SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This "/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2255 matches on Event Comments, 1015 matches on Performance Comments, 88 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Clarke. Public Advertiser, 4 Apr.: Tickets to be had of Clarke, Great Russel Street, Covent Garden. Receipts: #212 9s. (110.17; tickets: 101.12) (charge: #105)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: A Fete

Afterpiece Title: Midas

Event Comment: Benefit for Mattocks. Public Advertiser, 20 Apr.: Tickets to be had of Mattocks, Great Russel-street, Covent Garden. Receipts: #156 17s. 6d. (127.4.6; tickets 29.13.0) (charge: #105)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: A Fete

Afterpiece Title: Tom Thumb

Event Comment: [Opera in place of La Fraschetana, announced in Public Advertiser, 23 Apr.

Performances

Mainpiece Title: Piramo E Tisbe

Dance: End I: The Pert Country Maid, as17810113

Ballet: End Opera: Medee et Jason. As17810329

Event Comment: Benefit for Bannister. Public Advertiser, 19 Apr.: Tickets to be had of Bannister, No. 8, Air-street, Piccadilly. Receipts: #239 4s. 6d. (82.0.0; 38.16.0; 0.19.6; tickets: 117.9.0) (charge: #69 7s. 8d.)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: A Fete

Afterpiece Title: The Apprentice

Dance: In III of 1st piece: a Hornpipe, as17800921; Scene the Last: The Butterfly, as17800921

Event Comment: Benefit for Mme Simonet. Public Advertiser, 21 Apr.: Tickets to be had of Mme Simonet, No. 5, Dover-street, Piccadilly. "[Vestris's] forcible manner of characterising the passions in the part of Jason distinguished him as an actor superior to all his contemporaries. Mme Simonet in Medea, it is said by the judges, is equal to him as an actress" (London Magazine, Apr. 1781, p. 156)

Performances

Mainpiece Title: Piramo E Tisbe

Dance: End I: Les Caprices de Galatee, as17810329in which a Minuet, Gavotte-Simonet, ballet-Master, Simonet's Daughter, only 6 years old; and also The Devonshire Minuetas17810327Mme Simonet, Vestris Sen

Ballet: End Opera: Medee et Jason. As17810329

Event Comment: Benefit for Baddeley. Public Advertiser, 21 Apr.: Tickets to be had of Baddeley, No. 2, Little Russell-street, Covent Garden. Receipts: #165 14s. 6d. (85.14.0; 25.10.0; 0.3.6; tickets: 54.7.0) (charge: #108 14s. 11d.)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: A Fete

Afterpiece Title: The Register Office

Event Comment: Benefit for Miss Prudom. Public Advertiser, 28 Apr.: Tickets to be had of Miss Prudom, No. 8, facing the Green Park, Piccadilly. Receipts: #132 0s. 6d. (57.19.0; 18.2.6; 1.9.0; tickets: 54.10.0) (charge: none listed)

Performances

Mainpiece Title: The Lord Of The Manor

Afterpiece Title: Bon Ton

Dance: End: The Dutch Quaker-Traffieri, Henry, Sga Crespi

Event Comment: Benefit for Davies. Public Advertiser, 19 Apr.: Tickets to be had of Davies, Great Russel-street, Covent Garden. Receipts: #193 17s. (145.12; tickets: 48.5) (charge: #105)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: A Fete

Afterpiece Title: Tom Thumb

Event Comment: Benefit for Du-Bellamy. Public Advertiser, 21 Apr.: Tickets to be had of DuBellamy, No. 6, Queen's Buildings, Brompton. Receipts: #170 17s. 6d. (60.4.0; 18.4.6; 2.1.0; tickets: 90.8.0) (charge: none listed)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: Comus

Dance: End: The Irish Fair, as17800930

Song: End II: Kate of Aberdeen-; End IV: Bessy Bell, Mary Gray-DuBellamy

Event Comment: Mainpiece [1st time; C 5, by Charles Macklin, a re-writing of his The True-Born Scotsman, based partly on Nanine, by Voltaire, 1st acted at the Smock Alley Theatre, Dublin, 10 July 1764. Author of prologue unknown. Epilogue by Frederick Pilon (Public Advertiser, 28 May 1781). Text 1st published (unauthorized), Dublin, 1785]: The Characters new dressed. Receipts: #173 14s. 6d. (172.12.0; 1.2.6)

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: The Upholsterer

Event Comment: Benefit for Farren. [Afterpiece in place of The Devil to Pay, announced on playbill of 10 May.] Tickets deliver'd by Daglish, Mrs Pulley and Miss Armstrong will be taken. Public Advertiser, 9 May: Tickets to be had of Farren, No. 60, Theobald's Road. Receipts: #225 18s. (37.3; 11.7; 0.4; tickets: 177.4) (charge: none listed)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: All the Worlds a Stage

Dance: End III: Minuet and Allemande-Master Daigville, Miss Armstrong; After the singing: The Force of Love, as17801018

Song: As17810504

Event Comment: Benefit for Thompson, Nix, Mrs Booth & Miss Field. Public Advertiser, 5 May: Tickets to be had of Thompson, No. 7, Great Marlborough-street; of Nix, Mrs Booth and Miss Field, No. 8, Broad-court, Longacre. The Doors to be opened at 5:30. To begin at 6:30 [same for rest of season]. Receipts: #180 3s. 6d. (29.15.0; 21.4.6; 0.1.0; tickets: 129.3.0) (charge: none listed)

Performances

Mainpiece Title: Cymon

Afterpiece Title: Whos the Dupe

Dance: End I afterpiece: The Irish Fair, as17800930

Entertainment: Monologue. End: Bucks have at ye all; or, The Picture of a Playhouse-R. Palmer

Performances

Mainpiece Title: None

Performance Comment: [On account of the extraordinary preparations for the Grand Entertainment to be given on Thursday next but deferred until 5 June], under the direction of Vestris Sen., the Opera proposed for this night [Public Advertiser, 16 May: La Fraschetana] is obliged to be deferred.
Event Comment: By Command of Their Majesties. [Opera in place of La Fraschetana, announced in Public Advertiser, 28 May.

Performances

Mainpiece Title: Il Barone Di Torre Forte

Dance: As17810526 throughout

Ballet: Ninette a la Cour. As17810526

Performances

Mainpiece Title: None

Performance Comment: [The Grand Entertainment advertised for this day in Public Advertiser, 30 May; and see17810517] is unavoidably postponed to Tuesday next, the 5th of June.
Event Comment: Opera [1st time; Past 3, author unknown]. The music [to Part I] composed by Giovanni Battista? Bianchi, [to Part II by] Rauzzini, [to Part III by] Giordani. With Grand Chorusses. With new Decorations devised and painted by Novosielski, and new Dresses. The Side-boards, with a cold Collation and all sorts of Wines, at 12 o'clock. The Performance under the direction of Vestris Sen., and to conclude with a Ball. Tickets, at 2 Guineas each, are ready to be delivered at the Office in Union-court, where Boxes may be taken. No Masks will be admitted. The Doors will be opened at 9:00, and the Performance to begin at 10:00. Books of the Performance will be given out (gratis) at the Theatre. Morning Herald, 7 June: The Omaggio, or homage paid by the vassals and tenants to their Lord, is naturally calculated to give free scope to lively, and sentimental music. In the former stile Bianchi and Giardini [sic] were equally succesful; and in the latter Rauzzini was surprisingly great, both as composer and performer...Slingsby would, in our opinion, have come out with as great a share of applause as the best of them, having to go through an English dance in his own stile, but by some unaccountable accident...the music-band stopped short when he was in the very climax of his exertions. The scenes are in the rural stile, with the addition of natural trees, flowering shrubs, &c., set in the neatest order...The company did not begin to move till about four, and by five the rooms were cleared. Public Advertiser, 7 June: The Vestris' gave incontrovertible proof of the variety of their powers...They did more, they shewed what this country had never seen-the possibility of presenting to the eye a large and extensive stage filled with dancers all in motion at the same time

Performances

Mainpiece Title: Lomaggio

Dance: Incident to the piece: Ballets by Vestris Sen.-Vestris Sen., Vestris Jun., Simonet, Slingsby, Traffieri, Zuchelli, Henry, Mme Simonet, Mlle Baccelli, Sga Crespi, Sga Zuchelli, Miss Stageldoir, Miss Armstrong

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: The Son in Law

Performance Comment: Characters-Wilson, Edwin, Wood, Baddeley, Lamash, Barrett, Stevens, Kenny, Bannister, Mrs Lefevre, Miss Harper. [Cast adjusted from Public Advertiser, 17 Aug. 1779, and playbill of 29 June 1786: Cranky-Wilson; Bowkitt-Edwin; Bouquet-Wood; Vinegar-Baddeley; Idle-Lamash; Orator Mum-Barrett; John-Stevens; Signor Arionelli-Bannister; Dolce-Mrs Lefevre; Cecilia-Miss Harper. Kenny is unassigned.]
Event Comment: A revived Serious Opera, in 2 acts; the Music composed, with Improvements, by Sacchini. Public Advertiser, 25 June: On Saturday last was revived at the King's Theatre the Serious Opera of Creso [see 8 Nov. 1777], under the new title of Euriso

Performances

Mainpiece Title: Euriso

Dance: End I: Grand Serious Ballet, as17810515; Grand Chaconne, as17810515

Ballet: End Opera: Ninette a la Cour. As17810222

Event Comment: Mainpiece [1st time; CO 3, by Miles Peter Andrews. Prologue by Frederick Pilon. Epilogue by Edward Topham (see text)]: With Music High and Low Dutch [ascribed to Dr Arnold]. New Dresses and Decorations. The new Scenes painted by Rooker. Books of the Songs to be had at the Theatre. Public Advertiser, 30 July 1781: This Day is published The Baron....(price not listed)

Performances

Mainpiece Title: The Baron Kinkvervankotsdorsprakengatchdern

Afterpiece Title: The Apprentice

Dance: As17810612

Event Comment: Mainpiece: Not acted these 2 years. Afterpiece [1st time; MF 2, by Elizabeth, Baroness Craven, later Margravine of Anspach. Larpent MS 564; not published. Author of Prologue unknown]: After the Prologue, a Naval Overture. The Airs from the most eminent Composers [with new music by Dr Arnold, Lady Craven, and Tommaso Giordani]. The Scenes new painted by Rooker. Books of the Songs to be had at the Theatre. Public Advertiser, 19 July 1781: This Day is published the Songs in The Silver Tankard (6d.)

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: The Silver Tankard or The Point at Portsmouth

Performance Comment: Principal Characters by Bannister, Marshall, Egan, Davis, Wilson, Miss Hitchcock, Miss Harper. [Cast from Songs (T. Cadell, 1781): Tom Splicem-Bannister; Ensign Williams-Marshall; Ben Mainstay-Egan; Jack Reefem-Davis; Old Rosemary-Wilson; Nancy-Miss Hitchcock; Sally-Miss Harper; A new Prologue [in the character of a midshipman,-Bannister Jun. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]

Performances

Mainpiece Title: The School Of Shakespeare Or Humours And Passions

Performance Comment: [Given in a regular Representation of several of his most favourite and capital Scenes. With Dresses and Scenery suited to the Characters and their Situations. The inimitable Scenes of the Poet, selected for the Purpose, and digested into Five Acts, will exemplify, in the strongest Colours of our immortal Bard, Vanity, Parental Tenderness, Cruelty, Filial Piety, and Ambition. ACT I. Vanity, in the First Part of Henry IV parts of II. i and iv]. Sir John Falstaff-Digges; Francis-Edwin; Poins-R. Palmer; Peto-Painter; Bardolph-Massey; Gadshill-Ledger [Public Advertiser: Kenny]; Carriers-Stevens, Barrett; Prince of Wales-Palmer; Hostess-Mrs Love; [ACT II. Parental Tenderness, in the Second Part of Henry IV [parts of IV. iv and v, and parts of v. ii]. King Henry-Bensley; Clarence-Miss Wood; Prince John-Miss Francis; Gloster-Miss Painter; Chief Justice-Gardner; Westmoreland-Davis; Attendant-Painter; Prince of Wales-Palmer; [ACT III. Cruelty, in The Merchant of Venice [IV. i]. Shylock-Digges; Antonio-Gardner; Bassanio-Staunton; Duke-Usher; Gratiano-Lamash; Salanio-Davis; Nerissa-Mrs Wilson; Portia-Mrs Massey; [ACT IV. Filial Piety, in the Closet Scene in Hamlet [III. iii and iv]. Hamlet-Bannister Jun.; King-Gardner; Polonius-Wilson; Ghost-Staunton; Queen-Miss Sherry; [ACT V. Ambition, in Henry VIII [III. ii]. Cardinal Wolsey-Digges; Surry-Aickin; Suffolk-Lamash; Lord Chamberlain-Egan; Norfolk-Davis; Cromwell-R. Palmer; King Henry-Usher.

Afterpiece Title: The Waterman or The First of August

Dance: As17810620

Entertainment: Before the Curtain draws up: the celebrated Cento (written by Richard? Berenger, in honor of Shakespeare)-Bannister Jun

Event Comment: Benefit for Wilson. Second Course [1st time; M. INT I, by James Cobb. Larpent MS 567; not published]: With Songs and a New Overture. Entrement [1st time: INT I, by Charles Stuart. Larpent MS 566; not published]. Desert: Never acted here; by Permission of Harris [proprietor of cg. The playbill assigns Princess Huncamunca to Mrs Kennedy, but "Huncamunca was very well performed by a Lady who resembled Mrs Kennedy in her voice" (Public Advertiser, 23 Aug.; and see 24 Aug.)]

Performances

Mainpiece Title: the Feast Of Thalia Or A Dramatic Olio

Afterpiece Title: First Course a substantial Dish from Henry IV

Afterpiece Title: Second Courae a Comic Dish never servd up before Kensington Gardens or The Walking Jockey

Afterpiece Title: Third Course an Operatic Dish The Son in Law

Afterpiece Title: Also by way of Entremet Ripe Fruit or The Marriage Act

Afterpiece Title: Desert Tom Thumb

Song: In Second Course: Auld Robin Gray-Miss Harper

Event Comment: [As afterpiece the playbill announces the 1st night of The Agreeable Surprise, but Miss Harper was ill, and the farce was changed. Its substitute has not as yet come to light. Public Advertiser, 4 Sept.: Miss Harper being somewhat recovered from the indisposition which prevented her performing yesterday evening...will attempt to go through her part in The Agreeable Surprise this evening.

Performances

Mainpiece Title: The English Merchant

Event Comment: The School for Fathers [announced in Public Advertiser, 14 Sept.] is unavoidably obliged to be deferred. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Fosbrook at the stage-door. No Money to be taken at the stage-door, nor any Money returned after the Curtain is drawn up. The Doors to be opened at 5:30. To begin at 6:30 [see 9 Oct.]. Receipts: #100 7s. (75/1; 25/6; 0/0)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Whos the Dupe

Dance: In Act I of mainpiece a Country Dance incident to the Piece (performers not listed). [This was danced in both subsequent performances.] End of Act II a Dance by the Miss Stageldoirs. End of Act I of afterpiece The Devonshire Minuet by the Miss Stageldoirs

Performance Comment: [This was danced in both subsequent performances.] End of Act II a Dance by the Miss Stageldoirs. End of Act I of afterpiece The Devonshire Minuet by the Miss Stageldoirs .

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Robinson Crusoe or Harlequin Friday

Performance Comment: Principal Characters by Wright, Suett, R. Palmer, Phillimore, Holcroft, Grimaldi; Miss Collett. [Partial cast from Public Advertiser, 31 Jan. 1781: Harlequin-Wright; Colombine-Miss Collett. For complete list of parts sec DL, 26 Dec. 1796.] hathi. hathi.

Dance: Afterpiece: To conclude with a Dance by Henry, Miss Armstrong, the Miss Stageldoirs, &c. [This was danced, as here assigned, in all subsequent performances, but beginning with 1 Dec. Henry is omitted.]

Performance Comment: [This was danced, as here assigned, in all subsequent performances, but beginning with 1 Dec. Henry is omitted.] hathi.