SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "2 Foreign Ministers"/1) | (@(roleclean,performerclean) "2 Foreign Ministers")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1984 matches on Event Comments, 211 matches on Performance Title, 114 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Distress'd Mother

Afterpiece Title: The Weathercock

Performances

Mainpiece Title: Macbeth

Afterpiece Title: St Patrick's Day

Performances

Mainpiece Title: The Provoked Husband

Afterpiece Title: Bon Ton

Dance: End: The Merry Peasants, as17751018

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: May Day

Dance: End: The Savage Hunters, as17751020

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Commissary

Dance: End: a New Ballet, The Gardeners-Sg and Sga Zuchelli [see17690114]

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: Midas

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Lyar

Performances

Mainpiece Title: The Maid Of The Oaks

Afterpiece Title: The Sultan

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Padlock

Dance: IV: The Irish Fair, as17751003

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Musical Lady

Dance: End Opera: La Soiree A@la@mode, as17751207

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Jubilee

Dance: III: The Merry Peasants, as17751018

Performances

Mainpiece Title: Epicoene; Or, The Silent Woman

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: The Discovery

Afterpiece Title: May Day

Performances

Mainpiece Title: The Provoked Husband

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: The Runaway

Dance: The Dance of The Savage Hunters, as17760210(playbill); the Public Advertiser lists The Grand Garland Dance-Slingsby, Como, Sga Crespi, Sga Paccini

Afterpiece Title: The Sultan

Performances

Mainpiece Title: Medea

Afterpiece Title: The Deserter

Dance: End: The Grand Garland Dance-, as17760302 but Sga _Pacini

Performances

Mainpiece Title: Braganza

Afterpiece Title: The Rival Candidates

Dance: II: A Divertissement-; in which will be introduced a Passe Pied-; End: (By Particular Desire, and for the first time this season) The Grande Provencalle-; to conclude with an Allemande-Slingsby, Mrs Sutton, Como, Sga Crespi

Performances

Mainpiece Title: The Maid Of The Oaks

Afterpiece Title: Bon Ton

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Man of Quality

Dance: End: The Grand Garland Dance, as17760311 but Sga Pacini

Performances

Mainpiece Title: Matilda

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: Loves Metamorphoses

Dance: End: A Comic Dance-the two Miss Stagledoirs, scholars to M. LaRiviere

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Waterman

Dance: I: The Sailors Revels, as17751220

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Waterman

Performances

Mainpiece Title: King Richard III

Afterpiece Title: The Devil to Pay

Performances

Mainpiece Title: News From Parnassus

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Cross Purposes

Dance: III: Hornpipe-Miss Besford; To conclude with: Country Dance-the characters. [Both these were danced, as here assigned, at all subsequent performances.

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Comus

Dance: I: a Masquerade Scene-incident to the Play; a Minuet-Dumay, Mrs Jackson

Song: End IV: Funeral Procession of Juliet, with the Solemn Dirge-Mattocks, Reinhold, Baker, Fox, Miss Dayes, Miss Valois, Mrs Willems; [The Masquerade, Minuet, and Dirge, as here assigned, are the same in all subsequent performances.] In afterpiece: Sweet Echo-Leoni, Miss Catley. [This was sung, as here assigned, in all subsequent performances.