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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This "/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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3202 results for: Keyword - Ackman</i> (<i>Public Advertiser</i>). This <span class=
We found 2255 matches on Event Comments, 1015 matches on Performance Comments, 88 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

976
26 August 1783 @ Haymarket Theatre

Event Comment: Benefit for Edwin. Public Advertiser, 21 Aug.: Tickets to be had of Edwin, No. 2, Piazza, Covent Garden. Mainpiece: Never acted here. Afterpiece: Not acted these 3 years [acted 15 Aug. 1781]

Performances

Mainpiece Title: The Good natured Man

Afterpiece Title: Midas

Song: End of mainpiece Four-and-Twenty Fidlers all on a Row, by Edwin

Monologue: 1783 08 26 End of Act I of afterpiece A Description of the Tombs in Westminster Abbey, by Edwin

977
27 August 1783 @ Haymarket Theatre

Event Comment: Benefit for Bannister. Public Advertiser, 22 Aug.: Tickets to be had of Bannister, No. 7, Suffolk-street, Charing-cross. 1st piece [1st time; prel i, by William Finney. MS: Larpent 635; not published]

Performances

Mainpiece Title: The Green Room

Performance Comment: Characters by Wilson, Wewitzer, Egan, Blissett, Stevens, Williamson; Miss Morris. [Larpent MS lists certain performers as appearing in this piece in their own persons, but their names do not correspond with the names printed on the playbill.] hathi.

Afterpiece Title: The English Merchant

Afterpiece Title: The Sheep Shearing

Song: End of Act I of mainpiece a favourite song by Miss George; End of Act IV Admiral Benbow by Bannister

Monologue: 1783 08 27 As 13 Aug. IMITATIONS. As 20 Aug

978
29 August 1783 @ Haymarket Theatre

Event Comment: Benefit for Palmer. Public Advertiser, 26 Aug.: Tickets to be had of Palmer, No. 39, Goodge-street, Rathbone-place. Afterpiece: 1st time at that theatre. With a Sea Fight

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: The Critic or A Tragedy Rehearsd

Dance: As17830603

Song: End of afterpiece Stand to your Guns, as17830801

979
26 September 1783 @ Covent Garden

Event Comment: She Wou'd and She Wou'd Not [announced on playbill of 24 Sept.] is obliged to be deferred on account of the Indisposition of a Principal Performer [Lewis (Public Advertiser, 27 Sept.)]. Receipts: #178 2s. 6d. (174/2/0; 4/0/6)

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: Tom Thumb

980
30 September 1783 @ Drury Lane Theatre

Event Comment: [In mainpiece the playbill assigns the 1st Gravedigger to Parsons, but "an Apology was made for Parsons, and Suett went through his Part" (Public Advertiser, 2 Oct.). In afterpiece the playbill retains Parsons as Solomon; for Fawcett see 26 Nov.] "We have for so many years been accustomed to see Hamlet dressed in the Vandyke costume, that it may be material to state that Mr Kemble played the part in a modern court dress of rich black velvet, with a star on the breast, the garter and pendant ribbon of an order-the mourning sword and buckles, with deep ruffles: the hair in powder; which, in the scenes of feigned distraction, flowed dishevelled in front and over the shoulders" (Boaden, Kemble, I, 104). Receipts: #285 16s1. (265/14/0; 19/19/6; 0/2/6)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Quaker

981
11 October 1783 @ Covent Garden

Event Comment: "The after-piece-that old obsolete Trash, the Country Madcap, by the aid of Quick and Mrs Mattocks' good Acting, was endured. Reinhold's imitation of Italian Singing . . . got three Peals of Applause" (Public Advertiser, 13 Oct.). Receipts: #150 4s. 6d. (147/1/6; 3/3/0)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Rival Knights

Afterpiece Title: The Country Mad Cap

982
01 December 1783 @ Covent Garden

Event Comment: "The Performance was very much applauded. In the shewy Scenes of the Third and Fourth Acts Henderson and Mrs Crawford got a Plaudit for several Speeches together, after every Speech" (Public Advertiser, 3 Dec.). Receipts: #241 8s. (236/18/6; 4/9/6)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: Rosina

983
06 December 1783 @ Drury Lane Theatre

Event Comment: "Palmer's Stukely was exactly infamous, his Scene with Mrs Beverley was just on both hands, each seemed to gain Spirit by the Nature and Exactness of the other-it was inimitable. Kemble's Beverley was all we could wish; his Manner, peculiar as it is, gave us home Sensations" (Public Advertiser, 9 Dec). Receipts: #226 13s. 6d. (202/6/0; 23/10/0; 0/2/6; tickets not come in: 0/15/0)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: The Deaf Lover

984
06 December 1783 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Hannah Cowley. Authors of Prologue and Epilogue unknown.]. Public Advertiser, 27 May 1784: This Day is published More Ways than One (1s. 6d.). Receipts: #208 15s. (205/14/6; 3/0/6)

Performances

Mainpiece Title: More Ways Than One

Afterpiece Title: The Country Mad Cap

985
06 December 1783 @ King's Theatre

Event Comment: Books of the Ballets may be had at the Theatre, price 6d. Public Advertiser, 8 Dec.: As to the Dances, such exquisite perfection was never seen in England before, because there certainly never was before seen such a band of transcendent Dancers simultaneously subsisting on the same Stage . . . They were almost equally admirable. Thus, if Vestris and Theodore were most surprising, Lepicq and Rossi were more touching, Slingsby more exhibiting

Performances

Mainpiece Title: Silla

Dance: End of Act II an entirely new Dance (composed by D'Auberval; the music by Barthelemon) The Pastimes of Terpsycore, an Allegorical Ballet, by Vestris Jun. (1st appearance at this theatre these 3 years), Blake (1st appearance), Henry, Zuchelli, Monetti, Lepicq, Mme Theodore D'Auberval (1st appearance this season), Mme Simonet, Mme Rossi; End of Opera a new Anacreontic Ballet (composed by D'Auberval) Friendship leads to Love by Lepicq, Mme Rossi, Slingsby, Mme Simonet, Vestris Jun., Mme Theodore

Performance Comment: (1st appearance at this theatre these 3 years), Blake (1st appearance), Henry, Zuchelli, Monetti, Lepicq, Mme Theodore D'Auberval (1st appearance this season), Mme Simonet, Mme Rossi; End of Opera a new Anacreontic Ballet (composed by D'Auberval) Friendship leads to Love by Lepicq, Mme Rossi, Slingsby, Mme Simonet, Vestris Jun., Mme Theodore .

986
13 December 1783 @ Drury Lane Theatre

Event Comment: "Particular Commendation is to be given to the death of Arthur; it is very bold, and well disposed of. The jump is the highest we ever saw" (Public Advertiser, 15 Dec). Afterpiece: Not acted these 8 years. Receipts: #257 4s. (230/7; 26/7; 0/5; tickets not come in: 0/5)

Performances

Mainpiece Title: King John

Afterpiece Title: The Lottery

Dance: End of mainpiece, as17831204

987
22 December 1783 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Siddons. Mainpiece: Not acted these 3 years. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four o'clock. [Mrs Siddons's 1st appearance as Lady Randolph was at Manchester, 5 Feb. 1777.] "The Siddons, younger and more rich in natural Gifts, certainly offers much to the Mind, and yet much more to the Eye. The Crawford, by some means or other, offers more to the Heart" (Public Advertiser, 24 Dec). Receipts: #303 8s. 6d. (156/2/0; 10/13/0; 0/13/6; tickets: 136/0/0) (charge: free)

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Lyar

Dance: As17831020

988
23 December 1783 @ Covent Garden

Event Comment: Afterpiece [1st time; P 2, by John O'Keeffe and Charles Bonnor; later (see 29 Jan. 1784) altered as Harlequin Rambler. MS: Larpent 642; not published; synopsis of action in Public Advertiser, 24 Dec]: The Overture and all the Music new, with entire new Scenery, Machinery, Dresses, Decorations and New Performers. The Pantomime invented by O'Keeffe, the Music composed by Shield, the Scenery designed by Richards and Carver, and executed by them, Hodgins, and others. Nothing under Full Price will be taken. Books of the Songs (T. Cadell, 1783) [which list no cast] to be had at the Theatre. Receipts: #288 1s. (277/18; 10/3)

Performances

Mainpiece Title: The Winters Tale

Afterpiece Title: Friar Bacon or Harlequins Adventures in Lilliput Brobdignag c

989
10 February 1784 @ Drury Lane Theatre

Event Comment: Afterpiece: Not acted these 7 years [not acted since 17 May 1774]. "Bensley, whose Sense and Sensibility are always apparent, though not perhaps always successful, fell far short of Henderson in Old Norval" (Public Advertiser, 13 Feb.). Receipts: #274 15s. (258/5/0; 15/8/6; 1/1/6)

Performances

Mainpiece Title: Douglas

Afterpiece Title: Neck or Nothing

Dance: As17831213

990
11 February 1784 @ Covent Garden

Event Comment: [In mainpiece the playbill retains Wroughton as Lord Morelove and Henderson as Sir Charles Easy, but "an apology was made for the Illness of [Henderson], and Wroughton became his substitute, Wroughton's Place in Lord Morelove being supplied by Williamson from the Haymarket" {Public Advertiser 13 Feb.). Afterpiece in place of Rosina, announced on playbill of 10 Feb.] Receipts: #277 6s. (269/9; 7/17)

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Harlequin Rambler

991
13 February 1784 @ Covent Garden

Event Comment: "The appearance of Mrs Abington in the two characters of the Capricious Lady and Lady Bab Lardoon cannot fail of being considered as a high Treat ... as the first exhibits the coy, formal Manners of the last Age, and the latter the free degagee Breeding of the present" (Public Advertiser, 13 Feb.). Receipts: #227 12s. 6d. (211/10/0; 16/2/6)

Performances

Mainpiece Title: The Capricious Lady

Afterpiece Title: The Maid of the Oaks

Dance: End of mainpiece, as17830917; In Act I of afterpiece Dance by Harris, Miss Matthews, Miss Besford

992
14 February 1784 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; C 5, by Miles Peter Andrews. Prologue and Epilogue by Edward Topham (see text)]: With new Scenery and Dresses. Public Advertiser, 26 Feb. 1784: This Day at Noon will be published The Reparation (1s. 6d.). Receipts: #161 1s. (148/16/0; 11/19/6; 0/5/6)

Performances

Mainpiece Title: The Reparation

Afterpiece Title: Thomasand Sally

Dance: Afterpiece to conclude as17831104

993
23 February 1784 @ Covent Garden

Event Comment: Mainpicce: Not acted these 3 years. "[As Cleopatra] the Form of Miss Younge is sufficiently lovely—but her Countenance, without speaking of it all prophanely, is surely not sufficiently venereal" (Public Advertiser, 25 Feb.). Receipts: #195 1s. (190/12; 4/9)

Performances

Mainpiece Title: All For Love

Afterpiece Title: Harlequin Rambler

994
03 March 1784 @ Drury Lane Theatre

Event Comment: [Advertised in Public Advertiser of 28 Feb., but no newspaper prints a playbill for this present night.]

Performances

Mainpiece Title: The Messiah

995
05 March 1784 @ Drury Lane Theatre

Event Comment: By Command of Their Majesties. Public Advertiser, 6 Mar.: In 1st piece Love in her Eyes was sung by Norris; O ruddier than the cherry by Reinhold; Consider, fond shepherd by Mrs Kennedy; Heart, thou seat of soft delight by Miss George. The concerto consisted of "two Movements made up of common Ballads."

Performances

Mainpiece Title: Acis And Galatea

Afterpiece Title: Drydens de

Music: End of Part I of oratorio concerto on the violoncello by Crosdill

996
06 March 1784 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 3 years. [Mrs Siddons's 1st appearance as the Countess of Salisbury was at Bath, 25 Nov. 1778.] "So thoroughly wretched, so utterly destitute of all Requisites is this Tragedy ... that it excites with Wonder not a little Indignation that the unexampled Genius of such an actress [as Mrs Siddons] should be wasted on Dullness if possible yet more unexampled" {Public Advertiser, 8 Mar.). Receipts: #275 0s. 6d. (256/7/0; 16/19/6; 1/9/0; ticket not come in: 0/5/0)

Performances

Mainpiece Title: The Countess Of Salisbury

Afterpiece Title: The Deserter

997
08 March 1784 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time; MF 2, by Harriet Horncastle Hook]: The Overture and Music entirely new, composed by Hook. Books of the Songs, &c. to be had at the Theatre. "After four Hours sitting at Hamlet, and Half an Hour more at Miss Hamoir's Ballet, we were cheered indeed by the Overture to the Double Disguise" (Public Advertiser, 11 Mar.). Morning Chronicle, 20 Mar. 1784: This Day is published The Double Disguise (1s.). Receipts: #167 12s. 6d. (116/8/0; 50/19/6; 0/5/0)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Double Disguise

Dance: End of mainpiece a new Comic Ballet, The Return of the Hunters, by Mr and Miss Hamoir. [Beginning with the 3rd performance, on 11 Mar., this was entitled The Sportsmen's Return.]

Performance Comment: [Beginning with the 3rd performance, on 11 Mar., this was entitled The Sportsmen's Return.] hathi.

998
09 March 1784 @ Drury Lane Theatre

Event Comment: [The playbill announces as mainpiece The Countess of Salisbury, but the Kemble playbill deletes it. The Account-Book also deletes it, and lists the substitute play. Public Advertiser, 10 Mar.: The tragedy was "unavoidably deferred on account of the Indisposition of Mrs Siddons." Receipts: #144 17s. (121/16; 22/11; 0/5; tickets not come in: 0/5)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Double Disguise

Dance: As17840308athi

999
13 March 1784 @ Covent Garden

Event Comment: Benefit for Sga Sestini. Public Advertiser, 9 Mar.: Tickets to be had of Sga Sestini, No. 16, Upper Seymour-street, Portman Square. Receipts: #307 2s. (212/3; tickets: 94/19) (charge: free)

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: Rosina

Dance: End of mainpiece, as17830917

Song: In Act I of afterpiece a favourite song by Sga Sestini; In Act II she will introduce the celebrated tune of Marlborough, with English words adapted to it

1000
23 March 1784 @ Covent Garden

Event Comment: Benefit for Henderson. Public Advertiser, 16 Mar.: Tickets to be had of Henderson at his house in Buckingham-street, York Buildings. Receipts: #292 2s. 6d. (166/10/6; tickets: 125/12/0) (charge: #105)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Rival Knights

Afterpiece Title: Comus