SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Abraham Portal"/1) | (@(roleclean,performerclean) "Abraham Portal")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 55 matches on Author, 43 matches on Event Comments, 17 matches on Performance Comments, 1 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Rival Queens

Afterpiece Title: The Lover His Own Rival

Related Works
Related Work: The Lover His Own Rival Author(s): Abraham Langford

Dance: As17560122

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Lover His Own Rival

Related Works
Related Work: The Lover His Own Rival Author(s): Abraham Langford

Dance: II: New Dance-Granier, Miss Hilliard; III: Fingalian Dance, as17551126; IV: The Villagers, as17560315

Song: I: Mrs Chambers

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Lover His Own Rival

Related Works
Related Work: The Lover His Own Rival Author(s): Abraham Langford

Dance: LLes Paisans Gallants, as17551203

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Lover His Own Rival

Related Works
Related Work: The Lover His Own Rival Author(s): Abraham Langford

Performances

Mainpiece Title: The Distress'd Mother

Afterpiece Title: The Lover His Own Rival

Related Works
Related Work: The Lover His Own Rival Author(s): Abraham Langford

Dance: As17561217

Performances

Mainpiece Title: Rebecca

Performance Comment: Abraham's Servant-; Isaac-; Laban-; Bethuel-; Abraham-; Rebecca-; Chorus of Canaanitish Men-; Chorus of Chaldean Women-(Larpent MS 186).
Cast
Role: Abraham's Servant Actor:
Role: Abraham Actor:

Music: As17610206

Performances

Mainpiece Title: First Love

Afterpiece Title: A Much Admired Scene from Harlequin's Invasion

Performance Comment: Abraham-Waldron; Mrs Snip-Mrs Hopkins; Dolly Snip-Miss Pope.
Cast
Role: Abraham Actor: Waldron

Afterpiece Title: The Virgin Unmask'd

Entertainment: Monologue.End: Paraphrase on Shakespeare's Seven Ages, as17960429

Performances

Mainpiece Title: Sighs

Afterpiece Title: Tars at Torbay; or, Sailors on Saturday Night

Afterpiece Title: The Castle of Sorrento

Song: End 1st piece: Crazy Jane (composed by Miss Abrahams [recte Abrams])-Mrs Bland

Event Comment: For an account of the play, see John Wilson's The Cheats, ed. Milton C. Nahm (Oxford, 1935). It was licensed on 6 March (p. 124), acted, then forbade on 22 March in an order: Letter to Mr Tho. Killigrew: Signifying the Ks Pleasure that the New Play called the Cheates be no more represented till it be reuiewed by Sir Jo. Denham & Mr Waller. 22 March. 1662-3 (p. 130). Abraham Hill to John Brooke, 28 March 1663: P.S. The new play, called The Cheats, has been attempted on the Stage; but it is so scandalous, that it is forbidden (Familiar Letters of? Abraham Hill, [London, 1717], p. 103. Downes (Roscius Anglicanus, p. 16) concerning Lacy: @For his just Acting, all gave him due Praise,@His Part in the Cheats, Jony Thump, Teg and Bayes,@In these Four Excelling, The Court gave him the Bays.

Performances

Mainpiece Title: The Cheats

Performances

Mainpiece Title: The Country Innocence; Or, The Chamber-maid Turn'd Quaker

Performance Comment: Edition of 1677: Prologue-Mr Clark; Sir Oliver Bellingham-Lydell; Sir Robert Malory-Coysh; Captain Mullineux-Goodman; Plush-Wiltshire; Rash-Griffin; Gregory Dwindle-Haynes; Mr William-Powell; Old Thrashard-Watson; Abraham-Styles; Lady Lovely-Mrs Marshal; Lady Malory-Mrs Rutter; Margaret-Mrs Baker; Gillian-Sarah Cook; Barbara-Mrs Knep; Old Gentlewoman-Perrin; Epilogue-.
Cast
Role: Abraham Actor: Styles

Performances

Mainpiece Title: The City Ramble; Or, The Humours Of The Comptors

Performance Comment: Edition of 1715 lists: Sir Humphrey Halfwit-Schoolding; Justice Hardhead-Hall; Ezekiel Prim-Griffin; Abraham-Pack; Mordecai-Knap; Rachel-Mrs Hunt; 1st Whore-Leigh; 2d Whore-Churchman; 3d Whore-Walker; 4th Whore-Mrs Stockdale; Twang-Bullock; Prologue, Epilogue-Bullock.
Cast
Role: Abraham Actor: Pack

Afterpiece Title: The Country House

Afterpiece Title: Hob

Dance: As17150512

Performances

Mainpiece Title: Abra Mule; Or, Love And Empire

Afterpiece Title: A City Ramble; or, The Humours of the Compter

Performance Comment: In which will be introduced the Song ofJoan and her Maid to the Compter were sent. Hardhead-Hippisley; Sir Humphrey-Mullart; Ezekiel Prim-Bridgwater; Abraham-Paget; Gentlemen-Ridout, A. Ryan; Constables-M. Stoppelaer, Boaman; Mordecai-James; Watchmen-Houghton, Littleton; Rachel-Mrs Mullart; Women-Bencraft, Smith, Mrs Browne; Newswoman-W. Hallam; Toby Twang-Chapman; Strip-Clarke; Skin'em-Todd; Bounce-Jones .
Cast
Role: Abraham Actor: Paget

Music: Handel's Water Musick

Dance: Clown by Nivelon. French Peasants by Lalauze and Mlle D'Hervigni. Sailors (from Orestes), as17360302

Song: A Mock Italian Song by E. Roberts

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Barry; Escalus-Winstone; Capulet-Berry; Paris-Lee; Benvolio-Usher; Tybalt-Blakes; Friar Lawrence-Havard; Old Capulet-Wright; Friar John-Champness; Gregory-Taswell; Sampson-James; Balthasar-Bransby; Abraham-Marr; Mercutio-Woodward; Apothecary-Simpson; Peter-Vaughan; Page-Mas Cross; Guards-Raftor, Gray, Ray; Lady Capulet-Mrs Bennet; Nurse-Mrs James; Juliet-Mrs Cibber; with a new dance proper to the play-Cooke, Miss Janneton Auretti.
Cast
Role: Abraham Actor: Marr

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17481202, but Old Capulet-_; Montague-_; Gregory-_; Sampson-_; Balthasar-_; Abraham-_.
Cast
Role: Abraham Actor: Marr

Afterpiece Title: The Triumph of Peace

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17541026, but Nurse-Mrs Macklin; [Old Capulet-Johnston; Friar John-Jefferson; Balthazar-Ackman; Gregory-W. Vaughan; Sampson-Clough; Abraham-Marr (Hogan from 1763 acting edition).]
Cast
Role: Abraham Actor: Marr

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Barry; Capulet-Aickin; Montague-Murden; Benvolio-Davis; Tibalt-M'George; Mercutio-Shuter; Escalus-Palmer; Paris-Keen; Balthazar-Lewis; Fryar Lawrence-Hurst; Peter-Weston; Fryar John-Nelson; Old Capulet-Pierce; Apothecary-Castle; Gregory-Hamilton; Abraham-Quick; Lady Capulet-Mrs Burden; Nurse-Mrs Worley; Juliet-Mrs Dancer.
Cast
Role: Abraham Actor: Quick

Performances

Mainpiece Title: Abimelech

Performance Comment: Parts were: Abraham-; King Abimelech-; Phocal-; Sarah-; Hagar-; Queen of Gerar-; Officers-; Soldiers-; attendants-.
Cast
Role: Abraham Actor:

Music: End Part I: Solo on Violincello, as17720311 End II: New Concerto on Violin by Cirri, as17720320(Theatrical Review, p. 219)

Performances

Mainpiece Title: Redemption: A Sacred Oratorio Selected From The Great And Favourite Works Of Handel

Performance Comment: Principal Vocal Performers as17940319but added: Fisher. Leader as17940312ART I. Overture (OCCASIONAL ORATORIO). When the Earth by Dignum. O! First created beam by Chorus. He measur'd the waters and He layeth the beams by Meredith. When his loud voice by Chorus. Now heaven in all and Lord what is Man! by Mrs Crouch. How excellent thy name by Chorus. These are thy glorious works and Speak ye who best can tel1 by Kelly. Abraham believed in God and Abraham, enough by Mrs Bland. Now when Joseph was sold and Jehovah is my shield and glory by Miss Leak. When Joseph by Dignum. Blest be the man by Chorus. When Joseph was dead and Pious orgies by Sga Storace. Then sent he Moses by Dignum. He gave them hailstones by Double Chorus. The Lord is a man of war by Fisher and Meredith. Moses and the children of Israel by Sga Storace and Double Chorus. PART II. Now after the death by Dignum. Ye sons of Israel by Chorus. Oh Joshua! and Oh had I Jubal's lyre! by Mrs Bland. When Joshua by Dignum. Now Deborah and Angels ever bright and fair by Master Welsh. Jehovah crown'd by Meredith and Chorus. Now the elders by Dignum. Welcome, welcome mighty King by Chorus. Again the Philistines and In Sweetest harmony by Sga Storace and Chorus. Their bodies are buried in peace by Chorus. Dead March (SAUL). And the men of Judah and Lord remember David by Kelly. Gird on thy Sword by Chorus. Blest be the Lord and The Sword that's drawn by Meredith. When King David by Dignum. Coronation Anthem by Chorus: God save the King. PART III. Now when the fullness of time and Where is this stupendous stranger by Mrs Crouch. In the days of Herod and There beneath a lovely shade by Dignum. And Jesus went about and He was eyes unto the blind by Kelly. When the time drew near by Mrs Bland. Hosannah to the son of David by Chorus. The people of Jerusalem and He was brought as a lamb by Meredith. Behold it is Christ by Dignum. He sitteth at the right hand by Chorus. Holy, holy by Sga Storace. For as much as Christ by Meredith. Glory be to the Father by Chorus .

Music: As17940409

Event Comment: Receipts: #200 7s. 6d. (Account Book). Mainpiece: With New Dresses and Decorations. [The first of a series of five performances (the last, Merchant of Venice, 18 Nov.) which got Macklin dismissed from the theatre until 1775, when his lawsuit against six persons whom he claimed formed a conspiracy to hiss him from the stage and ruin his livlihood was concluded favorably for him. His performance of Macbeth was favorably treated but with certain misgivings in the Morning Chronicle (25 Oct.), but he was mercilessly criticized in the London Evening Post and St James Chronicle: "In Act II, Sc. i, Shakespeare has made Macbeth murder Duncan; Now Mr Macklin, being determined to copy from no man, reversed this incident, and in the very first act, scene the second, murdered Macbeth." The favorable review (Morning Chronicle) thought he did well in first and last acts, but gave way to stage rant and "vehemence of energetic expression" wanting any variation in tone in between. It also pointed out a certain faulty memory of his lines. His novel stage effects came in for a paragraph of comment: The alterations in the jeux de theatre respecting the representation of this tragedy do Mr Macklin great credit. His change of the scenery is peculiarly characteristical. The Quadrangle of Macbeth's castle, and the door which is supposed to lead to Duncan's apartment (both of which are entirely new) are additions of consequence to the exhibition of the play. The door also through which Macbeth comes to the Weird Sisters, in the 4th act, is a better and more probable entrance than through the common stage portal. The dresses are new, elegant, and of a sort hitherto unknown to a London audience, but exceedingly proper. The Banquet was superbly set out, and it must be confessed that the managers seem to have spared neither cost nor assiduity to ornament and add to the effect of the representation." A favorable letter from a correspondent to the London Evening Post adds: "I must observe, Mr Printer, that from the graceful and characteristic manner in which Macbeth was introduced by the martial music and military procession, from the manner of M. Macklin's acting, from his judicious alteration of the dresses, the disposition of the scene where the King is killed, the cave of the witches in the 4th act, from the improvement of Mrs Hartley's thinking in Lady Macbeth and from her manner of speaking, which seemed plainly to be the effects of some intelligence she had received from Mr Macklin...I thought Mr Macklin deserv'd great praise." See the newspaper comments all gathered and reprinted in an Apology for the Conduct of Charles Macklin, (London, 1773). See also note to 30 Oct. See also London Chronicle, Oct. 23-26 (cf. Odell, I, 453). The Westminster Magazine suggests the performance was pitiable. "Macklin knew what he ought to do, but could not do it." The Scenemen's pay this week was about double the normal cost. (Account Book).] Verse Squibs from St James Chronicle (Oct. 1773) against Macklin: @Macbeth@"Eight Kings appear and pass over in order, and Banquo the last"@Old Quin, ere Fate suppressed his lab'ring breath@In studied accents grumbled out Macbeth:--@Next Garrick came, whose utt'rance truth impressed,@While ev'ry look the tyrant's guilt confess'd:--@Then the cold Sheridan half froze the part,@Yet what he lost by nature sav'd by art.@Tall Barry now advanc'd toward Birnam Woodv@Nor ill performed the scenes--he understood--@Grave Mossop next to Foris shaped his march@His words were minute guns, his action starch.@Rough Holland too--but pass his errors o'er@Nor blame the actor when the man's no more.@Then heavy Ross, assay'd the tragic frown,@But beef and pudding kept all meaning down:--@Next careless Smith, try'd on the Murd'rer's mask,@While o'er his tongue light tripp'd the hurried task:--@Hard Macklin, late, guilt's feelings strove to speak,@While sweats infernal drench'd his iron cheek;@Like Fielding's Kings [in Tom Thumb] his fancy'd triumphs past,@And all be boasts is, that he falls the last.@ Also from St James Chronicle:@The Witches, while living deluded Macbeth@And the Devil laid hold of his soul after death;@But to punish the Tyrant this would not content him,@So Macklin he sent on the stage to present him.

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Thomasand Sally

Event Comment: Benefit for Portal, Carleton Sen., Shade & Enoe. [Afterpiece in place of The Flitch of Bacon, announced on playbill of 29 May.] Receipts: #204 6s. C35/5/0; 24/17/6; 0/6/6; tickets: 143/17/0) (charge: none listed)

Performances

Mainpiece Title: The Provoked Husband

Afterpiece Title: All the World's a Stage

Dance: End of mainpiece The Irish Fair, as17820406

Event Comment: Benefit for Portal, Shade, Enoe & the Widow of the late Carleton Sen. Receipts: #264 (39/10/0; 17/2/6; 0/7/6; tickets: 207/0/0) (charge: #107 12s. 2d)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Deserter

Dance: As17821214

Event Comment: Benefit for Portal, Shade, Morris & Palmer Sen. Tickets sold at the Doors will not be admitted. Receipts: #223 6s. 6d. (24/6/0; 8/13/6; 0/8/0; tickets: 189/19/0) (charge: #105 17s. 4d.)

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: Who's the Dupe

Dance: As17840320athi

Event Comment: Benefit for Portal, Shade, Hicks & Palmer Sen. Afterpiece to conclude as 17 Jan. Receipts: #246 1s. (23/6/0; 9/16/6; 1/18/6; tickets: 211/0/0) (charge: #107 19s. 3d.)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Waterman

Dance: As17850505

Song: End of Act IV of mainpiece Bright Phoebus has mounted the Chariot of Day by Dignum

Event Comment: Benefit for Portal, Shade, Hicks & Palmer Sen. Receipts: #249 4s. 6d. (17/4/0; 10/4/6; 2/12/0; tickets: 219/4/0) (charge: #105 9s. 6d.)

Performances

Mainpiece Title: The Chances

Afterpiece Title: The Lyar

Dance: As17860522

Event Comment: Benefit for Portal, Shade, Hicks, Palmer Sen. [As afterpiece the playbill announces The Double Disguise, but it was not acted. Its substitute is listed in the Account-Book.] Tickets delivered for The Foundling will be admitted. Receipts: #293 6s. (27.16; 10.6; 0.11; tickets: 254.13) (charge: #105 9s. 4d.)

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: All the World's a Stage

Dance: As17870115