets to be had of Bensley at his house, No. 21, Charlotte-street, Bedford-square. Receipts: #285 12s. (126.18.0; 13.17.6; 2.16.6; ticket2: 140.0.0;) (charge: #107 8s.)

Performances

Mainpiece Title: Venice Preservd

Afterpiece Title: Whos the Dupe

Event Comment: [In mainpiece the playbill retains Mrs Pope as Lady Easy, but she "was taken suddenly and dangerously ill. Mrs Wells supplied her place by reading the part" (Public Advertiser, 19 Apr.).] Receipts: #156 3s. (151.4.6; 4.18.6)

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Love and War

Event Comment: Benefit for Aickin. Public Advertiser, 14 Apr.: Tickets to be had of Aickin, No. 26, Great Tichfield-street. Receipts: #190 8s. 6d. (92.19.6; 11.5.0; tickets: 85.14.0)

Performances

Mainpiece Title: He Woud Be A Soldier

Afterpiece Title: The Deserter

Dance: As17870217

Event Comment: Benefit for Baddeley. 2nd piece [1st time; INT 1, probably by Robert Baddeley. Larpent MS 765; not published]. 3rd piece [1st time; MF 1, author unknown. Larpent MS 766; not published]: The Overture and Music entirely new. Public Advertiser, 5 Apr.: Tickets to be had of Baddeley, No. 2, Little Russel-street, Covent Garden. Receipts: #285 (96.3.0; 14.1.6; 0.18.6; tickets: 173.17.0) (charge: #105 9s. 4d.)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: End of Act II mainpiece Jewish Courtship

Afterpiece Title: The Mistake of a Minute