SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This "/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2255 matches on Event Comments, 1015 matches on Performance Comments, 88 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Royal Chace with the new Additional Scene

Performance Comment: As17671017, but Doctor-Weller (playbill); Doctor-Banks (Public Advertiser).
Event Comment: New Dances, new Clothes, new Decorations. A new serious Opera; music by several celebrated Composers. Pit and Boxes put together and no Persons to be admitted without Tickets, which will be delivered this Day, at Half a Guinea each; First Gallery 5s. Second Gallery 3s. Gallery, Pit, and Boxes open at Five. By their Majesties Command, no Person whatsoever to be admitted behind the Scenes or into the Orchestra. 6:30 p.m. Vivant Rex et Regina. [Notice repeated in the bills.] [Messrs. Vincent and Gordon, Managers of the Operas had noted (Public Advertiser, 9 Sept.) their engagement of singers: For the Serious Opera: Guarducci, first Man; Signora Campolini, first Woman; Savoi, second Man; Signora Querzioli, second Woman; Signora Piatti, third Woman; Michelli The Comic Opera: Lovattini, first Man; Signora Guadagni, first Woman; Savoi, serious Man; Signora Querzoli, serious Woman; Moriggi (Bass); Signora Piatti, third Woman; Michelli. Also engaged: Guglielmi and Alessandri, Composers; Pugniani, first Violin; Signora Coradini a new Dancer.

Performances

Mainpiece Title: Tigrane

Event Comment: [C$Colman published in the Public Advertiser this day extracts from the Oxonian in Town showing what favorable things were said of the Irish in it. He apparently did so to forstall a predicted riot by Irishmen who feared their nation was slandered because the scoundrels in the play were Irish. See E. R. Page, George Colman, The Elder (New York, 1935), p. 168. Monitor No V (21 Nov. 1767) includes a letter from Timothy Calfskin requesting refund of 4 shillings since his wife was frightened by the noise of the "wild Irish" and ran from the playhouse.] Receipts: #191 4s. (Account Book)

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: The Oxonian in Town

Dance: End: The Irish Lilt, as17670921

Performances

Mainpiece Title: Love In A Village

Performance Comment: As17671023, but Margery-Mrs Baker (playbill), Mrs Stephens--Public Advertiser.

Afterpiece Title: The Oxonian in Town

Dance: II: A New Pantomime Dance, as17671016

Event Comment: Author's Night. [Play published at 1s. 6d. Prologue published in Public Advertiser.

Performances

Mainpiece Title: The Widowd Wife

Afterpiece Title: A Peep behind the Curtain

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Orpheus and Eurydice

Performance Comment: As17680106, but Squire Gawky-Morris; Drawer-Holtom (playbill); Drudge-Morgan (Public Advertiser).

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Barry; Macduff-Havard; Banquo-Palmer; Ross-Aickin; Witches-Burton, Love, Baddeley; Duncan-Bransby; Malcom-Packer; Seyton-Ackman; Angus-Keen; Lennox-Fawcett; Sergeant-Hurst; Fleance-Miss Rogers; Hecate-Champness; Lady Macduff-Mrs Reddish; Lady Macbeth-Mrs Dancer; The Vocal parts-Vernon, Champnes, Kear, Miss Young, Mrs Dorman; In Act IV, a Dance of the Furies-.
Cast
Role: Seyton Actor: Ackman

Afterpiece Title: The Elopement

Performance Comment: As17671226, but Parts-Hawksby, _Watkins (playbill). $Watkins remains (Public Advertiser).

Performances

Mainpiece Title: The Widowd Wife

Afterpiece Title: The Elopement

Performance Comment: As17680114, but Parts-Watkins (+Public Advertiser).

Performances

Mainpiece Title: The Maid Of The Mill

Performance Comment: As17680105, but incidental Dance-Miss Valois, Mrs _Bulkley; Patty-Mrs Mattocks (playbill), but Mrs Bulkley stays for $Miss Valois (Public Advertiser).

Afterpiece Title: Orpheus and Eurydice

Event Comment: Benefit for Woodward. With two New Scenes in the Afterpiece painted by Richards and Dahl. Mr Woodward, at the particular request of several persons of Quality has changed from the Fair Quaker to The Busy Body. Tickets deliver'd for Fair Quaker will be admitted. House charges with candles and extras #65 15s. Balance to Woodward #102 7s. plus #58 5s. for 233 Box tickets (Account Book). [Public Advertiser, 12 Dec. 1767: "Speedily will be published the Battle of the Wigs, an additional canto to Dr Garth's poem The Dispensary. Occasioned by the Disputes between the Fellows and licentiates of the College of Physicians in London. By B. T. and M. B."] Receipts: #168 2s. (Account Book)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Harlequin Dr Faustus With a New Additional Scene

Event Comment: Benefit for Mrs Lessingham. Mainpiece: Alter'd from Shakespeare and Thompson, not acted these 4 years. Afterpiece: For last time this season (playbill of 19 April 1768). [See 18 Feb. 1765. This Coriolanus is possibly the Tragedy by Thomas Sheridan, 8vo, 1755.] @Receipts #85 10s. 6d.@House charge #63@Candles #1 5s.@Extras: Kettle Drum 5s.@2 Side Drums 4s.@4 Fifes 8s.@2 Trumpets 10s.@Chorus Singers #1 10s.@Wardrobe #5 19s.@Total #73 1s. 6d.@Balance due Mrs Lessingham #12 9s.@Tickets 197 137 89 #78 14s.@Money #85 10s. 6d.@Total value of House #164 4s. 6d. (Account Book).@ Mr Clarke being suddenly taken ill in the afternoon [yesterday] his part in the tragedy was oblig'd to be supplied by Mr Younger. And Mr Clarke still continuing ill the Tragedy of King Lear, with the Musical entertainment Amelia is oblig'd to be deferred till further notice (Public Advertiser, 21 April)

Performances

Mainpiece Title: Coriolanus

Afterpiece Title: Love a la Mode

Dance: End: The Irish Lilt, as17670921

Event Comment: Benefit for Bensley. Mainpiece not acted this season (playbill). Charges #65 16s. 6d. Balance to Bensley #104 4s. 6d. plus #71 2s. from Tickets (Box 261; Pit 39) (Account Book). Receipts: #170 1s. (Account Book)

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-Powell, 1st time; Ghost-Bensley[, 1st time; Horatio-Hull; Laertes-Davis; King-Gibson[, 1st time; Polonius-Shuter; Rosencraus-R Smith; Guildenstern-Perry; Pl. King-Redman; Lucianus-Morgan; Ostrick-Dyer; Gravediggers-Dunstall, Stoppelaer; Ophelia-Miss Macklin; Queen[, that night only-Mrs Yates (playbill). [Public Advertiser assigns Lucianus-Cushing.]

Afterpiece Title: The Musical Lady

Dance: II: The Dutch Milkmaid, as17671114

Performances

Mainpiece Title: Theodosius

Performance Comment: Varanes-Barry; Thodosius-Reddish; Lucius-Keen; Leontine-Hurst; Atticus-Vernon; Aranthes-J. Palmer; Marcian-J. Aickin, 1st time; Julia-Mrs Smith; Delia-Mrs Hippisley; Athenias-Mrs Dancer; Pulcheria-Mrs W. Barry; Vocal parts-Champnes, Kear, Fox, Miss Young, Mrs Dorman (playbill). Vernon, Baddeley, (for Fox and Kear) in the Public Advertiser.

Afterpiece Title: Like Master Like Man

Music: II: By Desire, Concert on Harpsichord-Master Love

Dance: III: The Medley, as17680416

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Orpheus and Eurydice

Performance Comment: As17680422 but Drudge-Morgan (playbill); Drudge-Cushing (Public Advertiser).

Ballet: II: The Wapping Landlady. Double Hornpipe, As17680416

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17680411 but Ratcliff-Bennet; Lady Anne-Mrs Lessingham; Duchess of York-Mrs Ferguson; Tressel-Casey; Add Oxford-Redman; Tyrrel-Bates (playbill). Duchess of York-Miss Vincent (Public Advertiser).

Afterpiece Title: Duke and no Duke

Dance: II: By Particular Desire, a Minuet-Dumai, a Young Lady his scholar; End: The Highland Reel, as17680307

Event Comment: The Tragedy of Tamerlane intended for this day and Saturday cannot be acted, on account of the Indisposition of a principal performer. Receipts: #157 12s. 6d. (Account Book)

Performances

Mainpiece Title: King Henry V

Performance Comment: King Henry-Smith; Canterbury-Gardner; Exeter-Hull; Gower-DuBellamy; MacMorris-Barrington; Bardolph-Morgan; Boy-Miss Valois; French Soldier-Holtom; Westmorland-Lewis; Gloucester-Lewes; Bedford-R. Smith; Fluellin-Shuter; Pistol-Hamilton[, 1st appearance that stage]; Williams-Morris; Jamy-Dunstall; King of France-Gibson; Dauphin-Davis; Constable-Clarke; Burgundy-Perry; Isabel-Mrs Vincent [Mrs Stephens, Public Advertiser]; Hostess-Mrs Pitt; Catherine-Mrs Mattocks.

Afterpiece Title: The Coronation

Performances

Mainpiece Title: Douglas

Cast
Role: Servant Actor: Ackman

Afterpiece Title: Queen Mab

Performance Comment: As17681109 (Public Advertiser). [The playbill is shortened by omission of Puck and Queen Mab. Silvio-Wright instead of Baddeley.]
Cast
Role: Clod Actor: Ackman

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: QQueen Mab

Performance Comment: As17681115 (Public Advertiser). [The playbill is short mentioning only Harlequin, Pantaloon, Clod and Colombine.]
Cast
Role: Clod Actor: Ackman

Dance: I: A New Turkish Dance-; II: A New Pantomime Dance-Dagueville, Sga Vidini

Performances

Mainpiece Title: Every Man In His Humour

Performance Comment: As17681101, but Clement-Morris; Dame Kitely-Mrs Bulkley (playbill); Clement-Lewis (Public Advertiser).

Afterpiece Title: Midas

Dance: III: The Lamplighters, as17681101

Performances

Mainpiece Title: Macbeth

Performance Comment: As17681017, but Witches-Quick, _Dunstall; +Dance of the Furies-Arnauld (playbill); -Fischar (Public Advertiser).

Afterpiece Title: The Upholsterer

Performances

Mainpiece Title: The Inconstant

Performance Comment: As17681222, but Old Mirabel-Shuter; Oriana-Mrs Vincent (playbill); New Occasional Prologue-_; Old Mirabel-Lewis (Public Advertiser).

Afterpiece Title: Apollo and Daphne

Dance: IV: The Irish Lilt, as17680930

Event Comment: [Y$Younger's Proposals for a History of the Stage publish'd (Winston MS 10). Prologue and Epilogue to the School for Rakes published in the Public Advertiser.

Performances

Mainpiece Title: None

Event Comment: long letter published in the Public Advertiser by Delectante specifying a six point program for eliminating the confusion and the "riots that regularly follow the breaking up of a full house at the Opera": I) exclude servants from the lobby; 2) all chairs to come down Market Lane from Charles Street to take up and go off by Pall Mall; 3) no chairs to be allowed at other doors and passages; 4) a pent house to be built to protect those waiting from the rain; 5) all carriages to come to the door in the Haymarket, with horses heads towards Cockspur street; 6) constables to attend and assert themselves in regulating the traffic.

Performances

Mainpiece Title: None

Event Comment: Benefit for the Author of the Mianpiece. Garrick to Bath apparently to recover from an illness (Winston MS 10). From the Public Advertiser: To Mrs Barry, upon her acting the part of Rivine in the new Tragedy [The Fatal Discovery]: Grosvenor-Square, March 8

Performances

Mainpiece Title: The Fatal Discovery

Afterpiece Title: The Padlock

Event Comment: Benefit for Woodward. Ladies send servants by 4 o'clock. Charges #66 19s. Balance to Woodward #87 16s. 6d. plus #65 15s. from 263 Box tickets (Account Book). [The proposed afterpiece, Dr Schomberg's burlesque tragedy, The Rival Favourites; or, Death of Bucephalus the Great (Public Advertiser, 4 March), had been sent to the Licenser 27 Feb., had been cast, and put in rehearsal, but was dropped and never played there. It had been done in Edinburgh in 1765. Larpent MS 293 is the Edinburg edn. The rivals are Statira and the Horse, Statira bribes Alexander's physician to kill Bucephalus.] Receipts: #154 16s. (Account Book)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Oxonian in Town

Dance: End: The Irish Lilt, as17680930